No Means No (2024)

性的不能から妻に去られた男が、やがて金持ちになって、妻に奇妙な復讐をするまでを描く。

性的不能から妻に去られた男が、やがて金持ちになって、妻に奇妙な復讐をするまでを描く。

ナチスのワルシャワ侵攻を目の当たりにし、死の収容所送りを奇跡的に逃れたシュピルマンは、ゲットーの廃墟に身を隠すことで第二次世界大戦を生き延びる。

ナチスのワルシャワ侵攻を目の当たりにし、死の収容所送りを奇跡的に逃れたシュピルマンは、ゲットーの廃墟に身を隠すことで第二次世界大戦を生き延びる。

1939年、ポーランド南部の都市クラクフにドイツ軍が侵攻した。ドイツ人実業家のオスカー・シンドラーは、一旗揚げようとこの街にやって来た。彼は金にものを言わせて巧みに軍の幹部たちに取り入り、ユダヤ人の所有していた工場を払い下げてもらう。ユダヤ人会計士のイツァーク・シュテルンをパートナーに選んだシンドラーは、軍用ホーロー容器の事業を始める。41年3月、ユダヤ人たちは壁に囲まれたゲットー（居住区）に住むことを義務づけられる。シュテルンの活躍で、ゲットーのユダヤ人たちが無償の労働力として、シンドラーの工場に続々と集められ事業はたちまち軌道に乗る。

1939年、ポーランド南部の都市クラクフにドイツ軍が侵攻した。ドイツ人実業家のオスカー・シンドラーは、一旗揚げようとこの街にやって来た。彼は金にものを言わせて巧みに軍の幹部たちに取り入り、ユダヤ人の所有していた工場を払い下げてもらう。ユダヤ人会計士のイツァーク・シュテルンをパートナーに選んだシンドラーは、軍用ホーロー容器の事業を始める。41年3月、ユダヤ人たちは壁に囲まれたゲットー（居住区）に住むことを義務づけられる。シュテルンの活躍で、ゲットーのユダヤ人たちが無償の労働力として、シンドラーの工場に続々と集められ事業はたちまち軌道に乗る。

Lichter is an episodic tale from Hans-Christian Schmid about the life on the border between Germany and Poland. The film sheds light on the everyday stories of escape and desperateness.

Lichter is an episodic tale from Hans-Christian Schmid about the life on the border between Germany and Poland. The film sheds light on the everyday stories of escape and desperateness.

The story of Sita, a Hindu goddess and the female protagonist of the Hindu epic “Ramayana”. Plot TBA

The story of Sita, a Hindu goddess and the female protagonist of the Hindu epic “Ramayana”. Plot TBA

ニッキー（ローラ・ダーン）とデヴォン（ジャスティン・セロー）は、映画監督のキングスリー（ジェレミー・アイアンズ）が手掛ける映画に出演することになる。その作品は、ある秘密を抱えており、主演女優のニッキーは役にのめりこむにつれ、次第に役柄と私生活を混同し始めるようになる。

ニッキー（ローラ・ダーン）とデヴォン（ジャスティン・セロー）は、映画監督のキングスリー（ジェレミー・アイアンズ）が手掛ける映画に出演することになる。その作品は、ある秘密を抱えており、主演女優のニッキーは役にのめりこむにつれ、次第に役柄と私生活を混同し始めるようになる。

Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu.

Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu.

A womanizer office boss blackmails his assistant by requesting her to please him, a young ingenue whom he hired as his own private secretary. She then decides to fascinate him by collecting enough proof to get him caught red-handed.

A womanizer office boss blackmails his assistant by requesting her to please him, a young ingenue whom he hired as his own private secretary. She then decides to fascinate him by collecting enough proof to get him caught red-handed.

マウリヤ朝のアショーカ王。復讐に燃える狡猾な戦士は、歴史に名を残す名君に変貌し、さらに仏教の守護者となった。その激動の生涯を綴る、壮大な歴史物語。

マウリヤ朝のアショーカ王。復讐に燃える狡猾な戦士は、歴史に名を残す名君に変貌し、さらに仏教の守護者となった。その激動の生涯を綴る、壮大な歴史物語。

Three separate stories depicting the tense everyday life during occupation, as seen through the eyes of children. In “On the Road,” the two main protagonists are lost in the September’s strife: a young boy, and a soldier transporting the valueless documents of his broken unit. In “Letter from the Concentration Camp” the story’s protagonists are young boys who help their mother during the hardships of the occupation. Their treasure is an officer uniform belonging their father who is being held in a prisoner of war camp. In “Blood Drop,” the Germans find a set of typical Aryan characteristics in this story’s protagonist – a Jewish girl, hiding in an orphanage.

Three separate stories depicting the tense everyday life during occupation, as seen through the eyes of children. In “On the Road,” the two main protagonists are lost in the September’s strife: a young boy, and a soldier transporting the valueless documents of his broken unit. In “Letter from the Concentration Camp” the story’s protagonists are young boys who help their mother during the hardships of the occupation. Their treasure is an officer uniform belonging their father who is being held in a prisoner of war camp. In “Blood Drop,” the Germans find a set of typical Aryan characteristics in this story’s protagonist – a Jewish girl, hiding in an orphanage.