Aurique Delannoy

With the German Occupation in Greece (1941-1944) as a background, this film tells the love story between my father, an assistant professor at the mysterious German Scientific Institute of Athens - financed by the occupying power, Germany, but in reality a refuge for resistant students - and Nelly, a young student in Fine Arts. The film also traces the portrait of their friend Rudolf Fahrner, founder of the Institute, comrade of the Stauffenberg Brothers and one of the few conspirators of the assassination attempt on Adolf Hitler, on 20 July 1944, that survived the repression that followed.

Directed by French Director Christian Faure and released in 2014, The Law brilliantly traces three days, in late Fall 1974, of stormy debate in the French National Assembly, around a bill which would make "voluntary termination of pregnancy" legal. Behind this bill stands a lone woman brilliantly played by a remarkable Emmanuelle Devos (also in The Other Son): Simone Veil the Minister of Health in the Jacques Chirac government during the presidency of Valéry Giscard d'Estaing. During these three days of violent debate Veil, a Jew and Holocaust survivor, is spared nothing: political negotiations, solitude, sparring arguments, insults and violence to her family. In spite of all of this, Veil never wavers.

One evening, a woman enters a police station and confesses to having killed her violent husband several years ago. As she listens to her fantastic story, the policewoman is increasingly less inclined to arrest her. Just why is the woman so eager to confess her crime, and why is the policewoman so reluctant to take her into custody?

A former police officer, Marc Lorca, sees his wife die from a terrible car accident, which occurred while he was driving. Previously alcoholic, Lorca seems to collapse under the weight of guilt. But a former colleague, Marianne Duriez, recently become a police captain, shows him that the accident is not accounted by any negligence on his part. The survey of experts has indeed revealed that the steering axis of the vehicle was sabotaged. Gradually, the suspect list is expanding. Lorca realizes he knows nothing of the past of his deceased wife, who was obviously part of a small extreme left group.

Paris, 1830. Valentin loses himself in alcohol, gambling and women. He does not believe in life and especially not in love. His uncle Van Buck believes only in the virtues of money and trade. Everything separates them until the day when Van Buck, to improve his public image, wants to make Valentin marry the young and impoverished Baroness Cécile. Valentin, who has absolutely no desire to get married, bets that he can easily seduce her in 24 hours and thus prove that she, like all the others, is not worth loving... But Cécile, who believes in true love, will prove much more difficult to woo than envisaged and Valentin will have to use all possible stratagems to try and win his bet. The game of cat and mouse starts... But who is the cat?

Remarkable life story of Henri Diamant-Berger, a director and screenwriter whose devotion to cinema led him to collaborate with some of the greatest actors and filmmakers of his time.