Nos utopies communautaires (2022)

シュタージ（国家保安省）の局員ヴィースラー（ウルリッヒ・ミューエ）は、劇作家のドライマン（セバスチャン・コッホ）と恋人で舞台女優のクリスタ（マルティナ・ゲデック）が反体制的であるという証拠をつかむよう命じられる。ヴィースラーは盗聴器を通して彼らの監視を始めるが、自由な思想を持つ彼らに次第に魅せられ……。

1950年。第二次世界大戦の終結による満州国の崩壊と国共内戦の終結により、共産主義国である中華人民共和国の一都市となったハルビン駅の構内。5年間にわたるソビエト連邦での抑留を解かれ、中華人民共和国に送還された「戦犯」達がごった返す中で、列から外れた1人の男が洗面所で自殺を試みる。男は監視人の手により一命を取り留めるものの、薄れ行く意識の中で幼い日々の頃を思い出していた。この男こそ清朝最後の皇帝にして満州国の皇帝、「ラスト・エンペラー」と呼ばれた愛新覚羅溥儀その人であった。

Based on the true story of a Russian serial killer who, over many years, claimed victim to over 50 people. His victims were mostly under the age of 17. In what was then a communists state, the police investigations were hampered by bureaucracy, incompetence and those in power. The story is told from the viewpoint of the detective in charge of the case.

「ライトスタッフ」で一躍有名になったP・カウフマンが68年のチェコ動乱、いわゆる“プラハの春”を題材にして描いた超大作。若者の間に芽生えた民主化要求の波がソ連軍の軍事介入で圧殺されていく中、プレイボーイの医師と二人の女の青春が鮮烈に描かれる。古いニュース・フィルムと本編の画調を完璧に合わせるという離れ技を、ベルイマン作品で鳴らした名カメラマン、スヴェン・ニクヴィストが見事にやってのけている。

1987年1月、全斗煥大統領による軍事政権下の韓国。南営洞警察のパク所長は北分子を徹底的に排除するべく、取り調べを日ごとに激化させていた。そんな中、行き過ぎた取り調べによってソウル大学の学生が死亡してしまう。警察は隠蔽のため遺体の火葬を申請するが、違和感を抱いたチェ検事は検死解剖を命じ、拷問致死だったことが判明。さらに、政府が取り調べ担当刑事2人の逮捕だけで事件を終わらせようとしていることに気づいた新聞記者や刑務所看守らは、真実を公表するべく奔走する。また、殺された大学生の仲間たちも立ち上がり、事態は韓国全土を巻き込む民主化闘争へと展開していく。＜1987年1月14日の学生運動家朴鍾哲拷問致死事件から6月民主抗争に至る大韓民国の民主化闘争を描いた韓国映画＞

Vampire housemates try to cope with the complexities of modern life and show a newly turned hipster some of the perks of being undead.

The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.

イタリアのシチリア州バーリアで、ペッピーノは牛飼いの次男としてすくすくと育つ。ファシズムの支配も終わり、第2次世界大戦を経て共和国へと移行したころ、ペッピーノ（フランチェスコ・シャンナ）はマンニーナ（マルガレット・マデ）と恋に落ちる。だが、彼女の家族は貧しい彼との交際を許さず……。 『題名のない子守唄』などの巨匠、ジュゼッペ・トルナトーレ監督が故郷シチリアを舞台に描く壮大な人生賛歌。トルナトーレ監督自らの半生を基に、1930年代から1980年代にかけてのある家族の喜怒哀楽を生き生きと映し出す。主役を務めるのは、期待の新星フランチェスコ・シャンナ。トップモデルとして活躍するマルガレット・マデがその妻役で出演を飾る。3世代にわたる一家の物語や、たくましく生きるシチリアの人々の生命力に驚嘆する。

Three elite North Korean sleeper agents live under cover for so long that they believe their cover stories are their real identities. They are shocked when they are ordered to kill one another or face death at the hands of an elite hit team.

