Tina Engel

The engineer Rosalie leads a life without standing still. She doesn't feel old for a long time, only mature. When Rosalie returns to Germany after a fainting spell at a solar project in Africa, it's just supposed to be a breather. When she shows up at her bourgeois sister Margret's with a huge container, she is not very enthusiastic about the surprise visit. The retired teacher sees right through that Rosalie isn't staying with her voluntarily. The well-travelled woman is broke! It seems like a miracle that there are a huge chunk of banknotes in a hole in the wall of the room. On the other side of the wall there is the room of the highly talented high school graduate Karla, who rents a part of Margret's house with her father Harald. After a failed first meeting, Rosalie befriends with the wheelchair-bound teenager and sets her mind on getting Karla out of her sheltered isolation, even against her will.

The retired Chief superintendent Jakob Franck who often had to inform relatives as a "death messenger", now hopes to lead a life beyond the dead.

A Berlin family is totally hooked on new technologies. Nina, the mother, decides one day to requisition all mobile phones for a month and adhere to a digital diet.

Simone Carstensen-Kleebach actually has everything one could wish for in life: a husband who supports her and with whom she has been married for almost 20 years, a daughter and great career success. But the pressure to be perfect in all these roles lends Simone more and more. When she meets Leon on vacation, it sparks. And although Simone never thought it possible to "do something like that," she gets involved in an affair with him. Back in Hamburg with the family, Simone suddenly receives compromising photos of Leon and himself. But who took the pictures and what does the sender want to achieve?

Diagnosis burnout: The successful career woman Toni Lehmstedt can be referred to a psychiatric clinic after a physical breakdown. Urs Egger's free adaptation of the biographical novel of the same name by Miriam Meckel with Grimme award winner Marie Bäumer in the leading role.

The story of Sister Pascalina Lehnert, who was the personal confidant and secretary to Pope Pius XII for forty years, when he was the papal nuncio in Germany, and then for his whole pontificate. The Pope had great confidence in her wisdom, energy, and loyalty, and she became known as "the most powerful woman in the history of the Vatican."

A family of a German linguist lives with an indigenous tribe in Papua New Guinea.

Welcome to 2020: The European Union has collapsed following the fourth Gulf War and massive barricades keep illegal immigrants out of cities that are barely functioning. In the middle of this highly volatile environment is the family of Walter Kuper, an energy conglomerate executive. Walter’s daughter, Cecilia, has joined the Black Storm terrorist group. Her sister Laura must choose between motherhood and the man she loves; their brother Philip has been called into fight for Germany in a hopeless war to secure the last remaining oil fields. Starring leading actors Daniel Brühl, Johanna Wokalek and Jürgen Vogel, "The Days to Come" asks provocative questions about the current state of things as it depicts personal and political realities in a scarily believable near–future.

Als sie den Angeklagten Robin Böhme (Simon Licht) zum ersten Mal Auge in Auge sieht, bricht die Staatsanwältin Esther Dorwald (Ann-Kathrin Kramer) unter Schock zusammen. Sie hat in ihm den Mann wieder erkannt, der sie vor etwa zwanzig Jahren im Park überfiel und schwer sexuell demütigte und nötigte. Damals waren die Ermittlungen im Sande verlaufen, jetzt ist der Geschäftsmann wegen Waffenhandel und Mord angeklagt. Die Staatsanwältin will ihn zur Rechenschaft ziehen lassen, muss jedoch feststellen, dass die Tat verjährt ist. Der aktuelle Prozess gegen ihn droht ebenfalls zu platzen. Verzweifelt setzt Esther alle Hebel in Bewegung, riskiert den Bruch mit ihrem Mann Lukas (Klaus J. Behrendt) und schreckt auch vor illegalen Maßnahmen nicht zurück, um Robin Böhme dingfest zu machen.

It all starts with a bang. The car breaks through the crash barrier and falls off the bridge. The lights go out. After that, he is not able to see anymore. His optic nerve is severed, from now on the young stage-director Jakob is blind. His life will change and nothing will ever be the same. Jakob cannot handle the idea of never being able to see again and screams at the only woman who is able and willing to help him, Lily. A rehabilitation teacher, she helps the blind deal with the darkness. Lily has been living with it since birth, she too is blind.

Katrin and Max are a couple. She examines police colleagues for her workability, he is a Kripo commissioner. When Hansen, the chief commissioner, is placed at his side, everything changes.

A group of actors making their way to Rome ends up losing its way due to the fog, the darkness, the ice and their own feelings of guilt, suddenly getting completely lost in the hills.

East-Berlin, 1961, shortly after the erection of the Wall. Konrad, Sophie and three of their friends plan a daring escape to Western Germany. The attempt is successful, except for Konrad, who remains behind. From then on, and for the next 28 years, Konrad and Sophie will attempt to meet again, in spite of the Iron Curtain. Konrad, who has become a reputed Astrophysicist, tries to take advantage of scientific congresses outside Eastern Germany to arrange encounters with Sophie. But in a country where the political police, the Stasi, monitors the moves of all suspicious people (such as Konrad's sister Barbara and her husband Harald), preserving one's privacy, ideals and self-respect becomes an exhausting fight, even as the Eastern block begins its long process of disintegration.

Germany in the Thirties. A movie teller realizes that his profession is not longer needed. Silent movies are not produced any longer. Telling stories is the only thing the man was ever good in, so he does not know what to do now. As political circumstances are changing dramatically these days in Germany, he gets new hope that things will again be going better for him...

Follows two wealthy families in Germany during the first half of the 20th century. One of them is German, the other one Jewish.

During World War II, Switzerland severely limited refugees: "Our boat is full." A train from Germany halts briefly in an isolated corner of Switzerland. Six people jump off seeking asylum: four Jews, a French child, and a German soldier. They seek temporary refuge with a couple who run a village inn. They pose as a family: the deserter as husband, Judith as his wife, an old man from Vienna as her father, his granddaughter and the French lad, whom they beg to keep silent, as their children. Judith's teenage brother poses as a soldier. The fabrication unravels through chance and the local constable's exact investigation. Whom will the Swiss allow to stay? Who gets deported?

ポーランドのダンチッヒを舞台に、3歳で自らの成長を止めた少年オスカルの視点で、1927年から1945年の激動の時代を描いた異色の大力作。ブリキの太鼓を叩き、奇声を発しガラスを割るという不思議な力も身につけたオスカル、従兄との不倫を続ける母、臆病者の父、画面は時代が産んだ奇異なキャラクターとグロテスクな描写に溢れ、その毒気たるや凄まじいばかりのものである。

Three people rob a bank to help a day care center that's in debt. Wolf is captured, Werner identified, police suspect Christa is the third. She and Werner ask Hans, a clergyman, to launder the money and give it to the kindergarten. He refuses. They try Ingrid, Christa's friend, who tries to help, but the school rejects the money. When tragedy strikes Werner, Hans helps Christa bolt to a collective in Portugal. Ingrid visits her; their relationship makes the collective nervous, so she returns to Germany and ceases living in hiding. The police are still looking for her and so is a witness to the robbery, Lena, a bank clerk. Lena's interest brings Christa's second awakening.