Zezita Matos

When an ocean-fascinated cowboy from the Brazilian backlands discovers that the farm where he has worked all his life will be sold, he abandons everything to, finally, get to know the sea. Guided by an old postcard sent by a long-lost love, he embarks on a quest that will redefine his life.

40-year-old Daniel has been suspended from active police work and is under internal investigation for violence. When Sara, his internet love affair, stops answering his texts he decides to drive north in search of her, starting on what is apparently a fool's errand. He shows Sara's picture around, but nobody seems to recognize the woman. Until eventually one guy pops up, saying he can put the two in touch under very specific conditions.

A documentarist is convinced by her son to travel to Brazil's Northeast so she can throw his dad ashes at São Francisco river.

There are many ways to overcome the losses and drop-outs of childhood. Three boys reinvent the concept of family to face the traumas of their lives.

The comic docu-drama that follows four characters who share their stories (real and imagined) about frustrated love, addressing the most diverse superstitions and rituals performed in search of success in love. To delve into the nature of the accounts, fortune tellers, pais de santo, mums-de-santo, and seers are consulted to predict futures, give advice, and explain why people are obsessed with loving and being loved.

Russas, a small town in northeastern Brazil, is the home of Pacarrete, a grumpy retired dance teacher who dreams of getting a big shot and starring at a dance spectacle for the whole town to see. She's close to fulfilling that dream, but not without overcoming a few impediments along the way.

In the 1932 drought of Ceará, several concentration camps were created to imprison and prevent refugees from reaching the city of Fortaleza. Remnants narrate fragments of his memories and unfulfilled regrets, witnessed in the ruins of concentration camps and in the cult of the “souls of the dam”, resistant to the strong historical erasure.

After committing a crime, the woman leaves her home and family in search of an unknown destination. It is not known who she is, nor the reason for the crime. The mystery about this woman is one of the key points of the narrative. Throughout history she will be called Maria, Rosa and Ana, perhaps one of them will be her real name, perhaps none. She will walk for a whole day, hugging a watermelon and will have brief encounters that will mark her day and her life, facing a world that is sometimes hostile and sometimes delicate, in an attempt to live with the love and disaffection that she brings in her. .

In an arid and poor region of Brazil, bikers search for a miracle to make it rain and save the land, risking their lives.

In a small village in the hinterland, three stories of love and desire are changing the emotional landscape of its residents. Characters of a romanesque world in which their conceptions of life are limited on one side by human instincts, on the other by a blind and fatalist fate.

The Gran Circo Teatro Americano takes its attractions to the northeastern hinterland. In the city of Aracati, the troupe puts on a fun play about the crisis in hell. With a rochamboesque plot and inspired by string literature, the attraction shows the arrival of the bandit Lamparino to hell and how Lucifer participates in international capitalism. Meanwhile, behind the scenes, loves and tragedies move the lives of artists.

Dirceu, 30 years old, has origins that go back to the aristocracy of Northeast Brazilian backlands. Settled in a kind of subjective amnesia, Dirceu tries to bury his family's past. He is a demolition man in Recife, an urban landscape undergoing an uncontrolled process of transformation. Maria shares the same country origins, but she uses the city for a different purpose. She is a carefree and joyful music student. If Dirceu aspires to a world that is stable and present, Maria lives in discord with the present. To her, nothing is as it should be. Maria's apparition unleashes in Dirceu an urge for being somebody else. On a route of escape through the desert of the backlands, a unique encounter is set to happen. Boa sorte, meu amor (Good luck, sweetheart) is an anti-romance of the impact between music and silence.

While a soccer team plays its games, events are experienced inside the houses. In other spaces, clay and the measure of a family's conflict.

After a long time apart, a mother and her daughter meet again in the desert, between ruins and memories. The daughter destiny denies her mother dream. The past is circle that imprisons both the dead and the alive. The daughter wants to break it but shadows are spying out.

A man falls in love with a teenage girl, who is exploited by her own grandfather, who sometimes takes her to a gas station to show her naked to whomever pays him some money.

In northern Brazil, Hermila patiently waits for her husband. However, he has abandoned her. Sexy, restless and resolute, she raffles off "a night in paradise" with herself. This beautifully-shot portrait doesn't shy away from the burdens of a young scarred woman, but it also celebrates her courage to live according to her own rules.

After being orphaned, a boy is raised by his grandfather and uncles, rich rural landowners, on a sugarcane plantation where he grows up, studies, learns about politics, love and disillusionment.

An existential western about the pain of a family and the silence of a country.