The Forgiveness of Blood (2011)

処女作1作を残して文壇を去った幻の作家と、秘めた文学の才能を持つ少年との出会い……。感動を呼んだショーン・コネリー主演作。監督は『グッド・ウィル・ハンティング 旅立ち』のガス・ヴァン・サント。

ある日、何の理由もなしに、鳥たちが人間を襲い始めた……。たった一つのシチュエーションをもとにあらゆる恐怖を引き出した、ヒッチコックのサスペンス・ドラマの傑作。

憎むべき相手と互いに顔を取り替えた二人の男の果てしなき死闘を描いた、ジョン・ウー監督によるバイオレンス・アクション。かつて冷酷無比のテロリスト、トロイによって最愛の息子を失っているFBI捜査官アーチャーは飛行場でトロイを捕らえたが、トロイがLAのどこかに細菌爆弾を仕掛けている事が判明。当のトロイは植物人間となっており、唯一の情報源は獄中にいるトロイの弟ポラックスだけだった。FBI特殊班はアーチャーにトロイの顔を移植しポラックスから爆弾の設置場所を聞き出すことに……。

After years as a prisoner of war Michael Adams, a former Navy SEAL, is trying to live a normal life. However, his life is turned upside-down when his estranged wife has a bomb implanted into her skull to assure that he will assassinate a US Senator. Now Michael has less than 12 hours to kill the Senator or the bomb will detonate. An action-packed, thrill a minute ride!

The Son of Bambi meets Godzilla

Ash Wednesday is set in the Manhattan of the early 1980's and is about a pair of Irish-American brothers who become embroiled in a conflict with the Irish Mob.

The hunter becomes the prey as a Vietnam veteran (Perry King) tries to ferret out the real culprit after being tagged as the prime suspect in the murders of his former Army pals.

A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn't left the village and is waiting for the doctor to come "home" as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.

Mitch Barrett becomes embittered because his wife is allowed to die when he can't pay for the medicine she needs. The remorseful townspeople hire Mitch to be a deputy sheriff, thereby enabling him to plot an elaborate bank robbery with the help of an artist, a pickpocket, a gunslinger and a bar-girl.

A bleak mansion sits ominously on a cliff above the sea somewhere on Florida's east coast. In its shadows, two people meet: a scientist haunted by incurable illness and a beautiful woman haunted by the voice of her dead husband. Ronald Reagan and Hollywood-debuting Viveca Lindfors star in an eerie drama steeped in religious faith and supernatural fear, in the destructive power of sexual jealousy and the redemptive power of love. In one of his earliest directorial efforts, Don Siegel (Dirty Harry, The Shootist) displays his command of pacing and camerawork, building the action to a climactic hurricane that parallels the tumultuous emotions of characters precariously balanced between now and the hereafter.

Stelios Kondogiorgis (Dinos Iliopoulos) and Thomas Makrykostas (Costas Hajihristos) are two quiet men that come from the same Peloponnese village yet do not know each other. Their families however are involved in a bloody feud that started 80 years ago. Stelios and Thomas are the last male members from each family. After the last murders in the village where a member of each family died, Stelios' uncle (Pantelis Zervos) urges him to find and kill Thomas for revenge lest he finds him and kills him first. At the same time Thomas is visited by his aunt (Joly Garbi) who asks of him the same and provides him with weapons. Despite everything, neither Stelios nor Thomas are interested in murdering one another and they are both terrified from the idea that a stranger is looking for them in order to kill them. So, they decide to leave their respective jobs and hide at some remote hotel. Luck brings them together without them knowing of each other's identity as they share a room.

他人の仇討ちに首を突っ込んで報奨金をいただく“助太刀屋”の助六。久々に故郷へ帰った彼は、母の粗末な墓に誰かが花を供えていたことを知る。思い当たる節もないまま、新たな仇討ちが始まると知って商売っ気を出す助六だが、すでに助太刀は足りているという。がっかりした助六は、足を向けたなじみの棺桶屋で、今度は当の仇である片倉梅太郎なる男と出会う。だが、仇の割に、彼には悪党らしいところがないと疑問を持つ。

Don Paolo, a young parson troubled by his love for Agnese, tries to make peace in a little village in Sardinia where two families are at war.

1918年、ニューヨーク。アルフォンス・カポーニは強盗の現場を目撃。警察に通報し、逮捕に来た警察にわざとつかまりギャングのボス、フランキー・エールの注意を惹いた。エールの部下になった彼は名前をアメリカ風にアル・カポーンと変えた...。

After a newlywed's husband apparently dies in a plane crash, she discovers that her rival for his affections is pregnant with his child.

Cultured Mario and outlaw Lucien, twins separated at birth, join forces to avenge their parents' death at the hands of evil Colonna. Because each feels all the same sensations experienced by the other, swordplay is difficult for them. Worse yet, raised very differently, they struggle to find common ground between their conflicting personalities. But to defeat their enemy, the two will have to overcome the obstacles and work as a team.

A deported gangster trains an Italian convict to take over his operations in the U.S.

Dead City (Greek: Nekri politeia) is a 1951 Greek drama film directed by Frixos Iliadis. It was entered into the 1952 Cannes Film Festival.

Army Captain Edward Hall returns to the US after two years in a prison camp in the Korean War. In the camp he was brainwashed and helped the Chinese convince the other prisoners that they were fighting an unjust war. When he comes back he is charged for collaboration with the enemy. Where does loyalty end in a prison camp, when the camp is a living hell?

The gypsy Azucena (Fiorenza Cossotto) takes revenge for her mother who was accused of putting a curse on one of the old Count di Luna's two sons: she decides to abduct the younger child and throw it in the flames. But when she is about to carry out this fatal act, the gypsy sacrifices her own child and keeps the old Count’s son, whom she names Manrico (IL TROVATORE, Plácido Domingo). Later, as adults, the troubadour Manrico and the Count di Luna’s elder son (Piero Cappucilli) do not know each other, but become rivals for the beautiful Leonora (Raina Kabaivanska). Manrico succeeds in winning the young woman’s heart, and she sacrifices herself for him, deceiving the Count’s son. Mad with jealousy, the latter orders the execution of the troubadour in front of his mother. Azucena reveals to him that Manrico was his brother. This legendary performance of Giuseppe Verdi's most successful opera was recorded at the Vienna State Opera under the baton of Herbert von Karajan.