Rodrigo Moreno
出生 : 1991-03-06, Buenos Aires, Argentina
略歴
Rodrigo Moreno is part of a young generation of Argentinian filmmakers seeking to develop innovative and original forms of storytelling. Hence, his first mid-length feature, part of the omnibus feature MALA EPOCA (1998), was awarded for its original conception for the young filmmaker's vision of contemporary life. After his feature EL DESCANSO, co-directed with Ulises Rosell and Andrés Tambornino in 2002, Rodrigo Moreno was awarded the Alfred Bauer's Prize for the most innovative film at Berlinale 2006 for EL CUSTODIO. The feature, gaining him critical acclaim in Berlin, went on to win more than 30 international awards. Rodrigo Moreno, former student of the Universidad del Cine, was born in Buenos Aires, Argentina, where he works and lives.
Writer
An intimate, amiable and yet unforgettable symphony of the life of every country town in the world in several vignettes – even if this focuses on Colón, a couple of hours north of Buenos Aires. Both lyrical and modest.
Director
An intimate, amiable and yet unforgettable symphony of the life of every country town in the world in several vignettes – even if this focuses on Colón, a couple of hours north of Buenos Aires. Both lyrical and modest.
Writer
This film is a political and poetic portrait of the daily life of a low class woman who plays the part of a cleaning lady. Ramona lives in the suburbs of Buenos Aires. Every day she travels four hours and a half to reach her job and to get back home. She divides her working time between two upper middle-class homes where she receives the name of Réimon, a sound that evokes the English language, a Buenos Aires upper class snobbish custom. It´s fiction and it´s not. It´s also a film about the labour conditions of a worker, about the time this worker uses for working and the efforts that implies working. It´s also about the absurdity of cleaning someone else´s house, the absurdity of modern life and the differences between social classes.
Director
This film is a political and poetic portrait of the daily life of a low class woman who plays the part of a cleaning lady. Ramona lives in the suburbs of Buenos Aires. Every day she travels four hours and a half to reach her job and to get back home. She divides her working time between two upper middle-class homes where she receives the name of Réimon, a sound that evokes the English language, a Buenos Aires upper class snobbish custom. It´s fiction and it´s not. It´s also a film about the labour conditions of a worker, about the time this worker uses for working and the efforts that implies working. It´s also about the absurdity of cleaning someone else´s house, the absurdity of modern life and the differences between social classes.
Producer
Two young Colombians, Luna y Juan, live in the suburbs of a Buenos Aires without Argentines. Their relationship oscillates between tender gestures and violent explosions. Everything between them gradually gets more intense: their games, fights, recklessness and even their monotony. But something changes when Federica shows up that sets into crisis the fragile nature of their relationship, unveiling the decadence they have gotten themselves into.
Writer
Boris is stunned when his girlfriend Ana asks for some time apart. He doesn't know why and she can't explain it. Some time can mean so many things. How much time apart? A week, a month, years? During this imprecise period of uncertainty, Boris is left at the mercy of chance. His life transforms into an erratic urban journey: moving into a transient hotel, buying a temperamental communist-era car, meeting up with a long-lost classmate, random encounters with other women and repeatedly trying to get back together with Ana.
Director
Boris is stunned when his girlfriend Ana asks for some time apart. He doesn't know why and she can't explain it. Some time can mean so many things. How much time apart? A week, a month, years? During this imprecise period of uncertainty, Boris is left at the mercy of chance. His life transforms into an erratic urban journey: moving into a transient hotel, buying a temperamental communist-era car, meeting up with a long-lost classmate, random encounters with other women and repeatedly trying to get back together with Ana.
Writer
Living the mundane existence of a professional bodyguard, always in the shadows of his clients, Ruben decides to make a change that will finally give him a personal connection outside of his solitary world.
Director
Living the mundane existence of a professional bodyguard, always in the shadows of his clients, Ruben decides to make a change that will finally give him a personal connection outside of his solitary world.
Writer
An absurd crash on the route causes the meeting between Freddy Fassano and "El Descanso", an old spa hotel from the 1930s, totally in ruins. Seduced by the idea of recovering the good life of previous times, Freddy leads the extravagant project to reopen the hotel, gathering a diverse group of collaborators. But everything succumbs to the appearance of Doctor McDonell, a notable lawyer in the area who, alerted by the presence of strangers in the place, unleashes an unpredictable battle whose outcome produced the mysterious history of the hotel.
Director
An absurd crash on the route causes the meeting between Freddy Fassano and "El Descanso", an old spa hotel from the 1930s, totally in ruins. Seduced by the idea of recovering the good life of previous times, Freddy leads the extravagant project to reopen the hotel, gathering a diverse group of collaborators. But everything succumbs to the appearance of Doctor McDonell, a notable lawyer in the area who, alerted by the presence of strangers in the place, unleashes an unpredictable battle whose outcome produced the mysterious history of the hotel.
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Assistant Director
This documentary was shot in four countries in the Southern Cone of South America over a two-week period. It examines the democracies that re-emerged after military rule and we hear the testimony of presidents Carlos Menem, Fernando Henrique Cardoso, Patricio Alwyn and Luis Alberto Lacalle, and the reflections of many other key figures of that time. There is also an early discussion of the regional integration process that these countries were planning to promote, so we are shown a representative mosaic of each country, which makes this material truly unique.
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