Marc Daigle

Sophie Deraspe’s adaptation of the classic Greek tragedy of the same name reimagines the story of a woman’s quest for justice as a commentary on the immigrant experience in contemporary Montreal.

The sleepy town where Léo lives doesn’t offer her much chance of self-fulfilment. Extricating herself from her mother’s influence and her constricting environment isn’t easy for the frustrated young woman, yet happiness might be close at hand. A stylistically precise, pop-impressionistic film about a girl’s quest to find out who she really is, featuring the captivating Karelle Tremblay in the lead role.

A woman travels from the big city to the countryside. The locals are suspicious.

With an enthralling central performance by Gilbert Sicotte, this masterful debut feature examines the life of the top car salesman in a fading Quebec town as events challenge the 67-year-old’s sense of identity and the meaning of life at the most profound level.

Marc Daigle is a graduate in animation and graphic technologies from the Collège communautaire du Nouveau-Brunswick in Miramichi. He works as a graphic artist, illustrator, Web designer and animator. In 2005 he co-directed the animation Pimp ma botte, a hilarious parody of the TV program Pimp my Ride.

Pimp My Boat is a hilarious parody of the popular TV series Pimp My Ride. We meet host Bubs and his gang on the Belle-Côte wharf. Their mission: to customize the boat belonging to Albény, an old fisherman. Culture shock ensues as Acadian traditions collide with global pop culture. Urban imagery invades the countryside in the unique musical landscape of les Acadiens.

Pimp My Boat is a hilarious parody of the popular TV series Pimp My Ride. We meet host Bubs and his gang on the Belle-Côte wharf. Their mission: to customize the boat belonging to Albény, an old fisherman. Culture shock ensues as Acadian traditions collide with global pop culture. Urban imagery invades the countryside in the unique musical landscape of les Acadiens.

Alex has a deeply troubled mind. He also has a seriously dysfunctional - not to say incestuous - family. Why then, has he returned from his merchant seaman job to the rocky coasts of his home? Perhaps he couldn't cut manage to march in his father's footsteps in that job. His mother doesn't seem to mind, and lets him stay at her bed and breakfast hotel. His sister still seems to have the hots for him, just as she does for his (and her) old boyfriend Jean-Louis, who has just shown up. Even his mother seems to find him sexy. All these people appear eager to get their hands on his body, but he's too wrapped up in what's going on inside his head to notice.

Using archival documents, fictions, current accounts, and excerpts from a theatrical creation, Paul Tana paints a nuanced portrait of the Italians of Montreal. From the first waves of immigration at the beginning of the century to the men and women taken to a prisoner of war camps during World War II, to the hardships and joys of building vibrant lives in Montréal. Caffè Italia Montréal chronicles a significant chapter in Canada’s history.

Les Grands Enfants does not tell a story in the traditional sense. Instead, it offers an honest image of people's dreams of change : people often unemployed, dissatisfied in some way with their work, or caught up in complicated social relationships. The film is set in Montreal.

In this Canadian character study, a petty thief steals $5,000 from a marching band and heads to the US with his ditzy girl friend and another couple.

Robert decides to drop everything and go back to his homeland, accompanied by his daughter and a couple of friends.