BKLYN The Musical (2021)
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演出 : Dean Johnson
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BKLYN The Musical is a story within a story. On the outside you have a troupe of street performers who are sharing a story from their lives, using it to help you see them as people too. Then there is the story they tell – the story of a young girl who comes to the U.S. to find the father she never knew. Together these stories create a show that is both touching and inspiring, drawing the audience into a live theater experience to remember.
A live stage recording of the musical based on DreamWorks Animation's 1998 film adapted from the biblical story of Moses, from his being a prince of Egypt to his ultimate destiny of leading the Children of Israel out of Egypt.
Filmed stage production of Molière's comedic play The Miser about the dangers of greed.
We mostly think of robots as work machines, as efficient and precise executors of tasks. In German industry, they barely look like people, to avoid emotional complications. Unlike in Asia, where humanoid robots have already been developed for some time, for example for care-work or as sex partners. The external similarity to human beings makes the acceptance of machines easier. However, if the machine is too similar to a human, we begin to feel mistrust: what is human, what is machine? Japanese robotics researchers call this weird similarity the “uncanny valley”. For his play, Stefan Kaegi works with a writer and playwright for the first time: Thomas Melle allowed an animatronic double of himself to be made. This humanoid takes the author’s place and throws up questions: what does it mean for the original when the copy takes over? Does the original get to know himself better through his electronic double? Do the copy and his original compete or do they help each other?
10 year anniversary revue for the Knäppupp company, performances of both old and new material.
Judy at the Palace. Sinatra at Carnegie Hall. Streisand at the Garden. Stritch on Broadway. Legendary performances come along so rarely. Elaine Stritch At Liberty is an autobiographical one-woman show written by Elaine Stritch and John Lahr. The show consists of spoken monologues from Stritch following her life and career, interspersed with showtunes and pop standards which compliment her stories. Many of these songs had been originated by Stritch in major Broadway productions, such as "The Ladies Who Lunch" from Company and "Civilization" from Angel In The Wings. Her experiences and relationship with show business are focal points, but she also explores more intimate, personal themes like her alcoholism and romantic relationships.
This Pirates of Penzance is primarily a historical document, part of the Broadway Theater Archive television series. It presents, with some inevitable, tiny technical shortcomings, a live 1980 performance in Central Park, not the 1983 movie of the same name that also starred Linda Ronstadt and Kevin Kline. Those who remember that film, which had the benefit of retakes and editing, a lavish production budget, and the spaciousness of a Hollywood studio, may find this video less polished. On its own terms, it is nonetheless thoroughly enjoyable.
Forever Plaid is an affectionate musical homage to the close-harmony 'guy groups' that reached the height of their popularity during the 1950s. This quartet of high-school chums, and their earnest dreams of recording an album, ended (symbolically, and even literally) in death, when their cherry red '54 Mercury collided with a bus filled with Catholic schoolgirls on their way to see the Beatles' American debut on The Ed Sullivan Show. The girls were fine. The play begins with the wondrous and wondering Plaids returning from the afterlife for one final chance at musical glory.
Catharine Holly, a poor relation of a prominent New Orleans family, seems to be insane after her cousin Sebastian dies under mysterious circumstances on a trip to Europe. Sebastian's mother, Violet Venable, trying to cloud the truth about her son's homosexuality and death, threatens to lobotomize Catharine for her incoherent utterances relating to Sebastian's demise. Under the influence of a truth serum, Catharine tells the gruesome story of Sebastian's death by cannibalism at the hands of locals whose sexual favors he sought, using Catharine as a device to attract the young men (as he had earlier used his mother).
A Sunday Afternoon on the Island of La Grand Jatte by Georges Seurat is one of the great paintings of the world, and in "Sunday in the Park with George," book writer James Lapine and composer/lyricist Stephen Sondheim bring a story based on the work brilliantly to life. While the painting depicts people gathered on an island in the Seine, the musical goes beyond simply describing their lives. It is an exploration of art, of love, of commitment. Seurat connected dots to create images; Lapine and Sondheim use connection as the heart of all our relationships. Winner of the 1985 Pulitzer Prize for Drama. Originally broadcast as part of "American Playhouse" on PBS (season five, episode nineteen).
The busiest and craziest day in the routine of an airport, through which transit, from the waiting room to the interior of the plane, a multitude of varied and extravagant characters: pilots, stewardesses, tourists, executives, pensioners, all of whom contribute to causing chaos and unleashing laughter. (First performance at Sala Villarroel in Barcelona, March 13, 1984.)
Out-of-work singer Victoria Grant meets a just-fired, flamboyant gay man in a club in 1920s Paris. He convinces her to pretend to be a man who is a female impersonator in order to get a job. The act is a hit in a local nightclub, but things get complicated when a gangster and nightclub owner from Chicago, King Marchan, falls in love with "him." Filmed live on Broadway, 1995.
