Eileen Diss

出生 : 1931-05-13, Hackney, London, England, UK

参加作品

Celebration
Production Design
All the action takes place in a swish London restaurant where two coarse-grained strategy consultants are dining with their respective wives. At an adjacent table a banker and his wife banter over his recently discovered affair. But while Pinter gets a lot of laughs out of these gold-plated philistines, he also suggests they are displaced people. Shorn of any inherited values, they live in an eternal present of sex, food and conspicuous consumption. - Michael Billington, Guardian
経度への挑戦
Production Design
Parallel stories: 18th century Harrison builds the marine chronometer for safe navigation at sea; 20th century Gould is obsessed with restoring it.
Landscape
Production Design
A middle aged couple, housekeeper and chauffeur sit in the huge bare kitchen of a country house pursuing their own thoughts aloud in a ghastly semblance of conversation. Doollee.com
ハンドフル・オブ・ダスト
Production Design
English aristocrat Tony Last welcomes tragedy into his life when he invites John Beaver to visit his vast estate. There Beaver makes the acquaintance of Tony's wife, Brenda. Together, they continue their relationship in a series of bedroom assignations in London. Trusting to a fault, Tony is unaware that anything is amiss until his wife suddenly asks for a divorce. With his life in turmoil, Tony goes on a haphazard journey to South America.
The Sign of Four
Art Direction
Sherlock Holmes and Dr. Watson try to track down the Great Mogul, the second-largest diamond in the world.
Betrayal
Production Design
Pinter's semi-autobiographical play examining the surprise attraction, shy first steps, gradual flowering, and treasonous deception of a woman's extramarital affair with her husband's best friend; the entire story is told from the husband's point of view, with the scenes in precise reverse chronological order. Written by Dan Hartung
Ghosts
Art Direction
Adaptation of Ibsen’s play. Mrs Alving’s son is ill - but what with?
Trouble in Tahiti
Production Design
Leonard Bernstein's 1952 opera is a biting satire on the emptiness of materialist values and the false promise of suburban comforts. This production, conducted by the composer himself, presents a live-action cast performing on an animated set. Inspired by jazz and American musical comedy, the score is a path-breaking fusion of lyric art with popular entertainment.
A Doll's House
Art Direction
Nora Helmer lives a quiet life with her husband, Torvald, in a small Norwegian town. While he works diligently at a bank, she looks after their children. But Torvald doesn't know that several years ago, when he was very ill and she was desperate for money, Nora forged a loan document and has been secretly working to pay the money back ever since. The arrival of her friend Kristine prompts Nora to re-evaluate her life and confront Torvald.
An Afternoon at the Festival
Art Direction
Ahead of a screening of his latest film a director converses with a prostitute, whilst his female star and estranged wife talks to a writer, his brother. Intercut are scenes from the film, and the making of it.
Mrs. Warren's Profession
Art Designer
Performed in 1902, after being banned by the censor for eight years, Shaw's indictment of the hypocrisy surrounding prostitution still shocked its audiences. Mrs. Warren has graduated from prostitution to opening and operating a chain of brothels throughout Europe. When her educated daughter Vivie discovers the truth about her mother's profession her reactions affect everyone around her.
Robin Redbreast
Production Design
After the break-up of a long-term relationship, urban sophisticate Norah seeks refuge in a remote house in the country. The locals are friendly, if eccentric, and she toys with the idea of a flirtation with dishy young gamekeeper Rob. But events at Harvest Festival leave her feeling manipulated, and six months later, with the consequences all too evident, she finds herself trapped in what is more like a nightmare. What role is she destined to play in the cycle of the seasons -- and of the generations?
Up the Junction
Production Design
The lives and loves of three young working class women, set in the pubs, terraced houses and factories of Battersea, South London.
The Siege of Manchester
Production Design
A German mercenary is hired to defend the small township of Manchester during the English Civil War.
A Tap on the Shoulder
Production Design
Ken's Loach's first production for The Wednesday Play is a story of a group of criminals planning a robbery, with the unwitting aid of a wealthy, well-connected society acquaintance. But who is the greater villain?