Barbara Enriquez

参加作品

Powder
Art Direction
After a ten year absence, El Chato returns to San Ignacio, his hometown, in order to retrieve a shipment of cocaine that was dropped there by a cartel pilot.
Olimpia
Art Direction
The film tells the story of Raquel, Rodolfo and Hernán, members of a brigade at the UNAM during the student movement in Mexico in 1968. Through their photographs, films and writings, we will know the history of the day that the army took the university and how their students united, shouted and never forgot.
ROMA/ローマ
Set Decoration
巨匠アルフォンソ・キュアロン監督が、家族愛の物語を自身の幼少時の体験を交え美しいモノクロ映像で綴った自伝的作品。政治的混乱に揺れる1970年代のメキシコで、ある家政婦と雇い主一家の絆を感情豊かに描く。
Such Is Life in the Tropics
Production Design
Two families dispute a land with a land dealer.
She's Ramona
Production Design
Ramona is fat woman with too much weight and barely any luck. She recalls a childhood filled with moral abuse by her mother, sister and friends, calling her silly offensive names referencing her overweight. When she became an adult, things didn’t really get any better. She’s fired for being fat, she wants a liposuction but the doctor informs her she’s not a candidate due to her overweight, and all her universe seems to be collapsing after a series of unfortunate events. But everything will soon get better thanks to some magical beetles she finds in a Tarot café.
Mexican Gangster
Production Design
Tells the story of the most prominent bank robber in the history of Mexico, his crimes, his different personalities, his career as a charro with a mariachi band, his getaways and the strange relationship he had with the one who finally came to stop him. Based on the true story of Alfredo Ríos Galeana.
The Contreras Family
Art Direction
This is the story of a dysfunctional family in which each member engages in an illicit activity, but they don't know this about each other. One day, the Contreras family witnesses a police operation outside the building in which they live and, believing that they are coming for them, each member decides to hide incriminating objects in their room.
The Amazing Catfish
Production Design
Young Claudia works in a supermarket where she promotes various types of products. One night, she ends up in the emergency room with severe appendicitis and meets Martha, a patient, laying in the bed next to hers.
The Painting Lesson
Art Direction
In Chile, during the 60´s, the son of a poor single teenage girl turns out to be a gifted painter. The man to discover his talent is the owner of the drugstore that lies in the outskirts of the small rural town, next to the railroad. He himself is an amateur painter who will try to make the boy into a great artist, like all the ones in his art books. From the pharmacists point of view in his old age, unfolds the story of this young boy who could have become a great art genius, had he not disappeared at the age of 13, along with all his works, on September 11th 1973, the day of the coupe d´état.
The Prize
Production Design
Ceci, a seven year old girl, has to keep a huge secret, but she doesn't completely understand what is the secret about. The life of her family depends on her silence. But what exactly must she keep silent about? Ceci and her mom live hidden from military repression in Argentina. Ceci asks herself: what must she say? What should she really believe and do in order to deserve the love of her mother and others?
Prometeo Deportado
Production Design
In an unknown first world airport the arrival of an ecuadorian flight is heard. The 'members of the European Union' passby migration, while the 'others', in the other line, wait. In the middle of the claims, a group of ecuadorians is arrested. They are taken to the Room, where they wait to be deported. Seems like everyone hides something, like PROMETEO the youn magician with his hands tied like a delinquent who has a 'magical' trunk as luggage. Time passes, a way of being, Ecuador happens in this waiting room. Seems like there is no possible exit. Meanwhile, a different but well-known way of life takes place. The only thing left as a promising way out is illusion.
Cobrador: In God We Trust
Art Direction
Adaptation and unification in a single story of several stories by the writer Rubem Fonseca, where the theme of violence in contemporary society is explored.
バイオハザードIII
Set Decoration
事故から8年後、T-ウィルス汚染は食い止められず全世界へ蔓延してしまう。ウィルスに汚染された地球は文明社会が崩壊した。アンブレラ社は各地の巨大な地下施設に潜み、ウェスカーを筆頭に各支部と連携を取りながら現状の打開を模索する。アリスの血液から大量に複製した彼女のクローンを使い、アンデッドへの対抗手段や血清についての人体実験を繰り返していた。そんな中、わずかに生き残った人々は安住の地を求め、各地を旅していた。アリスは立ち寄ったガソリンスタンドでアラスカに安全な場所があると記されたノートを発見し希望を抱く。
More Than Anything in the World
Art Direction
The relationship between beautiful Emilia (Elizabeth Cervantes) and her imaginative young daughter, Alicia, is tested in this understated Mexican drama. Disoriented after moving to a new apartment and left to herself when her mother starts bringing men home, Alicia takes refuge in dreams that soon become nightmares, especially after she begins to fear that her mom has become possessed by the vampirish man next door. With a keen eye for the rhythms and struggles of contemporary Mexican family life, this film illuminates the secret worlds of lonely children while never straying from its true subject: the uncommon love between a single mother and her child.
Crónicas
Set Decoration
A suspense thriller about a reporter from Miami who travels to Ecuador in pursuit of a serial killer known as the "Monster of Babahoyo."
Live
Art Direction
A soccer radio commentator pretending to be live must deal with his malfunctioning tv signal. But his signal is not the only one off.