Noël Godin

Disappointed by leftists politics this last few years, PAP'40 of the Church of the Holy $aint Con$umption decide to run for presidential election of 2022 to fix the country. He meets his electorate and other candidates to spread the word : Work, Obey, Consume !

A cinematographic “cadavre exquis”, whose entrails reveal the odd nature of a (un)certain Belgian cinema. Authors, directors, actors who have proved that imposture could be an act of creation. Convinced that any so-called “new” cinematographic production was in fact a rehash of what had already been made, these pirates of images snuck as forgers, liars, tricksters, usurpers, … Outlaws of the cinema who falsified its form. From the filmed imposture of Man Bites Dog to Jan Bucquoy’s fabulist biopic, everything participates in the dynamiting of institutional language through simulacrum and absurdity. This free journey in the “cine-belgitude” has for vocation to approach these marvellous eccentrics followers of a overexcited and stripping situationism.

An ageing punk-with-a-dog and his brother the conformist decide to get their revenge on a shopping mall. Directing duo Benoit Delepine and Gustave Kervern, longstanding comic crusaders against capitalism, again set out to surprise and shock the bourgeois audience.

The Antics Roadshow is a celebration of the pranksters, hoaxers, jokers, activists and stunt merchants who use public space for their own unauthorised ends. This film brings together a wide range of individuals with all sorts of motivations, who have all hijacked the public arena to make a noise, be it for comedic, artistic or political ends, and have all done so using a variety of illicit and eccentric methods, which the audience should probably not try at home.

Television segment for Canal+, with Noël Godin

Two men, fifty years young, seduce younger women at the Cannes Film Festival and are quite successful as long as there are no youngsters among them.

Director Jan Bucquoy has a bunch of actors read from the Guy Debord novel which shares the same title. Slowly but surely real life an Debord's reflections upon it start to diffuse.

We follow the build-up and training of two opposite Belgian political parties. We see their leaders during meetings, during voting and after when the results of the elections are published.

A secret society, somewhere in France, is responsible for the major unsolved murder mysteries throughout history (such as Henri IV, Lincoln, Kennedy, John-Paul I)...

Noël Godin and his supporters throw a pie with cream into the face of Daniel Toscan du Plantier in the Palace of the Film Festival of Cannes 1996.

A journey inside a picture thus offers the opportunity to travel through Belgium at the approach of the 21st century, and also to bring up a host of questions an what the eye sees: what do we see disappearing under our very eye? Why do we look at specific things? What is a point of view?

On a Belgian beach at Camping Cosmos. The delegate send by the Ministry is confronted with sex and murder. The residents enjoy their holidays in a peculiar way...

A woman who only has a couple of months left to live decides to go on a final journey, crossing several countries.

Reel 22 of Gérard Courant’s on-going Cinematon series.

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.

This film is one of the first (maybe the first?) ready-made of cinema. A friend of Bouyxou and Noel Godin, before leaving the army, took two training films, and Bouyxou and Godin decided to add some credits at the beggining of these, and then screen it without warnings. Godin made his version, "Les Cahiers du cinéma", and Bouyxou made "Sortez vos culs de ma commode".

A bourgeoisie client is transformed into a mouse and cannibalized by a prostitute in flagrante delicto with the camera changing focus in time to her breathing.

The film is a series of images, shown in short takes (anywhere from a few frames to 30 seconds), of more or less fetishistic imagery (something Bouyxou was particularly fond of). After a credit and title sequence written on naked human flesh, the viewer sees the brilliant Molinier standing sanctimoniously in front of a screen. Soon he is joined by a woman, and he fondles her breasts while retaining his signature grin. Molinier seems to almost be the 'ringmaster' of the incidents, with almost every minute episode cutting back to him. His presence is one thing that makes this film remarkable; the same sort of aura that exists in Moliniers famous self-portraits and cut-ups is present here, on screen. (esotika.blogspot.com)