The Wise Little Hen (1934)

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

砂漠の都アグラバー。貧しい若者アラジンは、泥棒と間違われていた娘ジャスミンを助け出し、代わりに捕まってしまう。なんとジャスミンは、王宮から抜け出してきた姫君だった。投獄されたアラジンは、王国乗っ取りを狙う大臣ジャファーの策略で、自由と引き換えに魔法のランプを探す旅に出発することになった。洞窟の奥でランプを発見したアラジンが偶然ランプをこすったところ、なんと中からランプの精ジーニーが現われた。

アニメーション映画スターであるロジャー・ラビットは今日もベビー・ハーマンと共に映画撮影の真っ只中。しかし、いつもの調子が出ずNGばかり出してしまう。ロジャーの妻ジェシカが浮気をしてるのではとの噂があるからだ。スランプに陥ったロジャーを心配したマルーンは私立探偵を雇う事にした。一方、探偵のエディ・バリアントは、かつてトゥーンに関わる仕事が大好きだったが、一緒に探偵をやっていた弟をトゥーンに殺害されて以来、トゥーンを憎んでいた。

When Robin's daughter Lacy wants to buy an expensive guitar, Robin reminisces about the days when she was a teenager, asking her dad for her first car, an Olds Cutlass Supreme.

Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.

Finding an unfinished script written by Alfred Hitchcock himself, Martin Scorsese attempts to recreate it himself as Hitchcock would have.

Kibosh, supreme ruler of all ghosts, decrees that casper must scare at least one person before Christmas Day so Casper visits Kriss, Massachusetts where he meets the Jollimore family and sets out to complete his mission. As usual, kindhearted Casper has a ghastky time trying to scare anyone; so The Ghostly Trio, fed up with his goody-boo-shoes behavior, secretly hires Casper's look-alike cousin Spooky to do the job-with hilarious results.

After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.

A very old woman wants to have dinner with her friends. As they are all dead, the butler has to play the role of every guest.

Lili wakes her sister Victoria and insists that they both leave the house.

While scanning the universe for signs of hostility, Marvin hears something that sounds like a threat from Earth. Daffy's preparation for his movie role as a dreaded Martian fighter causes the confusion, which results in intergalactic mayhem of comic proportions.

When Sylvester hears that a children's museum's prize exhibit is Tweety Pie, he tires to raid the museum in order to have lunch. He doesn't succeed in his mission, due to Tweety's smartness, and the children.

Daffy is supposedly a super hero and tries to show off his "super powers."

This animated comic goes back in time to explore the events that spurred the transformation of mild-mannered John Kramer into the monstrous Jigsaw.

Bugs Bunny is hunted by Hiawatha, a stereotyped Native American who fills roughly the same role as Elmer Fudd in other Bugs Bunny cartoons of this era.

Extraordinarily detailed and beautifully drawn animation of a bizarre and surreal world; the domestic life of a fat man, his wife, a sort of oversized obese chicken, and their child/pet, a slug-like creature with a human head. This expressionistic and interior vision of Soviet animator Kovalyov is like an animated Eraserhead. Preserved by the Academy Film Archive, Academy War Film Collection, in 2007.

A jealous stump threatens two trees that are in love by starting a forest fire. When the rain comes and puts out the fire the forest revives and celebrates the wedding.

The Big Bad Wolf torments Little Red Riding Hood and the Three Little Pigs.

Mickey is trying to lead a concert of The William Tell Overture, but he's continually disrupted by ice cream vendor Donald, who uses a seemingly endless supply of flutes to play Turkey in the Straw instead. After Donald gives up, a bee comes along and causes his own havoc. The band then reaches the Storm sequence, and the weather also starts to pick up; a tornado comes along, but they keep playing.

The two pigs building houses of hay and sticks scoff at their brother, building the brick house. But when the wolf comes around and blows their houses down (after trickery like dressing as a foundling sheep fails), they run to their brother's house. And throughout, they sing the classic song, "Who's Afraid of the Big Bad Wolf?".

The Tortoise and the Hare is an animated short film released on January 5, 1935 by United Artists, produced by Walt Disney and directed by Wilfred Jackson. Based on an Aesop's fable of the same name, The Tortoise and the Hare won the 1934 Academy Award for Best Short Subject: Cartoons. This cartoon is also believed to be one of the influences for Bugs Bunny.