a ritual of sisterhood. (2019)

Adopted from South Korea, raised on different continents & connected through social media, Samantha & Anaïs believe that they are twin sisters separated at birth.

今までの恋で味わっていた気持ちがよみがえったらどうなるだろう...それもいっぺんに! 男の子を好きになるたび、こっそりラブレターを書いていたララ・ジーン。けれど、出すつもりのなかった手紙がなぜか本人に届けられ、妄想の恋が大変なことに!

A woman seeks to take revenge when her younger sister disappears and she finds out that her sister suffered violence and sexual abuse from school bullies.

「アベンジャーズ」シリーズをはじめとしたマーベル・シネマティック・ユニバース（MCU）の各作品で活躍した、スカーレット・ヨハンソン演じるブラック・ウィドウが単独で主役を務めた作品で、孤高の暗殺者だったブラック・ウィドウがなぜアベンジャーズになったのか、知られざる物語が明らかにされる。物語の時代設定は「シビル・ウォー　キャプテン・アメリカ」と「アベンジャーズ　インフィニティ・ウォー」の間で、ブラック・ウィドウがアベンジャーズから離れていた時期に起こった出来事を描く。ブラック・ウィドウの前に突如現れた、“妹”エレーナ。姉妹は、自分たちを暗殺者に育てたスパイ組織「レッドルーム」の秘密を知ったことで命を狙われる。唯一の味方は、かつて組織が作り出した“偽りの家族”だけだった。しかし、その家族の再会によってレッドルームの恐るべき陰謀が動き出す。エレーナ役は「ストーリー・オブ・マイライフ　わたしの若草物語」でアカデミー助演女優賞にノミネートされたフローレンス・ピュー。監督は、「ベルリン・シンドローム」のケイト・ショートランド。2021年7月8日から劇場公開され、7月9日からDisney+でも配信（追加料金が必要なプレミアアクセスで公開）。

A modern retelling of Louisa May Alcott's classic novel, we follow the lives of four sisters - Meg, Jo, Beth, and Amy March - detailing their passage from childhood to womanhood. Despite harsh times, they cling to optimism, and as they mature, they face blossoming ambitions and relationships, as well as tragedy, while maintaining their unbreakable bond as sisters.

Camille's life as a lonely suburban teenager changes dramatically when she befriends a group of girl skateboarders. As she journeys deeper into this raw New York City subculture, she begins to understand the true meaning of friendship as well as her inner self.

In 1971, a young woman moves from the French countryside to Paris and begins a passionate love affair with a feminist leader.

Just as Stella enters the exciting world of adolescence she discovers that her big sister and role model Katja is hiding an eating disorder. The disease slowly tears the family apart. A story about jealousy, love and betrayal told with warmth, depth and laughter - on and off the ice.

A story about a karaoke-addicted old woman struggling with her self-worth and a sense of betrayal at her long-lost husband's funeral where she encounters his younger and more sophisticated girlfriend while she finds out her kids might have been secretly in touch with her late husband all these years.

What might be revealed in the process of inviting strangers to act out and respond to 1970s feminism forty years later? Between 2015 and 2017, hundreds of strangers in communities all over the US were invited to read aloud and respond to letters from the 70s sent to the editor of Ms. Magazine–the first mainstream feminist magazine in the US. The intimate, provocative, and sometimes heartbreaking conversations that emerge from these spontaneous performances make us think critically about the past, present, and future of feminism.

Isa and Zoe are eleven years old, they are best friends. Through their video diaries, they tell their perspectives on the transition from childhood to adolescence, the changes they are undergoing and their concerns when they stop being girls to become women.

Julia and Johanna, from the high-rise flats of Rosengård in Malmö, inseparable for as long as they remember. Curled up beside each other at night, carrying equal memories of abduction and abuse in their home country Azerbaijan. In Blood Sisters we follow their journey from twin sisters in symbiosis to young women trying to stand on their own feet.

In 1910, a young laundress leaves her rural home, fleeing from her father's violence. With her, her two sisters and their baby brother. Along the way they try to break free from the past and rediscover a future.

Sara does not belong to this world, but in a last effort she sets out on a journey in search of her only important person.

Two sisters in their early thirties find themselves isolated in the Aegean summer cottage of their childhood, as they must deal with their uneasy sibling relationship and confront their devastating recent past past.

After surviving assault, an enigmatic 17-year-old Mexican girl finds retribution through her untapped female power and local witch culture.

Shivan (Suresh Gopi) arrives in a remote village as an agricultural officer. Pappachi (Jagathy) arranges the upstairs of a house for him to stay in. A family of three girls (Khusboo, Vani Viswanath, Kaveri) lives downstairs along with their father (M.R. Gopakumar). The three of them develop romantic feelings towards Shivan.

A trio of young women help each other come to terms with death, loss and love during a séance on the roof of their apartment building.