Angela Winkler

The story of Empress Elisabeth of Austria told from the point of view of her lady-in-waiting, Irma Sztáray. Far from the kitschy “Sissi” cliché, she portrays a woman who, for years without her husband, surrounded only by women, ventured on journeys throughout Europe, mastered six languages, practiced high-performance sports and did not fit at all into the tight corset of the Viennese court.

Lars Eidinger is one of Germany’s most talented and versatile actors with his love of improvisation and physical acting style. This documentary seeks to dispel some of the mystique surrounding this exceptional actor’s unique art and also provide an exciting insight into the world of theatre and filmmaking.

Using unpublished and newly digitalised archive footage and film material, Bettina Böhler has brilliantly assembled this film about the life and work of the exceptional artist Christoph Schlingensief, who died in 2010.

1977年、ベルリンを拠点とする世界的に有名な舞踊団＜マルコス・ダンス・カンパニー＞に入団するため、スージー・バニヨンは夢と希望を胸にボストンからやってきた。初のオーディションでカリスマ振付師マダム・ブランの目に留まり、すぐに大事な演目のセンターに抜擢される。そんな中、マダム・ブラン直々のレッスンを続ける彼女のまわりで不可解な出来事が頻発、ダンサーが次々と失踪を遂げる。一方、心理療法士クレンペラー博士は、患者であった若きダンサーの行方を捜すうち、舞踊団の闇に近づいていく。やがて、舞踊団に隠された恐ろしい秘密が明らかになり、スージーの身にも危険が及んでいた──。

Just before the fall of the Berlin Wall, the birthday celebrations of an East German family turn into a tragicomical moment of political and personal breakdown.

An eccentric former actress finds a body which disappears into thin air.

Sin and Illy have a plan: on a Greek island they want to get 'clean' on their own. But the intention of the two girls fails already on the way to the airport. Finally Sin realizes she has to go the way out of heroin addiction all alone.

The Ballade of Tubbie, Tim, Jojo, Birdie and Marie, tells in seven chapters the story of five teenagers, who have found a substitute family in each other.

In the German gangster comedy, Jan Josef Liefers and Justus von Dohnányi play two petty criminals who are supposed to do a job on Mallorca, but who can't stand each other.

Six numbers in the lottery! If that's not good luck for Georg Freudenreich and fellow winner and brother-in-law Heinrich. This distracts from the feelings Heinrich has suppressed all his life. He has fallen in love with Edward. But now, at over 70, how is he supposed to live a love he has always denied himself?

13 people between the end of 60 and the middle 80: They have already experienced many things in their lives. Everyone has their own hopes, desires, conflicts and problems. What unites them is the longing for closeness - for a loving, lovable partner and the somewhat unusual way they have chosen to escape their loneliness: a speed dating. So you dare to an event in which each face a man and a woman and only have seven minutes to get to know each other and open courageously in ever new constellations to a foreign counterpart.

大女優として知られるマリア（ジュリエット・ビノシュ）は、忠実なマネージャーのヴァレンティーヌ（クリステン・スチュワート）とともに、二人三脚で日々の仕事に挑んでいた。そんななか、マリアはかつて自身が世間に認められるきっかけとなった作品のリメイクをオファーされる。しかし、その役柄は彼女が演じた若き美女シグリッド役ではなく、彼女に翻弄される中年の上司、ヘレナ役。若い主人公の配役は、すでにハリウッドの大作映画で活躍する若手女優のジョアン（クロエ・グレース・モレッツ）に決定していた…

How should you spend your time if your days are numbered? This is the question facing Linda, a young woman suffering from a congenital heart defect. Contrary to her doctors’ expectations she has managed to survive to celebrate her thirtieth birthday, but with an operation looming, Linda nonetheless feels a deep need to spend what might be her last weekend with her two sisters: Katharina who is older, and Clara who is younger than her. Linda must use their journey, which begins at their family’s weekend house and ends in Paris, to examine the ways in which her family has been fundamentally affected by her illness; she must also consider how much she can expect from herself and her sisters – faced as they are with the possibility of her death.

In 2016 the sun has turned the entire world into a scorched and barren wasteland. The humans who have survived are either resourceful or violent, and sometimes both. Marie, her little sister Leonie, and best friend Phillip, are in a car headed to the mountains - rumor has it there is water there. Along the way they meet Tom, a first-rate mechanic. But can they trust him? Fraught with deep distrust, the group is lured into an ambush where their real battle for survival begins.

In no less than 180 minutes the film showed frenzied dashes of wild colors and idyllic natural images, of wonderful music and powerful lyricism, which, among others was flawlessly recited by star actors such as Corinna Harfouch, Angela Winkler and Ulrich Matthes. The work treats of the consciousness-defining echoing thunder of modern rock music, of the rock inscriptions of the ancient Egyptians, of the Merseburg magic spells, the author’s childhood impressions, in the latter’s homeland in the forests of the Upper Palatinate, and the ghosts of the Nazi era, who today continue to haunt us in the most vivid manner.

Hanna and Simon are in a 20 year marriage with an unexciting relationship. By chance, they both meet and start separate affairs with Adam. Adam has no idea that his two lovers are married, until they are all found out when Hanna becomes pregnant, with the natural doubts stemming from their situation.

The movie version of Christoph Schlingensief's stageplay.

All summer long, a group of people circumnavigate each other. A group of people who are so close and yet so alienated from one another. Their isolated holiday home is the site for a resurgence of smouldering conflicts and lifelong illusions that threaten to wreck the family’s fragile unity forever.

