My Love... (2004)
«My love is a magic phrase»
ジャンル : 犯罪, ドラマ, スリラー, ホラー
上映時間 : 37分
演出 : Sergey Potapov
シノプシス
The directorial debut of Sergei Potapov, a well-known director of original performances in his homeland, is capable of deeply touching any spectator. This movie will make the viewer feel. The painting is designed in a typical Asian style. The plot is built around two brothers. One of them is mentally ill, and the other can hardly be called "normal". Both brothers dream of the same thing. Rob the bank and leave the city. One chose Mexico and the other chose Hollywood. He dreams of becoming an actor. But their plans were not destined to come true. The ending of the film will make even the most staunch admirers of thrillers shudder. The mood of the picture and the denouement are very reminiscent of the vivid works of modern cult Asian directors.
A grizzled, hard-of-hearing cowboy, Slim, and his two friends, Dusty and Pete, capture a mysterious, well-dressed Frenchman.
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A meditation on eating people and quiet waitresses.
A man breaks into a large, seemingly abandoned old house to plunder the gold received. But the house is really abandoned?
Maya Deren’s shortest, two-minute A Study in Choreography for Camera seems like an exercise piece to capture a dancer’s movement on celluloid, which later on developed into her masterpieces such as Ritual in Transfigured Time and Meditation on Violence.
An obese woman recently released from an insane asylum kills anyone who attempts to get her to stop eating.
Short film made in 1997 while David Gordon Green was attending the North Carolina School of Arts that formed the genesis of his feature film debut, "George Washington".
A young agoraphobic woman is tormented by malevolent visions that begin to bleed into reality.
Two creatures wonder, 'What is a hole?' They have different points of view. Their debate leads to an idea, an idea that changes the world. This is a story of practical magic. This film was made as part of the 5th edition of the NFB's Hothouse apprenticeship.
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Three stories based on O. Henry novels.
Werner Krauss, who had played the deranged Dr. Caligari six years earlier, stars as a scientist who is tormented by an irrational fear of knives and the irresistible compulsion to murder his wife. Driven to the brink of madness by fantastic nightmares (designed by Ernö Metzner and photographed by Guido Seeber in a brilliant mix of expressionism and surrealism), he encounters a psychoanalyst who offers to treat the perplexing malady.
まだ乳児である息子を女手ひとつで育て、愛し抜かなければいけないという強迫観念にとらわれ、精神的な変調を抱えるようになってしまった琴子（Cocco）。その果てに奇行を繰り返した彼女は幼児虐待を疑われてしまい、沖縄にいる姉に息子を預けられることになる。そんなある日、彼女のもとに小説家の田中（塚本晋也）が現われる。沖縄行きのバスで乗り合わせ、車中で口ずさむ姿や声に惹（ひ）かれたと語る田中を激しく避ける琴子。それでも思いを伝え続ける彼を受け入れ、息子と共に3人で生きようと決意する。
Arnold's source material is a piece of footage from the 1950s, eighteen seconds long and very typical for the period. A quiet take: A living room, a woman in an armchair. Her husband opens the door, kisses her, then moves out of the picture accompanied by a camera pan, his wife follows after him. In Arnold's film the sequence takes 16 minutes. Cadre by cadre, it becomes an exciting tango of movements. But Pièce Touchée is more than just a matter of forms; The reflections, distortions and delays it displays challenge cinema's stable system of space and time.
A short segment of film is played with musical backing at various speeds for a jarring effect.
Pierre Clémenti's Soleil presents a psychedelic meditation on his life and his detention in an Italian Prison in 1972.
Two people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: the beautiful girl, a starfish in a jar, city scenes, newspapers, tugboats. More images: starfish, the girl. "How beautiful she is." Repeatedly. He advances up the stair, knife in hand, starfish on the step. Three people stand on a road, out of focus. "How beautiful she was." "How beautiful she is." "Beautiful."
A tilted figure, consisting largely of right angles at the beginning, grows by accretion, with the addition of short straight lines and curves which sprout from the existing design. The figure vanishes and the process begins again with a new pattern, each cycle lasting one or two seconds. The complete figures are drawn in a vaguely Art Deco style and could be said to resemble any number of things, an ear, a harp, panpipes, a grand piano with trombones, and so on, only highly stylized. The tone is playful and hypnotic.
