Feast (2019)

When he won his Giller Award, Saint Lucia poet/playwright Derek Walcott couldn’t make it, so Michael Ondaatje stood in his place and read Love After Love, the most beautiful poem I had ever heard. It remains a haunting and a promise. I learned it “by heart,” as the saying goes, and finally made this movie, which is only a way of keeping it with me as memento and keepsake. Using subtle repeats and rest stops for reflection, the poem’s fifteen lines are a narration of self-care, an invitation to do the deep dig of meeting that most unwanted of all visitors. The film is framed by a writer/stand-in who is in search, waiting in the pause between faces. Her writing brings her to a temporary oasis where she can reboot and refresh, invite her many personalities to arrive, and allow old encounters with friends and familiars to flow through her, to become again a living memory.