Edmond, a man in his sixties whose wife has recently passed away, is told about a secret establishment where men can spend an entire night in bed alongside beautiful, sleeping young women, who stretch, roll over and dream, but never awaken. Bedazzled by their seductive yet innocent tenderness, but distressed about the reason for their deep sleep, he delves into the mystery of the house of sleeping beauties.

Portrait of German actress Angela Winkler.

A documentary focusing on the rebuilding projects in Berlin after the fall of the Berlin Wall.

Georg, who is happy with his job as a scientist, with his loving wife and with his three children, hears one day that an accident has happened in a chemical plant nearby. All of a sudden, he finds himself face to face with one of the victims. The man, whose face has been eaten away by the sour gas that escaped from the plant, is staring at him in despair. Does Georg really see the man or is this a mere hallucination? Is he becoming insane or is he more alert to the dangers of the world than the common man?

A 14-year-old video enthusiast obsessed with violent films decides to make one of his own and show it to his parents, with tragic results.

Director Leon de Winter has taken a thriller with political and psychological overtones, and scrambled it into a series of vignettes that are mixed-up in time and in location, thereby dashing any hope of following the story. A journalist goes to a southern European country to interview a well-known terrorist who has refused to stop his activities even though the revolution he fought for ended successfully five years earlier. Questions are raised about adopting violence as a way of life without at first realizing it and about the seeming impossibility of raising the consciousness of backwater cultures. Perhaps because of the way the story has been filleted into fragments, characters like the journalist and terrorist do not have enough continuous screen time to build up their individuality, a second factor that makes it difficult to become involved in the drama.

Edith runs a left-wing journal and when her marriage starts to fall apart (her husband is unfaithful), she can find no solace in her son who is more of a problem than an asset. On top of heading toward a divorce and being unable to handle her son's asocial tendencies, her neurotic uncle moves in, demanding personalized care. Just to keep her sanity intact, Edith starts writing in her diary to vent her own feelings and ambitions. As her son goes from bad to worse over a five-year period, it turns out that Edith's diary may be of more benefit than she could have ever imagined. In this adaptation of Edith's Diary by Patricia Highsmith, director and writer Hans W. Geissendoerfer has maintained Highsmith's psychologically tormented characters while changing the location and time of her story from the U.S. of the 1960s to Germany in the early 1980s.

Olga and Ruth become friends. Olga is independent, separated from her husband, living with an immigrant pianist, and teaching feminist literature. Ruth is withdrawn, a painter, possibly mentally ill. Ruth dreams in black and white, sometimes of her suicide. Olga lectures on a 19th-century writer, von Günderrode, a suicide after the breakup of her intense friendship with Bettina Brentano. Ruth's husband Franz encourages the women's friendship, then, as Olga draws Ruth out and the friendship deepens, he becomes jealous. After the women travel to Egypt, Franz has a tirade. Ruth seems crushed between her husband and her friend, and how she responds is the film's climax.

Danton and Robespierre were close friends and fought together in the French Revolution, but by 1793 Robespierre was France's ruler, determined to wipe out opposition with a series of mass executions that became known as the Reign of Terror. Danton, well known as a spokesman of the people, had been living in relative solitude in the French countryside, but he returned to Paris to challenge Robespierre's violent rule and call for the people to demand their rights. Robespierre, however, could not accept such a challenge, even from a friend and colleague, and he blocked out a plan for the capture and execution of Danton and his allies.

The third episodical film, after Deutschland im Herbst and Der Kandidat, in which notable German film makers reflect on the state of their country.

In this drama, a provincial girl goes to Paris in search of her fortune. Although she finds the City of Light to be quite different from what she'd imagined it to be, the girl manages to retain her dignity. It is only after she is thoroughly disillusioned by her experiences there that she returns to her country life.

Depicts a murky masochistic relationship.

ポーランドのダンチッヒを舞台に、3歳で自らの成長を止めた少年オスカルの視点で、1927年から1945年の激動の時代を描いた異色の大力作。ブリキの太鼓を叩き、奇声を発しガラスを割るという不思議な力も身につけたオスカル、従兄との不倫を続ける母、臆病者の父、画面は時代が産んだ奇異なキャラクターとグロテスクな描写に溢れ、その毒気たるや凄まじいばかりのものである。

One night when seeking his estranged wife, Hoffmann goes to the youth center where she works. The police are there rounding up radicals who frequent the center - Hoffmann runs into the building and ends up being shot in the head. He awakens with brain trauma, partially paralyzed and unable to speak. The police accuse him of stabbing an officer; the radicals herald him as an innocent victim of police brutality. During his slow recovery at the hospital, Hoffmann must piece together his life and struggle to remember the events of that night.

Germany in Autumn does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie covers the two month time period during 1977 when a businessman was kidnapped, and later murdered, by the left-wing terrorists known as the RAF-Rote Armee Fraktion (Red Army Fraction). The businessman had been kidnapped in an effort to secure the release of the orginal leaders of the RAF, also known as the Baader-Meinhof gang. When the kidnapping effort and a plane hijacking effort failed, the three most prominent leaders of the RAF, Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe, all committed suicide in prison. It has become an article of faith within the left-wing community that these three were actually murdered by the state.

Mourning for a lost relationship can be every bit as devastating as mourning for someone who has died. In this drama based on the director's own novel, a couple with an unhappy marriage agree to a trial separation. They try to patch things up, and at the same time other relationships begin to develop for them.

After a chance encounter with a wanted man, a woman is harassed by the police and press until she takes violent action.

While on a longer business trip, a wannabe poet urges his beautiful but more simple wife to answer his overly swollen love letters. With no idea how to respond she forwards the letters to a new young school teacher to use his answers instead...

Abram returns to his small village and although his repairing skills are needed, people's suspicion about his sexual preferences make his life hard.