They are Called Junkmobile (2019)

インドネシアの山奥で過去最大と呼ばれる巨大金脈を発見し、 一攫千金の夢を成し遂げた探鉱者、ケニー・ウェルス。倒産寸前だった彼の会社はV字回復。 ウォール街の巨大投資銀行から全世界の金山を牛耳ってきた黄金王までがケニーの成功を賞賛し、 それを連日報じる全米のメディアは、彼を一躍スターへと押し上げた。 そんな中、報じられたのは衝撃のニュースだった。170億ドルの金塊が一夜にして消えた―。 「オレは何も知らない！」ケニーの主張も空しく、会社の株価は大暴落。 混乱の中、メディアや株主からの追求は激しさを増し、そして遂にFBIの捜査が始まった。 騙したのは、誰だ―。

ライターのリズは旅行先のバリで、手相を占える薬剤師のもとを訪れる。リズは歯の抜けた人のよさそうな薬剤師から、「生涯に２回結婚し、１回は短く１回は長い」「半年から一年の間にすべてを失うが、そのあと再び取り戻せるから安心するように」などと言われる。 帰国したリズに、夫のスティーヴンは仕事をやめて大学で学び直したいと言う。ふたりはマイホームを買ったばかりで、リズは夫との将来と価値観の違いに激しい不安を抱くようになる。リズは生まれて初めて真面目に神に祈った結果、離婚を決意する。 家を出て親友のデリア夫婦のもとに転がり込んだリズは、離婚協議がすすむなか、自分が執筆した芝居に出演する28歳のハンサムな俳優デヴィッドと出会う。ふたりは付き合うようになり、リズはデヴィッドのアパートに住むようになるが、夫を忘れるための恋は次第にうまくいかなくなる。 リズとデヴィッドは、やがて互いを罵り合うようになる。何もかもがうまくいかなくなって、途方に暮れたリズは、バリの薬剤師の言葉を思い出して、一年間をかけて外国を巡る旅に出ることを考え始める。ずっと行ってみたかったイタリアを回って、デヴィッドのヨガの導師を訪ねてインドを経由し、最後にバリの薬剤師のもとへ行く長い旅の計画に、親友のデリアは反対する。それでもリズは、周囲の反対を押し切って、自分を見つめ直す旅に出発する。

With stunning views of eruptions and lava flows, Werner Herzog captures the raw power of volcanoes and their ties to indigenous spiritual practices.

After sparing a girl's life during a massacre, an elite Triad assassin is targeted by an onslaught of murderous gangsters.

オーストラリアのジャーナリストと英国大使館員の恋を主軸に、現地のカメラマンの眼を通してインドネシアの政治的混乱を描く政治ドラマの傑作。出演はメル・ギブソン、シガニー・ウィーヴァー。

インドネシア・ジャカルタのインターナショナルスクールで、卒業を直前に控えた生徒20人に特別な課題が出される。それは核爆発により荒廃した世界で、10人分のシェルターに入る人間を20人の中から選び出すというもの。科学者や軍人などの職業が与えられ、仮想終末世界での討論が繰り広げられる状況で、仮想と現実の境界線がはっきりしなくなり、やがて生死を左右する戦いへと発展していく。

In Minangkabau, West Sumatera, Yuda a skilled practitioner of Silat Harimau is in the final preparations to begin his "Merantau" a century's old rites-of-passage to be carried out by the community's young men that will see him leave the comforts of his idyllic farming village and make a name for himself in the bustling city of Jakarta.

A family that survives the genocide in Indonesia confronts the men who killed one of their brothers.

Filmmakers expose the horrifying mass executions of accused communists in Indonesia and those who are celebrated in their country for perpetrating the crime.

A group of English, American, Dutch and Australian women creates a vocal orchestra while being imprisoned in a Japanese POW camp on Sumatra during World War II.

Two weeks after the bombing of Hiroshima and Nagasaki, in August 1945, Indonesian Independence leaders proclaimed “Indonesia Merdeka!” ‘Freedom for Indonesia’ and an end to Dutch colonial rule over the Netherlands East Indies. Internationally renowned Dutch filmmaker Joris Ivens, in Australia as Film Commissioner for the Netherlands East Indies government in exile, resigned his position in protest against Dutch policy, which sought to re-impose its colonial rule. In collaboration with Indonesian activists, Chinese, Indian and Australian trade unionists, and local artists and filmmakers, Ivens made Indonesia Calling, a film documenting the crucial role of Australian trade union support in the establishment of the new Republic of Indonesia. Ivens’ film was an activist documentary; it actively contributed to the events it depicted. All those who worked on it became ‘adversely known’ to the security services.

A popular high school girl strains her relationship with her close-knit clique when she begins falling for a reclusive, lower-class schoolmate.

On an obscure Pacific Island just north of Australia, the Japanese Empire has operated a prisoner of war camp for Australian soldiers. At the close of World War II, the liberated POWs tell a gruesome tale of mass executions of over eight hundred persons as well as torture style killings of downed Australian airmen. In an attempt to bring those responsible to justice, the Australian Army establishes a War Crimes Tribunal to pass judgement on the Japanese men and officers who ran the Ambon camp. In an added twist, a high ranking Japanese admiral is implicated, and politics become involoved with justice as American authorities in Japan lobby for the Admiral's release. Written by Anthony Hughes

A group of surfers arrives in a remote spot off the Australian coast, and the isolation and pressure push one person over the edge, leading to a violent outburst and a fight for survival.

After being trained in the art of silat, a disciple gets sent on a journey by his mentor to take down a treacherous e-pupil with a villainous plan.

At home, Tania is a closed girl who lives in the pressure of the mother who hates him since childhood . In the office, Tania is a shy girl who is busy harbored feelings of passionate love on Jordy, his boss. He can only bite the fingers and dream while his colleague, Grace, bolder approach Jordy. Until one day Janet, neighbors, giving the idea to use rope Pocong Tania Virgin to lure Jordy. Tania desperate to take the rope pocong it from the grave a virgin girl who had just died.

When a lady goes home to her apartment after a hard day at work, an apparition of one from her past appears in her presence. Her bittersweet memories then shows as flashbacks in the presence of the spectre, reminding her of what used to be.

He is an engineer, she is a machine. Brother and sister, lovers, father and daughter, inventor and invention. This is a story about them, trying to find eternity, before the end of time.

Tantra and Tantri are inseparable. When they secretly steal eggs from the family’s sacrificial offering, Tantri always gets the whites and Tantra the yolks. One day, however, the yolk is missing, as is Tantra. Her brother gravely ill and in hospital, Tantri starts slipping into magical parallel worlds, approaching the inevitable farewell through costumes, body paint and dance. When at one point Tantri’s mother washes the paint from her face, it is as if tenderly to expel the illusion that things can remain as they are. In long dream sequences and against the background of the Balinese philosophy of sekala – the seen – and niskala – the unseen – Andini relates how one ten-year-old girl deals with parting and grief.

While working on a project together, two friends face the feelings they've long had for each other. Now, however, they're both seeing other people.