The Magic Show is a one-act musical with music and lyrics by Stephen Schwartz and a book by Bob Randall. It starred magician Doug Henning. Produced by Edgar Lansbury, it opened on May 28, 1974 at the Cort Theatre in Manhattan, and ran for 1,920 performances, closing on December 31, 1978. Henning was nominated for the Tony Award for Best Featured Actor in a Musical and director Grover Dale was nominated for the Tony Award for Best Direction of a Musical. In 2001, a filmed performance staged especially for the cameras in 1980, directed by Norman Campbell at the Queen Elizabeth Theatre in Toronto, was issued on DVD by Image Entertainment. This production, originally intended for cinema release, differed notably from the original Broadway production, with several of the most memorable songs, such as "West End Avenue" and "Solid Silver Platform Shoes", removed. Doug Henning reprised his original starring role, while Didi Conn co-starred as Cal.
Smokey Joe's Cafe, Broadway's longest-running musical revue, highlights the best songs by the legendary song-writing duo, Leiber and Stoller. Included numbers are "Neighborhood", "Fools Fall In Love", "Yakety Yak", "Charlie Brown", "Jailhouse Rock", "Hound Dog", "Love Potion #9" and "Stand By Me".
The musical uses the premise of a mysterious performance troupe, led by a Leading Player, to tell the story of Pippin, a young prince on his search for meaning and significance. In 1981, a stage production of Pippin was videotaped for Canadian television. The stage production was directed by Kathryn Doby, Bob Fosse's dance captain for the original Broadway production, and David Sheehan directed the video adaptation, with Roger O. Hirson in charge of the music. Ben Vereen returned for the role of Leading Player, while William Katt played the role of Pippin. However, this version was a truncated adaptation and several sections of the play were cut. An extended version running 135 minutes is also available.
In 1846, Anthony Hope sails into London with the mysterious Sweeney Todd, a once-naive barber whose life and marriage was uprooted by a corrupt justice system. Todd confides in Nellie Lovett, the owner of a local meat pie shop, and the two become partners, as Todd swears revenge on those that have wronged him and decides to take up his old profession.
A collection of fairy tale characters head into the woods, and soon learn that fairy tales don't end at "happily ever after." This rendition of Stephen Sondheim's Tony Award-winning musical was recorded on the stage with its original all-star Broadway cast. Originally broadcast as part of "American Playhouse" on PBS (season ten, episode one).
Sex Drugs and Aids... This controversial musical follows the lives of recovering addicts and people dying of aids in 80s new York in-between two Christmases after Collins is Involved in a race attack and left on the street to die he is saved by angel a trans woman and drag queen as their relationship builds the scary reality creeps in. In the lot Mark and Roger struggling artists can't afford to make RENT as relentless landlord and former friend Benny makes life hell for them all the while Marks ex girlfriend Maureen is protesting the eviction of the homeless on that same lot and her new girlfriend Joanne handles the law side of things. Finally Mimi is a 19 year old in love with Roger but she is addicted to cocaine and the former heroine addict wants nothing to do with her after his last girlfriend committed suicide.
Based on Davis' 1961 play Purlie Victorious (which was later translated into the 1963 film Gone Are the Days! and which included all of the original Broadway cast, including Ruby Dee, Alan Alda, Beah Richards, and Godfrey Cambridge), Purlie is a musical with a book by Ossie Davis, Philip Rose, and Peter Udell, lyrics by Udell, and music by Gary Geld. It won two Tony Awards and was also nominated for Best Musical.
This 1981 television adaptation is directed by Rudi Goldman and stars Broadway cast members Guillaume, Moore, Hemsley, and Hopkins, with Brandon Maggart as Cotchipee, Clarice Taylor as Idilla, and Don Scardino as Charlie. The production won a CableACE Award.
Set 10 years later, the Phantom has escaped from Paris to New York where he lives amongst the joyrides and freak shows of Coney Island. He has finally found a place for his music to soar, all that is missing is his love Christine Daaé. In a bid to win back her love, the Phantom lures Christine, her husband Raoul, and their young son Gustave from Manhattan, to the glittering and glorious world of Coney Island... they have no idea what lies in store for them... You truly haven’t experienced Andrew Lloyd Webber’s Love Never Dies until you see this spectacular new Australian production, filmed at Melbourne’s iconic Regent Theatre.
Shrek The Musical is a musical with music by Jeanine Tesori and book and lyrics by David Lindsay-Abaire. It is based on the 2001 DreamWorks Animation's film Shrek and William Steig's 1990 book Shrek! It was nominated for 8 Tony Awards including Best Musical.