Vixen lives in a Canadian mountain resort with her naive pilot husband. While he's away flying in tourists, she gets it on with practically everybody including a husband and his wife, and even her biker brother. She is openly racist, and she makes it clear that she won't do the wild thing with her brother's biker friend, who is black.

After his rich father refuses to pay his debt, compulsive gambler Lawrence Bourne III joins the Peace Corps to evade angry creditors. In Thailand, he is assigned to build a bridge for the local villagers with the help of American-As-Apple-Pie WSU Grad Tom Tuttle and the beautiful and down-to earth Beth Wexler. What they don't realize is that the bridge is coveted by the U.S. Army, a local Communist force, and a powerful drug lord. Together with the help of At Toon, the only English speaking native, they must fight off the three opposing forces and find out what is right for the villagers, as well as themselves.

Although Brad has a satisfying career, a sweet wife and a comfortable life in suburban Sacramento, things aren't quite what he imagined during his college glory days. When he accompanies his musical prodigy son on a university tour, he can't help comparing his life with those of his four best college friends who seemingly have more wealthy and glamorous lives. But when circumstances force him to reconnect with his former friends, Brad begins to question whether he has really failed or if their lives are actually more flawed than they appear.

第2次世界大戦後、ハリウッドを席巻した赤狩りの犠牲となった映画脚本家、ダルトン・トランボの実話に基づく社会派ドラマ。赤狩りで投獄されキャリアを断たれても信念を貫いた脚本家を、ブライアン・クランストンが熱演する。

Set in London in the early 1970's, supposedly for teen thrills, Johnny organises a black magic ceremony in a desolate churchyard. The culmination of the ritual, however, is the rejuvenation of Dracula from shrivelled remains. Johnny, Dracula' s disciple, lures victims to the deserted graveyard for his master's pleasure and one of the victims delivered is Jessica Van Helsing. Descended from the Van Helsing line of vampire hunters her grandfather, equipped with all the devices to snare and destroy the Count, confronts his arch enemy in the age-old battle between good and evil.

It's about a country doctor that comes to the city while a clinic is built in his home town... he rubs off his care and compassion on others at the hospital with his humor and wit.

In a village of the Po valley where the earth is hard and life miserly, the priest and the communist mayor are always fighting to be the head of the community. If in secret, they admired and liked each other, politics still divided them as it is dividing the country. And when the mayor wants his "People's House"; the priest wants his "Garden City" for the poor. Division exist between the richest and the poorest, the pious and the atheists and even between lovers. But if the people are hard as the country, they are good in the bottom of there heart.

ヤン・スヴェラーク監督の代表作となったハートフル・ストーリー。民主化前のチェコ、中年チェリストが金のためにロシア女性と偽装結婚するが、彼女は5歳の子を残して亡命。そこから、男と少年の交流が描かれていく。

スターリン主義の影響下にあった50年代初頭のユーゴスラビア。薄汚い密告が見境なくはびこり、人々は疑心暗鬼だ。少年マリックの精力的かつ俗物の父親も例外なくその犠牲となる。ふと愛人に洩らした他愛ない国政批判のせいだ。収容所に収監された父を、母は“出張中”と少年に告げごまかすのだった……。＜旧ユーゴのクストリッツァがカンヌでグランプリを得た、ユーモアの中に痛烈な体制批判を織り込んだ作品。＞

A presentation of a case for a needed transition out of the current socioeconomic monetary paradigm which governs the entire world society. This subject matter will transcend the issues of cultural relativism and traditional ideology and move to relate the core, empirical 'life ground' attributes of human and social survival, extrapolating those immutable natural laws into a new sustainable social paradigm called a 'Resource-Based Economy'.

At the age of 11, Li was plucked from a poor Chinese village by Madame Mao's cultural delegates and taken to Beijing to study ballet. In 1979, during a cultural exchange to Texas, he fell in love with an American woman. Two years later, he managed to defect and went on to perform as a principal dancer for the Houston Ballet and as a principal artist with the Australian Ballet.