Week-End in Havana (1941)

合衆国司法機関の極秘情報がドラッグ密輸コネクションに漏洩（ろうえい）する事態が発生。それを受け、マイアミ警察特捜課（バイス）の刑事コンビ、ソニー・クロケット（コリン・ファレル）とリカルド・タブス（ジェイミー・フォックス）は南米に飛び現地の犯罪組織と接触し、情報が漏れた原因を見つけ出す任務を任された。

ボンドは北朝鮮側の非武装地帯にある基地で、アフリカから不正輸出されたダイヤモンドと引き換えに武器の密輸を行なっていたムーン大佐抹殺の任務を遂行した直後、彼の父であるムーン将軍に捕らわれ、長きに渡る監禁・拷問を受ける。 14ヶ月後、中華人民共和国の諜報員3名を殺害したのち、逮捕されたムーン大佐の側近のザオとの捕虜交換が行われ、ようやくMのもとに戻れたボンドは思いがけない言葉を耳にする。それは00（ダブルオー）ナンバーの剥奪だった。1週間前に北朝鮮内部に潜り込んでいたアメリカの工作員が処刑され、ボンドが居た収容所から情報が発信された事から、北朝鮮での拷問でボンドが機密事項を洩らしたのが原因だと疑うアメリカはこれ以上の情報漏れを恐れザオとの交換でボンドを連れ戻したのだという。ボンドを疑うMは、ボンドの00ナンバー剥奪という決断に至ったのだ。 この結果に納得のいかないボンドは、自らのプライドと00ナンバーを取り戻すべく単身でMたちのもとから脱出。香港を拠点に活動する中国の諜報員ミスター・チャンの協力のもと、ザオがキューバに潜伏中との情報をつかみ、キューバに飛ぶ。そこでアメリカ国家安全保障局（NSA）の諜報員ジンクスと遭遇する。

90年代のマイアミで、反カストロ勢力によるテロ活動を阻止する目的で、亡命者組織に潜入したキューバ人スパイらの活躍と苦悩を描く。史実に基づく物語。

A British mercenary arrives in pre-Revolution Cuba to help train the corrupt General Batista's army against Castro's guerrillas while he also romances a former lover now married to an unscrupulous plantation owner.

ライ・クーダーとキューバの老ミュージシャン達（ブエナ・ビスタ・ソシアル・クラブ）との演奏を中心に、彼らの来歴、キューバの日常を描いたキューバ音楽ドキュメンタリー映画。

革命の気運高まる1958年。バチスタ政権下にあるキューバの首都ハバナを舞台に、ギャンブラーと女革命家の燃えるような恋と運命を描く。ロバート・レッドフォードの代表作。

Gambler Nathan Detroit has few options for the location of his big craps game. Needing $1,000 to pay a garage owner to host the game, Nathan bets Sky Masterson that Sky cannot get virtuous Sarah Brown out on a date. Despite some resistance, Sky negotiates a date with her in exchange for bringing people into her mission. Meanwhile, Nathan's longtime fiancée, Adelaide, wants him to go legit and marry her.

Expatriate Englishman Jim Wormold lives in pre-revolutionary Havana with his teenage daughter. Owning a poorly-performing business, he accepts an offer from the British Secret Service to recruit a network of agents in Cuba. Wormold hasn't got a clue where to start, so he decides to manufacture a list of agents and provide fictional tales for his masters in London, and is soon known as the best agent in the Western Hemisphere. However, it all unravels when the local police decode his cables and start rounding up his 'network' and he learns that he's the target of a group out to kill him.

Havana, Cuba, 1979. Flamboyantly gay artist Diego (Jorge Perugorría) attempts to seduce the straight and strait-laced David, an idealistic young communist, and fails dismally. But David conspires to become friends with Diego so he can monitor the artist's subversive life for the state. As Diego and David discuss politics, individuality and personal expression in Castro's Cuba, a genuine friendship develops between the two. But can it last? Strawberry and Chocolate became an instant hit when it was released, and has become a classic of Cuban cinema due to its charming and authentic exploration of a connection between two people under historical circumstances that seem levelled against them.

Chuck Scott gets a job as chauffeur to tough guy Eddie Roman; but Chuck's involvement with Eddie's fearful wife becomes a nightmare.

Jesús, a young hairdresser, works at a Havana nightclub for drag performers and dreams of being a performer himself. Encouraged by his mentor, Mama, Jesús finally gets his chance to take the stage. But when Angel, his estranged father recently released from a 15-year stint in prison, abruptly reenters his life, his world is quickly turned upside down. The macho Angel tries to squash his son’s ambition to perform in drag. Father and son clash over their opposing expectations of each other, struggling to understand one another and reconcile as a family. Shot in a gritty neighborhood far from the Havana most tourists know, Viva is a heartrending story of music, performance, and survival.

The historic concert appearance of the British band in Cuba on March 25th, 2016. The "Concert for Amity" was and played at the Ciudad Deportiva Stadium - the bands first show in Cuba and the finale of their South America Tour.

An American insurance adjuster, stranded in Havana, becomes involved with an archaeologist and a collector of antiquities in a hunt for treasure in the Mexican ruins of Zapoteca.

A ship company employee, Jay Williams, is sent to Florida where one of the company cruise ships is stuck on a reef off of the coast. He obtains waivers from all of the passengers with the exception of Nan Spencer, a department store salesgirl who wants her vacation NOW, not later. Jay is instructed to take Nan to Havana and set her up in the best hotel and keep her entertained. She visits a night club where the star attraction is Rosita Rivas, and meets Rosita's worthless manager, Monte Blanca, who makes a play for her. Trouble also comes in the form of Jay's fiancée, Terry McCracken, when a romance develops between Nan and Jay.

China Valdes joins the Cuban underground after her brother is killed by the chief of the secret police, Ariete. She meets and falls in love with American expatriate Tony Fenner. Tony develops a plan to tunnel under the city's cemetery to a plot owned by a high official, assassinate him, and blow up the whole Cuban hierarchy at the ensuing state funeral. Together with a band of dedicated revolutionaries, they begin digging.

While in Havana, a musician gets involved with a crippled man and his beautiful wife... with deadly results.

Television plays an important role in the life of the people of Havana. Despite there being only one program - the daily broadcast of the Telenovela is a most welcome distraction from the boring everyday life in the capital of Cuba. The movie watches enthusiastic and less enthusiastic viewers, and the almost holy people who are repairing the precious, mostly Russian devices.

This film is considered one of Tin Tan's funniest comedies. This time, the charismatic comedian incarnates a mariachi musician that lives the most entertaining an extraordinary adventures while traveling from Mexico to the paradisaic island of Cuba. An example of the excellent cinematographic comedy that only Tin Tan can achieve.

The film is liberally inspired by the period when Eça de Queiroz was Portuguese Consul in Cuba, when still a Spanish colony. Eça de Queiroz struggles against local authorities in his defense of Chinese workers, brought to the sugar plantations by greedy middlemen and exploited as slaves. Two parallel stories unfold, that of a Chinese girl which Eça de Queiroz saves from the clutches of one of the island’s most powerful slave owners, and the other of a romance involving a young American woman on holidays in Havana.

The brash, opinionated owner of a nightclub manages to drive everybody crazy on a boat trip to Havana.