The Eliminadora (2017)

人類への復讐心から地上を魔物の世界へ変えようと企む“ブラッドクイーン”こと最強の魔女ニムエ。極秘の超常現象調査防衛局（B.P.R.D.）の最強エージェント・ヘルボーイは、地球を守るべく決死の戦いを挑むが、彼女の魔力により世界を滅亡させてしまうほどのパワーを手にいれてしまう。やがてバトルは天変地異へとエスカレートする。

After a group of violent lepers escapes from a sanitarium, - robbing several farms, residents of the town demand the the sheriff - take action. Meanwhile, a local criminal joins forces with the lepers - to commit even more robberies. As the disfigured madmen keep the - entire town indoors with its reign of terror, the sheriff has no - choice but to call on the only man who can help--legendary wrestling - superhero, Santo!

Jose, an eleven-year-old luchador, retreats into a fantasy world until it is infiltrated by a tough 12-year-old girl. He uses his vivid imagination to make it through the toughest weekend of his life.

Intimate problems and the wickedness of friends is resolved in the ring.

Masked hero El enmascarado de oro faces a criminal that turns invisible.

A Colombian gangster buys modern weapons to re-sell them to guerrillas of various countries, under the patronage of the Mafia. Interpol is after Gallardo, the Mexican provider, with the help of two masked wrestlers, Octagon and Atlantis.

Massively built dock-worker has beef with munitions-smuggling gang, and meanwhile he's recruited to perform as a lucha-libre wrestler.

A lady wrestler and her boyfriend, a policeman, battle a mad scientist who has developed a murderous killer robot and uses it to kidnap wealthy people.

Cowboy sheriff investigates the murder of a crooked lucha-libre promoter.

Trio of karate/wrestler superheroes vs. space aliens!

The Magnificent Beast (Free Fight) is a 1953 Mexican film. It was directed by Chano Urueta. The first film of the Luchadores genre.

A wrestler tries to break up a covey of vampires, led by the King of Vampires.

Neutron, a wrestler/superhero, investigates a series of murders at a sanitarium.

Wacky, unrestrained, and with its own mystifying internal logic that cannot be entirely chalked up to the language barrier, this low-budget Turkish exploitation film from the 1973 is very weird, and both provide a very good time. THE DEATHLESS DEVIL introduces us to a young man (Kunt Tulgar) who discovers that he was adopted, and that his father was really a superhero named Copperhead. Like anyone who finds out such blood runs in his veins, he dons the Copperhead mask and goes into action. First on his list is the nefarious, mustached Dr. Satan, who has plans to steal technology that will let him control the world's robots and electronics. This technology belongs to a kindly professor and his pretty daughter, whose safety is now in Copperhead's hands. As he fights to bring the villain down, he finds time to enjoy the numerous Turkish beauties who disrobe for him.

The Panther women are worshipers of Satan and perform rituals in their honor and sacrifice. The fighters will face them up and down the ring.

A mexican wrestler's personal life struggles when he loses his fights.

The documentary portrays the life and history of Mexican wrestlers who for various reasons have decided to participate in this contact sport characterizing exotic characters. The exotic refers to the strange, the mysterious, the weird, the unusual. Particularly in wrestling exotic style refers to refined athletes in their clothing, well groomed, with a very special walk, occasionally thin effeminate. Not rude, not technical, but not rare height or size, these mannered gladiators have represented a third option within the Mexican rings, some shamelessly displaying their sexual preference and thereby defying the homophobic, or secretly homophily, mood of the wrestling fans.