Accused of the ritualistic murder of his best friend, a vice detective bent on finding the truth is plunged into Hell when he goes undercover and discovers that demons might be real.
American psychologist, Dr. Lesley Parker, is in Paris studying techniques with the aim of using hypnotism to treat phobias resulting from repressed childhood trauma. Her plans are interrupted when she meets Val Drakul, whose ancient ancestor was Dracula. His recurring blackouts coincide with recent grisly murders and is convinced that he is the nocturnal culprit, having fallen victim to the family curse. Intent on disproving Val's theory, Lesley brings him back to California making him part of a new group of patients suffering from phobias. But when the patients start dying one by one, questions arise as to whether Val is the vampire after all.
In 1885, a female doctor helping a group of people with their phobias becomes embroiled in a murder mystery surrounding a patient that may or may not be a vampire.
HOLD is a tense, spare, and lean drama about a young couple's relationship in the aftermath of a violent home invasion. Boasting no musical score and filmed in claustrophobic closeups, it investigates the frailty of the hero complex by putting a microscope on American paranoia.
A group of young adults visit a boarded up campsite named Crystal Lake where they soon encounter the mysterious Jason Voorhees and his deadly intentions.
Emily is a typical 20-something with one glaring difference - for her, the line between reality and imagination has drastically begun to blur. Constant paranoia and a feeling of being followed has caused her to be institutionalized. Now she finds herself trapped between what is real, and what may be real, as her doctors tell her one thing, and her mind tells her another. With no way of knowing, she will slip in and out of truths until she can get a grasp on the world around her. You never know who is watching you.
