Demon Lover Diary (1980)

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

Featurette documenting the making of the film "Death On The Nile".

Director Guy Hamilton and several of the stars of Agatha Christie's "Evil Under The Sun" walk you through the making of the film.

When given keys to a mansion for the weekend, two friends decide to make a film but end up throwing a huge party and trashing the house. Now they race to get the "money shot" and finish their film to pay for all the damages done.

As Hollywood biographies go, Judy Garland's story is one of the saddest success stories you'll ever hear. The sanitized studio version of her life presented a smiling kid with the big voice, who, alongside Mickey Rooney, just wanted to put on a show. But drugs, overwork, even psychological abuse at the hands of the studio is now part of the Garland legend. But despite the number of Garland books and documentaries, one account has always been missing -- Garland herself never managed to write a memoir. She did make several attempts at an autobiography, often recording stories on a tape recorder. Judy Garland: By Myself (2004), finally fills in the blanks - using Judy's personal recordings to tell the story in her own words.

An autobiographical short film by Werner Herzog made in 1986. Herzog tells stories about his life and career. The film contains excerpts and commentary on several Herzog films, including Signs of Life, Heart of Glass, Fata Morgana, Aguirre, the Wrath of God, The Great Ecstasy of Woodcarver Steiner, Fitzcarraldo, and the Les Blank documentary Burden of Dreams. Notable is footage of a conversation between Herzog and his mentor Lotte Eisner, a photographer. In another section, he talks with mountaineer Reinhold Messner, in which they discuss a potential film project in the Himalayas to star Klaus Kinski.

The trials and tribulations of David O. Selznick as he attempts to find an actress to play the role of Scarlett O'Hara in Gone with the Wind (1939).

An Italian movie crew goes to London to make a documentary about a murder case that took place a few years before.

BBC documentary about the making of Steven Spielberg's Jaws.

Experience an action-packed, stunt-filled journey behind the scenes of the World-famous 'Hong Kong Action Cinema industry'. Join Jackie Chan, Sammo Hung and the leading members of the 'Hong Kong Stuntman Association' as they reveal the secrets of their trade, and disclose fascinating anecdotes relating to their groundbreaking work in some of the most daring and innovative action movies ever made.

Matthew Sweet explores his rules of 1940s and 50s American film noir thrillers.

Isabella Rossellini, Kyle MacLachlan, Dennis Hopper, Laura Dern, and producer Fred Caruso are interviewed for this 68-minute documentary about the making of David Lynch's Blue Velvet

The making-of documentary of Bonnie and Clyde.

Directors Stephen Spielberg, George Lucas, Ridley Scott and James Cameron discuss the science fiction movies of the 1950s that influenced them.

Director Ronnie Larsen interviews some of the most popular people working in porn, focusing closely on two of the industry's top directors: Gino Colbert and Chi Chi LaRue. Larsen follows Colbert and LaRue on video shoots and to porn events and functions (including the AVN Awards). Various performers are given identities as well, including Bryan Kidd, Rip Stone (a gay-for-pay model), Jordan Young, Hunter Scott (who demonstrates the proper way to give yourself an enema), and Blue Blake. While the performers are given voices, writers Mickey Skee and David Widmer are given faces and provide fascinating exposition (including how much the boys are paid), spilling some industry "secrets."

A documentary about the making of "Carlito's Way."

Interviews and overview of the making of the original 1967 James Bond film.

The life and legacy of Marlon Brando and how he changed acting.

A series of auditions is taking place in a museum-like living room. Various men improvise or deliver prepared lines, rehearse gestures and slogans, aim guns, and collapse as if mortally wounded. The theme of revolution is repeatedly invoked. In between, there are scenes of a desert landscape. Three men seeking to join the Mexican Revolution at the beginning of the last century have lost their way. Conflicts smolder among them, water is running low, and mutual mistrust is beginning to take hold. Placing the reenactment of a possible historical event alongside the preparations for it serves to underline the theatricality of every cinematic account of history. Moreover, on a kind of playful meta-meta-level, the scenes in which the actors feel their way through set pieces from a Beatles song or standard battle slogans allow the viewer to witness the simultaneous construction and deconstruction of a collective myth of revolution.