Rise of the Mummy (2021)

Lou and Tex think they've made the buy of a lifetime while expanding their carnival business. Unfortunately, they've neglected to read the fine print.

Ernesto, a 60-year-old man, passes away days before his daughter's wedding. After dying, he finds himself in an office talking to Death itself and discovers that he must prove that he has fulfilled his purpose in life or else he will be condemned to wander like a lost soul, but Ernesto refuses to die because he still has unfinished business in the world of the living.

This film explores the lives of those men and the memories of those left behind: the childhoods they shared and the choices they made. These men, now in their 60s, reflect on what has happened to their generation, why most of their friends and relatives died so young and how this particular apartment block captures the story of a whole generation. The voices and lives of the departed are included in clips from amateur videos from the 1990s. Set against the background of old friends’ attempt to understand their deaths, this film is about nostalgia and how memories kindle a special kind of love for home.

Four experts in different areas such as religion, philosophy and thanatology, share their wisdom when it comes to death.

A group of artists settle in a swamp on the banks of the Indre River. Meanwhile, a voice describes a utopian world.

When a new gameshow blesses this family only good can come from it, right?

Jean. François. Xavier. Three names, three figures that personify the triple image of a being who lives before our eyes the stages of his evolution and his liberation from sex, woman and death. Freed from his constraints, he becomes himself and, in his eyes, the woman is no longer the provocative element of a certain guilt of which he carried the weight.

A very stressed young woman is dismayed to find herself behaving like her own mother, with whom she has an extremely combative relationship.

Jen and her friends are attacked by a mysterious stranger after trespassing into an abandoned house.

SAMIN (21), a drunken man hopes to get a second chance on court day by appealing to the judge.

A young woman is forced to confront her own feelings of grief and confusion after the death of a friend.

How do we live, knowing we are going to die? In search of answers, we probed the minds of atheists, Buddhists, Jews, Christians, physicians, philosophers, authors, academics, a legendary stand-up comic, and scores of random pedestrians.

After receiving a phone call, a man feels his inner world come to a standstill. Recalling the event decades later, he relives how everything changed in that moment and reflects on how quickly his life has passed and how his reality was constructed by all the things he repeated to himself like a mantra.

Mylene is overwhelmed by desperation and regret. She stares at old photographs and spilled pills. Death stares back.

京都に暮らす内気な男子高校生・直実の前に、10年後の未来から来た自分を名乗る青年・ナオミが突然現れる。ナオミによれば、同級生の瑠璃は直実と結ばれるが、その後事故によって命を落としてしまうと言う。「頼む、力を貸してくれ。」彼女を救う為、大人になった自分自身を「先生」と呼ぶ、奇妙なバディが誕生する。しかしその中で直実は、瑠璃に迫る運命、ナオミの真の目的、そしてこの現実世界に隠された大いなる秘密を知ることになる。

Clare and Aidan, after making a pact that they would break up before college, find themselves retracing the steps of their relationship on their last evening as a couple. The epic date leads them to familiar landmarks, unexpected places, and causes them to question whether high school love is meant to last.

Set in the not so distant future, in Any Town USA, sixteen year old Herman Howards makes a fateful decision. He enters his suburban school and kills thirty nine students, two teachers, and a police officer. Just before his arrest he emails his idol, famous journalist Lax Morales, sending him clips of the shootings captured with Herman's own digital camera. In the clips Herman tells Lax, "I want to tell my story on your show". Lax, haunted by his own past, is now face to face with Herman.

Four friends get together for a nostalgic evening of fun and games after a decade of absence, which takes a dark turn.

世話好きの未亡人ドーリーは金持ちだが口やかましい男やもめホレスと帽子屋アイリーンの仲を取り持とうと奔走するが、そのうちドーリー自身も彼を好きになってしまい、ついには自分を売り込んでしまう。

A self-help seminar inspires a sixty-something woman to romantically pursue her younger co-worker.