Panagiotis Vasilakis

It is the early 20th century on a dystopian Greek island. Hadoula, a widow who lost her husband, loannis Fragkos, at a young age, is a woman who has learned how to survive in a male-dominated and extremely patriarchal society. Hadoula carries a difficult burden within her. Like a baton passed on to her from her mother, and the generations before her, she is meant to accept the belittling and degradation of women. Hadoula reacts. Her personal, internal revolution soon comes forth. The victims of her outburst are the little girls of the island, whom she sets free from the social and economic burden that their existence entails by taking their lives. Her actions will bring her face to face with the law. She leaves her home and escapes to her refuge, nature. But as much as her faith and morals dictate that she did the right thing, her trans-generational trauma follows her everywhere. And the end comes as redemption.

Exiled unjustly, convicted without trial, slandered without cause. Man of God depicts the trials and tribulations of Saint Nektarios of Aegina, as he bears the unjust hatred of his enemies while preaching the Word of God.

Refusing to pay for the debt, two Athenians decide to leave their city. Guided by mysterious crow calls, they wander through a desolate urban landscape until they reach a zone of passage and are spirited to an ancient forest, the Realm of the Birds. Here they meet the Hoopoe, half-bird half-woman, who tells them how the birds live by sharing their resources amid the magical forces of the forest. However, one of the men has other plans for the birds. Though far from easy, the inter-species encounter will be illuminating for all.

In his first New York City-set documentary in nearly a decade, filmmaker and provocateur Abel Ferrara uses the experience of one longtime cinema owner to chart the vast changes to the city’s theatrical landscape.

Strangers in their own birthplace, a camp 16-year-old, lollipop-sucking Dany and his 18-year-old brother Odysseus cross the entire country (along with pet rabbit Dido ) in search of their Greek father, who they only know as “The Nameless”, after the death of their Albanian mother. They hope to get Greek passports and citizenship but on the journey they encounter racism and prejudice.

The film – documentary “Shooting vs Shooting” presents a group of astonishing stories about journalists who were afflicted in the Iraq war, by following a journalist’s journey in Baghdad in 2009 and the story of a mother who seeks for an answer to the question why her son got killed while his only weapon was his camera. “Shooting vs Shooting” narrates incredible moments and adventures, reveals unknown sides to the facts and shows the dramatic stories of media workers who lost their lives, trying to freely broadcast the truth to the public opinion. Through the documentary, we witness the absurdity of war, the responsibilities of governments and armies and the atrociousness of blinded fanatics.

A man sees a poster of an old movie that he claims to have acted in