No Trace (1950)

アラスカ・ナイトミュート。いまの時期は24時間太陽が沈まないこの町で17歳の少女の変死体が発見された。翌日、ロス警察のウィル・ドーマーが相棒のハップとともに応援にやって来る。ウィルは今までの豊富な経験を駆使し、犯人をおびき出す方法を思いつく。思惑通り海辺の小屋に犯人が姿を現わす。しかし、深い霧に犯人を見失ったウィルは誤って相棒を射殺してしまう。自分が射殺した事実を地元警察に告白しそびれたウィルは白夜も手伝って不眠症に陥る。不眠が続いて3日目の早朝、ウィルのもとに少女殺しの犯人から電話がかかってくる…。

In 1984, a young programmer begins to question reality as he adapts a dark fantasy novel into a video game. A mind-bending tale with multiple endings.

Belfast police conduct a door-to-door manhunt for an IRA gunman wounded in a daring robbery.

Detectives Jonas and Erik are called to the midnight sun country of northern Norway to investigate a recent homicide, but their plan to arrest the killer goes awry, and Jonas mistakenly shoots Erik. The suspect escapes, and a frightened Jonas pins Erik's death on the fugitive. Jonas continues to pursue the killer as he seeks to protect himself; however, his mounting guilt and the omnipresent sun plague him with an insomnia that affects his sanity.

Centring on the activities of a gang of assorted criminals and, in particular, their leader – a vicious young hoodlum known as "Pinkie" – the film's main thematic concern is the criminal underbelly evident in inter-war Brighton.

An ex-con trying to go clean ends up working for a crooked trucking company swindling money.

An orphan wrecks havoc on a remote Scottish island when she causes an age-old feud to be reignited.

A woman is found murdered in a house along the coast from Brighton. Local detectives Fellows and Wilks lead an investigation methodically following up leads and clues mostly in Brighton and Hove but also further afield.

The son of a notorious hangman is gradually becoming insane and he finds himself unable to resist the urge to strangle women to death.

A British woman on a visit to post-war Berlin is caught up in an espionage ring smuggling secrets into and out of the Eastern Bloc.

Small-time jewel thief Leo Martin is deserted by his partners-in-crime, club owner Gus Loman and driver Hatchett, when the robbery they are committing goes wrong. After serving his prison sentence, Leo emerges with an intricate plan for revenge. Leo implicates Loman, as well as his amoral boss, Gregory Lang, for murder -- but Inspector Rogers suspects Leo.

A woman who lives in Spain has trouble convincing anybody that a complete stranger has taken her dead brother's identity.

A British psychiatrist devises a devilish revenge plot against his wife's lover.

A man falls in love with a beautiful young woman and begins to suspect that he may have also loved her in a previous life.

Dutch painter Jan-Van Rooyer hurries to keep a rendezvous with Jacqueline Cousteau, an elegant, sophisticated Frenchwoman, slightly his elder, whose relationship with him had turned from art student into one of love trysts. He arrives and is confronted by Detective Police Inspector Morgan who accuses him of having murdered Jacqueline. Morgan listens sceptically to the dazed denials of Van Rooyer as he tells the story of his relationship with the murdered woman. Morgan, after hearing the story, realizes that the mystery has deepened, and it becomes more complicated when the Assistant Commissioner, Sir Brian Lewis, explains that Jacqueline was not married but was being kept by Sir Howard Fenton, a high-ranking diplomat whose names must be kept out of the case.

A barber gives in to temptation and steals some money, leading to blackmail and murder.

A meek teller thinks he's killed his boss. He flees with a box of cash hoping for a new life with his younger mistress.

Filmed in England but set in New York, No Orchids For Miss Blandish tells of a sheltered heiress who is abducted on her wedding night by a trio of cheap hoods, in what starts out as a jewel robbery and turns into a kidnapping/murder when one of them kills the bridegroom. More mayhem ensues as the three kidnappers soon end up dead.

P.C. George Dixon is a long-serving traditional copper who is due to retire shortly. He takes a new recruit under his aegis and introduces him to the easy-going night beat. Dixon is a classic ordinary hero but also anachronistic, unprepared and unable to answer the violence of the 1950s.

Johnny Flanagan did not have the privileges of a good education or wealthy background but the streets developed his natural talent to be a great fighter. His enormous potential to reach the top is born out of a string of spectacular successes. All of which is brought to a halt when he develops a physical relationship with his manager's wife, the beautiful but manipulative Lorna. His naive temperament is no match for her callous, dispassionate scheming and he unwittingly becomes a pawn in Lorna's ultimate plan... .to murder her husband.