The Tail (2019)

Produced out of Harvard's Sensory Ethnography Lab, Laura Huertas Millán's quietly masterful La Libertad follows a group of matriarchal weavers in Mexico, formally mimicking the examination of an object through subtle shifts in scale and space.

A film of a sloth, using three-colour separation to show sloth time.

Dilara decides to go out that night. Although not having any issues with her existence till the day, Dilara starts finding flaws in herself after she was faced with a barrage of criticism from her flatmate Kübra about her apparel as she was getting ready to go out. Questioning and comparing herself with any woman she comes across or any woman embedded in her mind for any reason continuously drives Dilara towards a damaged self-esteem. A surprise ending awaits Dilara who gets back home late at night, exhausted with all these thoughts.

Selamet, who is working at the old central of a company which is on the eve of moving to a big center, tries to make his life similar to a stranger on the phone by discovering his closeness to that person.

A fourteen-year old girl communicates with a spider in a dark basement, without knowing the time and place.

This movie is a collection of portraits of residents of Russian countryside. Not a single word. Only long look into the camera. Landscape. Flow of time.

It's getting late on a Friday night and Ralph is keen to get out of the office, but the boss won't let him. No big deal, right? It's just that the full moon is rising and Ralph is a werewolf.

Ydessa Hendeles' exhibition entitled "The living and the Artificial" (consisting of works of art all comprising a photograph of living persons in the company of one or several teddy bears) had puzzled Agnès Varda so much that she decided to go to Toronto where the artist lives and interview her. In front of Agnes Varda's DV camera, Ydessa tells about the singularity of her artistic approach. She also expresses herself about the Holocaust, which both her parents survived.

Sait lives with his family in Diyarbakır. Her daughter Hacer is abandoned by her fiancé Jesus. Sait, who cannot accept this situation, sets out to search for Jesus, who is also his former apprentice. Sait confronts some facts after a while.

Unpredictably, as most of my life’s key events have been, for a period of several years of late sixties and early seventies, I had the fortune to spend some time, mostly during the summers, with Jackie Kennedy’s and her sister Lee Radziwill’s families and children. Cinema was an integral, inseparable, as a matter of fact, a key part of our friendship. The time was still very close to the untimely, tragic death of John F. Kennedy. Jackie wanted to give something to her children to do, to help to ease the transition, life without a father. One of her thoughts was that a movie camera would be fun for children. Peter Beard, who was at that time tutoring John Jr. and Caroline in art history, suggested to Jackie that I was the man to introduce the children to cinema. Jackie said yes. And that’s how it all began

A recent widower deals with his grief through his wife's broken camera as he relives through her photos to find one last chance to be with her.

"Random Stop" is a first-person P.O.V. recreation of events from the life of a highway patrolman. The film is based on the true story of Sheriff's Deputy Kyle Dinkheller who - at the end of a shift - pulled over a speeding pickup truck driven by disturbed Vietnam veteran, Andrew Brannan. The results of this routine traffic stop were both tragic and deadly. Footage of the stop is now used in police training throughout the world.

This intimate portrait of Andy Warhol pulls together a unique library of material shot by New York film legend Jonas Mekas. Spanning from 1963 to 1990, the film features a cast of counterculture icons including Allen Ginsberg, George Maciunas, John Lennon, and Yoko Ono, as well as John and Caroline Kennedy, and Lee Radziwill (Jackie Kennedy Onassis's sister and Warhol muse)—to whom Mekas dedicates the film. The film features footage from the Velvet Underground's first public performance. A portrait of the remarkable life of arguable the twentieth century's most famous artist and leading iconographer.

S. who is a young man in mid-twenties thinks he has a heart attack and will die. His mother and father take him to the hospital. However, they do not think that S. has a heart attack and, they do not care about his condition. In the hospital, S. will try to explain to his parents and doctors how his condition is serious.

A street artist and his estranged son reconnect as a result of their common interest, art.

A pianist plays in a huge theatre on a cylindrical piano, which is rotated by his dwarf assistant. The theatre is part of a huge, spherical city. Upon waking, he turns out to be a street musician, who has a restraining order, but wants to teach his daughter how to play the piano.

A sprightly elderly man brightens the day of a little girl through magic.

A romantic date night goes horribly wrong when a couple questions the validity of horror film plots.

Jill has the snake, Julie has the flute. Alone they have nothing. But together they have a secret weapon to fight the dark forces.

Apiyemiyekî? addresses the genocide of the Waimiri-Atroari people in 1970s, when during the Brazilian dictatorship indigenous lands in the mid-west were invaded for the construction of the national road BR-174 and the installation of a mining company. Illustrations about the period, created by the indigenous population, including children, reveal a traumatic history, referring us to the present day.