Danniel Danniel

参加作品

The Mirror and the Window
Self
Filmmaker Diego Gutiérrez knows that he is soon to lose two loved ones: his mother Gina Coppe and his best friend Danniel Danniel. Both ask him to film them during this final phase of their lives—Gina in her apartment in Mexico City, Danniel in a Dutch restaurant where he feels at home. What stories do they want to leave behind?
Little Angels
Editor
In a portrait of his New York relatives, one of them a Holocaust survivor and the other her daughter, filmmaker Marco Niemeijer gradually unfolds the harrowing, smothering effects of the war trauma across generations.
Traces
Screenplay
A lonely man dies. There’s no funeral: neither friends nor family show up. Municipal workers will take away and destroy all his possessions. Before his unusual house is emptied though, a series of strangers pay a visit, wondering who this man was and who they themselves are.
Traces
Director
A lonely man dies. There’s no funeral: neither friends nor family show up. Municipal workers will take away and destroy all his possessions. Before his unusual house is emptied though, a series of strangers pay a visit, wondering who this man was and who they themselves are.
The Perfect Circle
Assistant Editor
Earth to earth, water to water. The body weight of a newborn child is up to 85 percent water, but in adulthood, the ratio can be cut into half. In a way, people dry up as they grow older. In Claudia Tosi’s documentary, people drink water, watch the rain and wait for their death. The Perfect Circle depicts a man and a woman, Ivano and Meris, who spend their final days at a hospice in the hills of Reggio Emilia, Northern Italy. Their illnesses are in the terminal stage and they know that death is only a matter of time. But the ever-nearing end may fleetingly be forgotten, like when they close their eyes and get lost in the music – until the bodies being carried out next door once again remind them of the inevitable. Death also becomes a part of life for the patients’ loved ones, who want to spend the last available moments with the soon to be departed.
Daughters of Malakeh
Editor
In public, Maryam wears a headscarf and obeys the rules of the state. But in the privacy of her own home, she’s the breadwinner who runs the show, along with her mother and younger sister, Ghazal. When Maryam decides to get married, a blushing bride at 45, her worlds collide. With the support and encouragement of her family, she reconciles her personal autonomy with the expectations of a traditional marriage. Brother and co-director Sharog Heshmat Manesh presents an intimate portrait of family life in Iran, candidly capturing his sister’s wedding jitters, her fear of giving up her independence and of being too old to break free from her habits, and her attempts to add a pre-nuptial stipulation to the Marriage Guarantee.
Shigey, mijn Vlam
Editor
Forever
Editor
Père-Lachaise - one of the world's most famous and beautiful cemeteries - is the final resting-place of a gifted group of artists from all eras and corners of the world. Some - such as Piaf, Proust, Jim Morrison and Chopin - are worshiped to this day. Others have fallen into oblivion, or are visited occasionally by a single admirer. In Forever we see the mysterious, calming and consoling beauty of this unique cemetery through the eyes of people of flesh and blood. Many come for their 'own' beloved: husbands, wives, family and friends. Others Honor 'their' artist by leaving behind a personal message or a flower. While admirers share with us the importance of art and beauty in their lives, the graveyard gradually reveals itself as a source of inspiration for the living. Death offers little consolation except for the passing of time, the melancholia of a moss-covered tomb, and the beauty and power of a piece of music, a poem or a painting Written by Cobos
The Great Magician
Editor
"The Great Magician" - A portrait of Frans Zwartjes (1927-2017), sometimes called 'the most important experimental filmmaker of his time' by the American essayist Susan Sontag.
Arna's Children
Writer
Juliano Mer Khamis' documentary on his mother, Arna, an activist against the Israeli occupation who founded an alternative education system for Palestinian children.
Arna's Children
Director
Juliano Mer Khamis' documentary on his mother, Arna, an activist against the Israeli occupation who founded an alternative education system for Palestinian children.
Mykosch
Director
Sarajevo Film Festival
Editor
Short documentary about the Sarajevo Film Festival. Sarajevo in the twentieth month of its besiegement. The situation is critical but the city chooses to organise an international film festival. Dutch filmmakers Johan van der Keuken and Frank Vellenga present Van der Keuken's documentaries Face Value and Brass Unbound there and one of the festival organisers asks a festival visitor: `What is the significance of film in war? In Sarajevo Film Festival Film, a reflection on film, war and daily life, fictional images are juxtaposed in a disconcerting way with the gruesome reality of the lives of the festival visitors. (netherlands film commission)
The Ditvoorst Domains
Editor
Documentary about the Dutch film director Adriaan Ditvoorst.
Egg
Director
The Egg is a short (58 minute) and sweet seriocomedy from Holland. Johan Leysen plays a shy, illiterate baker who desires an education. Marijke Veugelers portrays the equally shy schoolteacher who endeavors to teach Leysen how to read. Love blooms, and the results, while not always happy, are aesthetically more pleasing than in the similarly plotted Jane Fonda/Robert De Niro starrer Stanley and Iris. Most prints of The Egg are in Dutch with English subtitles, which is as it should be; any attempt to dub these characters with Americanized voices would dissipate the film's fragile charm.
Flesh + Blood
Sound Editor
A band of medieval mercenaries take revenge on a noble lord who decides not to pay them by kidnapping the betrothed of the noble's son. As the plague and warfare cut a swathe of destruction throughout the land, the mercenaries hole up in a castle and await their fate.