The Opening of the Wells (1966)
ジャンル : 音楽
上映時間 : 18分
演出 : Alfréd Radok
シノプシス
The Opening of the Wells with music by the Czech composer, Bohuslav Martinu was supposed to be part of Laterna Magika II.: Tour programme in 1960. However, it was banned by the communist committee tasked with judging the performance from “a politically correct” point of view. The committee claimed that Radok’s manners and morals were behind the times, and that the director did not show the ultra-modern techniques of Czechoslovakian agriculture. The premiere was postponed and Radok was fired from the Laterna Magika Theatre. His young colleagues (including Milos Forman) were officially asked to finish the rehearsals without the controversial part, and to make other minor changes in other scenes (these changes were made). Alfred Radok considered this to an unforgivable betrayal, as he expected them to leave the theatre to support him.
Violinist Sydney Wells was accidentally blinded by her sister Helen when she was five years old. She submits to a cornea transplantation, and while recovering from the operation, she realizes that she is seeing dead people.
かつて将来を有望視されていたが、母の介護の為にその夢をあきらめるしか無かった天才チェロ奏者が、母の死をきっかけに再び元恩師のもとに行くと、そこには既に成功した若い天才チェロ奏者が居た。
ウォルト・ディズニーが世に贈った数々の長編アニメーション映画の中でも、特に傑作として語り継がれている『ファンタジア』。クラシック・ミュージックの華麗な旋律とめくるめく色彩、そしてダイナミックで時として繊細、優美なモーションの融合は、アニメーション史のみならず映画史上、類を見ない作品として、公開以来つねに人々を魅了し続けてきました。組曲「くるみ割り人形」にのせて繰り広げられる愛らしいマッシュルームのチャイニーズ・ダンス、軽やかに舞うカバのバレリーナとワニたち、「魔法使いの弟子」に扮した人気者ミッキーマウスも夜空の星たちを指揮して大熱演…。画面いっぱいにあふれる夢とファンタジーは、時代を超え色褪せることなく輝き続ける宝石。最新のテクノロジーにより甦った色彩とサウンドが、いま新たなる感動とセンセーションを呼び起こします。
Blending lively music and brilliant animation, this sequel to the original 'Fantasia' restores 'The Sorcerer's Apprentice' and adds seven new shorts.
類いまれな才能を持つ天才ピアニスト有馬公生は、母親が他界してから演奏できなくなってしまう。高校2年生のある日、幼なじみを通じて彼は勝ち気で自由奔放なバイオリニスト宮園かをりと出会う。その独創的な演奏に触れたことで、公生は再びピアノと母との思い出と向き合うようになる。一方のかをりは、ある秘密を抱えていた。
The Parrs' baby Jack-Jack is thought to be normal, not having any super-powers like his parents or siblings. But when an outsider is hired to watch him, Jack-Jack shows his true potential.
A fictionalised exploration of Beethoven's life in his final days working on his Ninth Symphony. It is 1824. Beethoven is racing to finish his new symphony. However, it has been years since his last success and he is plagued by deafness, loneliness and personal trauma. A copyist is urgently needed to help the composer. A fictional character is introduced in the form of a young conservatory student and aspiring composer named Anna Holtz. The mercurial Beethoven is skeptical that a woman might become involved in his masterpiece but slowly comes to trust in Anna's assistance and in the end becomes quite fond of her. By the time the piece is performed, her presence in his life is an absolute necessity. Her deep understanding of his work is such that she even corrects mistakes he has made, while her passionate personality opens a door into his private world.
When the beloved cellist of a world-renowned string quartet is diagnosed with a life threatening illness, the group's future suddenly hangs in the balance as suppressed emotions, competing egos and uncontrollable passions threaten to derail years of friendship and collaboration. As they are about to play their 25th anniversary concert — quite possibly their last — only their intimate bond and the power of music can preserve their legacy.
Like his father, Tom is a real estate agent who makes his money from dirty, and sometimes brutal, deals. But a chance encounter prompts him to take up the piano and become a concert pianist. He auditions with the help of a beautiful, young virtuoso pianist who cannot speak French - music is their only exchange. But pressures from the ugly world of his day job soon become more than he can handle.
