Swiss Miss (1938)

Three people playing cards.

The story begins when Toby (Ivan Jackson), a young English businessman, arrives in South Africa to take charge of a publishing firm. He knows little about apartheid and so at first sees no contradiction in developing a relationship with an elite, upper-class white woman and with a woman dedicated to fighting apartheid. But as Toby makes friends with one of the black South Africans (Zaku Mokae), and as he registers both the subtle and more obvious, deep-seated racial prejudices of the minority white population, some of the truth of the oppression here begins to dawn. That is brought to a head when tragedy strikes.

A kidnapped boy proves to be more than his abductor can handle.

France in the early 60s. Simon, a wrestler, wears a white mask. In the ring, he is known as "The Specter". He suggests to his friend Victor who has just returned from combat to be his adversary in the ring and wear a black mask, and be known as "The Slaughterer of Belleville". But for Victor, still shaken from his experience in combat, this is too much; for once in his life he would like to be the good guy, the one people cheer on. Simon then suggests they switch masks. But it proves less easy to fool the rest of the wrestling crowd...

Originally made for the 100 Feet Film Festival hosted by Image Forum. However, to test the limits, Terayama Shūji willfully made use of 3 projectors to project 300 feet of film at the same time.

Finished shooting in 1962, the movie’s cast was almost the same as its crew. With a bunch of experimental symbols such as skinny human body, clock and goat flow from one scene to another, the film explores the question of whether a man is a prisoner of time.

In this Borgesian satire on knowledge and technology, bibliophilic desire leads to the construction of a pedal-powered reading machine. Resembling a combination of gymnastic contraption, printing press and early cinematic apparatus, the machine’s purpose remains ambiguous. And like this machine, Terayama’s film connects his work in poetry, motion picture and graphic design by weaving together printed and projected, still and moving images.

When Laura and Dan get married, she's more interested in Dan's gorilla. It's revealed through hypnosis that she was Queen of the Gorillas in a previous incarnation.

Structured in visual chapters: the port, anchors, the wind, the spray, the dunes, the North Sea… A series of images that need no anecdote or explanation. Storck offers a glimpse of Ostend, aspects that order its multiple constitutive elements; The water, the sand, the waves, vital cinematic language displayed in simple pictures. A poetic and kinetic shock, without fiction or sound, which relieves film from its narrative obligation and restores it to the world of sensations that it can alone carry.

An intoxicated millionaire commissions an expedition to Africa. A white jungle goddess falls in love with the millionaire's daring consort, incurring the wrath of the jungle itself.

Cats fighting each other over a tabby around the eponymous back yard fence.

A woman passes a construction site and gets dirt in her eye, which causes her to wink involuntarily. Soon she has a trail of suitors.

Donald and Mickey put on a charity show, for some orphans.

Trader Hound, a dog who walks upright, wears human clothes, and speaks English, is in darkest Africa with a young sheik who is looking for adventure. With their native guides, they are searching for a lost princess, Nina T-Bone. After sleepless mosquito-filled nights, clothes lost to a mischievous monkey, and a battle royal between a lion and a gorilla, they make their way to Izorgi Village, where the fierce Afri-Curs live and where Nina T-Bone may be a prisoner. Trader Hound and his party are taken captive, and the Afri-Curs prepare a pot to boil them. Can they make their escape?

Biography of the famous composer of children's music Gabilondo Soler. Starts from his childhood, when he worked as a pastor and grandmother tried to teach him to play the piano. Later he went to the city to study music theory and began writing his first songs.

The daughter of a wealthy industrialist falls for a pickpocket.

This is a film that encapsulates the essence of a great pianistic age that married virtuosity and musicianship with the most thrilling aspect of individual showmanship.

A temperamental director multiple times completely changes the concept during a movie's production.

Dirceu, 30 years old, has origins that go back to the aristocracy of Northeast Brazilian backlands. Settled in a kind of subjective amnesia, Dirceu tries to bury his family's past. He is a demolition man in Recife, an urban landscape undergoing an uncontrolled process of transformation. Maria shares the same country origins, but she uses the city for a different purpose. She is a carefree and joyful music student. If Dirceu aspires to a world that is stable and present, Maria lives in discord with the present. To her, nothing is as it should be. Maria's apparition unleashes in Dirceu an urge for being somebody else. On a route of escape through the desert of the backlands, a unique encounter is set to happen. Boa sorte, meu amor (Good luck, sweetheart) is an anti-romance of the impact between music and silence.

In the early 70’s, Rock photographer Bob Gruen and his wife Nadya purchased a portable Video Recorder. In a period of three years they shot over 40 hours of New York Dolls footage. Now for the first time ever this footage is unveiled. This feature length documentary captures the band during early performances in New York at Kenny’s Castaways and Max’s Kansas City, then follows the Dolls on their tour of the West Coast, including footage from the Whisky A Go Go, the Real Don Steele Show, Rodney Bingenheimer’s E Club and much more. Intercut with revealing interviews, backstage banter and late night debauchery, this is THE definitive document of the New York Dolls.