Teens Love Huge Cocks 38 (2021)

After a series of brutal slayings, a teen and her friends take on an evil force that's plagued their notorious town for centuries.

豊かな自然に恵まれた海の町で暮らす高校生のルビーは、両親と兄の4人家族の中で一人だけ耳が聴こえる。陽気で優しい家族のために、ルビーは幼い頃から“通訳”となり、家業の漁業も毎日欠かさず手伝っていた。新学期、秘かに憧れるクラスメイトのマイルズと同じ合唱クラブを選択するルビー。すると、顧問の先生がルビーの歌の才能に気づき、都会の名門音楽大学の受験を強く勧める。だが、ルビーの歌声が聞こえない両親は娘の才能を信じられず、家業の方が大事だと大反対。悩んだルビーは夢よりも家族の助けを続けることを選ぶと決めるが、思いがけない方法で娘の才能に気づいた父は、意外な決意をし・・・。

Life for teenage versions of Wonder Woman, Supergirl and Batgirl is complicated as they try to balance their schoolwork with secret identities and fighting crime.

Teenagers’ leisure at full swing: a group of friends spend their holidays at parties, having sex, boozing, and partaking in any adventure that brings them a boost of adrenaline. As they use violence for entertainment and to fulfill their authoritarian fantasies, their adventures will show the cracks and the collapse of the perfect world they live in.

A young boy from the south of France falls madly in love with a posh Parisian girl and follows her for crazy adventures to the big city.

Fragments of the approximation between two boys shows the naive curiosity of Celio for Dario, the assumption of Sofia by this approximation and the previous interest of Dario for Celio.

It is a youth film about the boys in their late teens spend before they become adults. Sho and Tiaga, who grew up in the same neighborhood since they were little, are in their last year of high school. They are also the duo who beat the drums at town festivals. However, Taiga announces that he will not play drums this year to prepare to go to college. Sho, who has no plan of his future, cannot think straight. Like The Blue Bird by Maurice MAETERLINCK, the film tells the story of the youth realizing that happiness is not far away.

Two teen girls and two teen boys play a game of truth or dare. The questions and the challenges deal with sex; it's innocent and harmless, but at each turn, each youth tries to raise the ante. Then, Paul gives a dare to Rose, and the result brings on a sudden and complete silence.

Summer time. Two teenagers, a boy and a girl, have their first date in a park. Hesitant and shy at first, they soon discover each other, get closer as they wander, and end up falling in love. But as the sun goes down, it is time to separate... And a dark night begins.

Olivia is an introvert and shy teenager who uses notebooks and post-its to express what she cannot do in her daily life. Living in a problematic household, feeling that she has no friendships to trust; Olivia’s emotional state will be taken to the breaking point.

An uncompromising and controversial short set in the Scandinavian suburbia on the hottest day of the summer. A sister reluctantly babysits her little brother. Two young boys catch her attention, and she makes a crucial decision.

When Ella was twelve, she had her first fight. And when she was twelve, she discovered sex. Now eighteen, Ella reflects on how her obsession with her older brother Michael's best friend Moses left her with a secret she still carries.

Three teenagers with missing parents cross their lives by the river Tormes in Salamanca. One of them lives in a boarding school, another has just lost his father, and one lives badly in a tent by the river. No adults in their lives, without direction, they are becoming adults but still do not own their life.

Young love blossoms amongst a group of Athenian teenagers during a boisterous summertime idyll, in the raw, romantic and anarchic feature debut from Greek New Wave director Sofia Exarchou. One of the most eagerly awaited films to come out of Greece in recent years, Sofia Exarchou's feature debut is a coming-of-age story that presents a summertime idyll from the perspective of Athenian youths. It allows us to see the fragility they try to conceal, and at the same time shows them to be unwaveringly resilient despite the socio-economic troubles that affect their destinies.

Written and co-directed by 18-year-old Tunde Ikoli, this was made, he said, 'to show people what we have to put up with'; and its immediacy in dealing with the repressive influences on teenagers living in the East End of London often compensates for its lack of technical gloss. Particularly effective are a pointless search by goon-like policemen, and a café conversation between Tunde's friends, both of which do more to 'explain' delinquency than all of your glib sociological theorising. Like all neo-realism, Tunde's Film has the authority of performers re-enacting lived experience rather than acting.

A group of teenagers play a friendly game of Kick the Can. Two of them hide together: one has an idea, the other has a secret.

A couple of teenage boys decide to send a "dick pic" from the locker room. When the anonymously sent image is discovered, the culprits of the naughty image must choose to either hang out or stand together.