Minotaur (2020)
ジャンル : ドキュメンタリー
上映時間 : 1時間 4分
演出 : Zulfikar Filandra
シノプシス
A film essay MINOTAUR covers 15 years of the author's life. Through various formats of private archives, from cell phone recordings, Instagram posts, segments from the author's previous films, vacation videos, we experience a Proustian journey through fragments of the recorded and cathartic confrontation with transience, dear people, poetry of small things and growing up.
身長120cmで最大のペンギンとして知られる皇帝ペンギン。愛らしい反面、彼らの生活、特に子育ては厳しい。南極に冬が近づくと彼らは他の生き物とは逆により寒い南へ向かう。敵が少ない極寒の氷原で繁殖を行なうためだ。求愛のダンスでパートナーを見つけたカップルは1つの卵を大切に温め合う。やがて母ペンギンたちは往復120日間をかけて餌を求める旅に出発するがその間、父たちは絶食したまま、ひたすら卵を守り続ける。
In 1996, the horror master Wes Craven unleashed Scream, a slasher movie aimed at a whole new generation of teenage movie-goers.
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Bruce Lee is universally recognized as the pioneer who elevated martial arts in film to an art form, and this documentary will reveal why Bruce Lee's flame burns brighter now than the day he died over three decades ago. The greatest martial artists, athletes, actors, directors, and producers in the entertainment business today will share their feelings about the one who started it all. We will interview the people whose lives, careers, and belief systems were forever altered by the legendary "Father of Martial Arts Cinema". Rarely seen archival footage and classic photos will punctuate the personal testimonials. Prepare to be inspired.
A behind-the-scenes retrospective made for the twenty-fifth anniversary of the classic horror film, The Exorcist. Includes interviews with Linda Blair and the other stars of the film, along with commentary from the director and writer on some of the deeper meanings behind the elements they used to terrify their audiences, and previously unreleased footage including make-up tests and deleted scenes.
Documentary examining what happens to some of the biggest names in the history of the adult entertainment industry after they leave the business and try and live "normal" lives.
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Emanuelle hosts this peculiar sexploitation Mondo film that looks at several examples of bizarre sexual behavior.
The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.
Johnny Knoxville and his band of maniacs perform a variety of stunts and gross-out gags on the big screen for the first time. They wander around Japan in panda outfits, wreak havoc on a once civilized golf course, they even do stunts involving LIVE alligators, and so on.
One of the world's biggest bands returns to the scene of their Live Aid triumph (one year earlier in 1985) to play all their greatest hits in front of a packed Wembley Stadium.
2009年6月、1か月後に迫ったロンドンでのコンサートを控え、突然この世を去ったマイケル・ジャクソン。照明、美術、ステージ上で流れるビデオ映像にまでこだわり、唯一無二のアーティストとしての才能を復帰ステージに賭けながら、歌やダンスの猛特訓は死の直前まで繰り返されていた。
Jackass Number Two is a compilation of various stunts, pranks and skits, and essentially has no plot. Chris Pontius, Johnny Knoxville, Steve-O, Bam Margera, and the whole crew return to the screen to raise the stakes higher than ever before.
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Johnny Knoxville, Bam Margera, Steve-O, Wee Man and the rest of their fearless and foolhardy friends take part in another round of outrageous pranks and stunts. In addition to standing in the path of a charging bull, launching themselves into the air and crashing through various objects, the guys perform in segments such as "Sweatsuit Cocktail," "Beehive Tetherball" and "Lamborghini Tooth Pull."
Home movies, photographs, and recited poetry illustrate the life of Tupac Shakur, one of the most beloved, revolutionary, and volatile hip-hop MCs of all time.
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A cameraman wanders around Moscow, Kharkiv, Kyiv and Odesa with a camera slung over his shoulder, documenting urban life with dazzling invention.
Man with a Movie Camera is one of the major manifestos of the world cinema avant-garde. According to the aesthetic principles of Vertov, the film was not based on a script. In Man with a Movie Camera, Vertov implemented experiments that he carried out for many years and theoretical developments in cinematography and editing, turning the film into a film-making methodological guide for subsequent generations of directors. The camera of a talented cinematographer Mikhail Kaufman captures the motley life of Ukrainian megalopolises – Odesa, Kharkiv, and Kyiv – under New Economic Policy.
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