Solange is depressed: she's stopped smiling, she eats little, she says less. She has fainting fits. Her husband Raoul seeks to save her by enlisting Stephane, a stranger, to be her lover. Although he listens to Mozart and has every Pocket Book arranged in alphabetical order, Stephane fails to cheer Solange. She knits. She does housework. Everyone, including their neighbor a vegetable vendor, agrees that she needs a child, yet she fails to get pregnant by either lover. The three take a job running a kids' summer camp where they meet Christian, the precocious 13-year-old son of the local factory manager. It is Christian who restores Solange to laughter
After marrying her long lost love, a pianist finds the relationship threatened by a wealthy composer who is besotted with her.
Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.
The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply. In the context of this film, "Allegro non Troppo" means Not So Fast!, an interjection meaning "slow down" or "think before you act" and refers to the film's pessimistic view of Western progress (as opposed to the optimism of Disney's original).
目指せ、全国。 吹奏楽部での活動を通して見つけていくかけがえのないものたち。 これは、本気でぶつかる少女たちの青春の物語。 【Introduction】 高校の吹奏楽部を舞台に繰り広げられる人間ドラマ、 そして繊細かつダイナミックな演奏シーンが話題となり、 多くの人々から支持を集める「響け! ユーフォニアム」シリーズ。 そんなシリーズの完全新作『劇場版 響け! ユーフォニアム~誓いのフィナーレ~』 ――久美子先輩って優しいですね。 主人公・黄前久美子が2年生に進級し、吹奏楽部へ「後輩」たちがやって来る。 一筋縄ではいかない後輩との関係を通して、久美子が得たものとは――。
プラティニ国際音楽コンクールでの優勝後、千秋(玉木宏)はルー・マルレ・オーケストラの常任指揮者に。早速オケの偵察に行く千秋だったが、まったくやる気の感じられない団員たちの態度を目の当たりにし、がく然としてしまう。一方、のだめ(上野樹里)はコンセルヴァトワール(音楽学校)の進級試験を控え、練習に励む毎日を送っていたが……。
British filmmaker Simon Cellan Jones directs the BBC drama Eroica, starring Ian Hart as Ludwig van Beethoven. Shot on digital video, this TV film depicts the first performance of Beethoven's Third Symphony, June 9th, 1804, in Vienna, Austria. Prince Lobkowitz (Jack Davenport) has invited friends to listen to Beethoven conduct his new symphony for the first time. Among the aristocratic attendees are Count Dietrichstein (Tim Pigott-Smith), Countess Brunsvik (Claire Skinner), and composer Josef Haydn (Frank Finlay). The actual musical score is performed by the Orchestre Revolutionaire et Romantique, under the direction of John Eliot Gardiner.
1779. Eight-year-old Ludwig van Beethoven, called "Louis", is already known as a musical prodigy. He learns to go his own way - much to the dismay of the people around him. Some years later, he meets Mozart during times of political upheaval. The unconventional genius and French Revolution are sparking a fire in Louis' heart; he doesn't want to serve a master - only the arts. Facing times of family tragedies and unrequited love, he almost gives up. However, Louis makes it to Vienna to study under Haydn in 1792, and the rest is history. Who was this man, whose music has since touched countless hearts and minds? At the end of his life, the master is isolated by loss of loved ones and hearing. Surely though, he was way ahead of his times.
K・ラッセルによる、大作曲家マーラーの伝記映画。1911年、ウィーンに向かう列車の中、妻のアルマとコンパートメントに座るマーラー。その脳裏をよぎるさまざまな記憶……妻との甘い想い出、師であるワーグナー夫人の強烈な個性、ユダヤ人の彼が被った差別や中傷……。そして彼の悪夢はナチの台頭を予感するような激しいものになっていく。彼が妻と過ごす別荘付近の自然描写が美しいだけに、その恐ろしさが真に迫る。
Beginning on the eve of her thirtieth birthday, “Brave Enough,” documents violinist Lindsey Stirling over the past year as she comes to terms with the most challenging & traumatic events of her life. Through her art, she seeks to share a message of hope and courage and yet she must ask herself the question, “Am I Brave Enough?” Capturing her personal obstacles and breakthrough moments during the “Brave Enough,” tour, the film presents an intimate look at this one-of- a-kind artist and her spectacular live performances inspired by real-life heartbreak, joy, and love.
When Gabriel and Emilie meet by chance, he offers her a ride, and they spend the evening talking, laughing and getting along famously. At the end of the night, Emilie declines Gabriel's offer of "a kiss without consequences". Emilie admonishes him that the kiss could have unexpected consequences, and tells him a story, unfolding in flashbacks, about the impossibility of indulging your desires without affecting someone else's life.