Käte Jaenicke

A bodyswitch comedy directed by Cyril Frankel.

In this wacky comedy, teen-aged Tony (Bentley C. Mitchum) has never known who is father is. Together with his best buddies Peter and Susan, he tracks down the clues he has as well as he can.

In the winter of 1942-43, a Jewish family leaps from a train going through Silesia. They are separated in the woods, and Leon, a local peasant who's now a farmer of some wealth, discovers the woman, Rosa, and hides her in his cellar. Leon's a middle-aged Catholic bachelor, tormented by his sexual drive. He doesn't tell Rosa he's seen signs her husband is alive, and he begs her to love him. Rosa offers herself to Leon if he'll help a local Jew in hiding who needs money. Leon pays, and love between Rosa and him does develop, but then Leon's peasant subservience and his limited empathy lead to tragedy. At the war's end, a ray of sunshine comes from an unexpected place.

It is the story of a middle age professor who falls deaply in love with a young student in his English literature class. The student is a boarder in the teacher's house. The teacher is married and his wife knows he is mostly attracted to young men. She loves him nevertheless. The whole story revolves around a book the professor will write, dictating to his young pupil... he will only declare his love at the end of the writing ...and, it is too late.

ポーランドのダンチッヒを舞台に、3歳で自らの成長を止めた少年オスカルの視点で、1927年から1945年の激動の時代を描いた異色の大力作。ブリキの太鼓を叩き、奇声を発しガラスを割るという不思議な力も身につけたオスカル、従兄との不倫を続ける母、臆病者の父、画面は時代が産んだ奇異なキャラクターとグロテスクな描写に溢れ、その毒気たるや凄まじいばかりのものである。

A gay man lives with a lonely old lady in a demolished house in Berlin. One day the old lady's daughter stands in front of the door and wants to bring her mother home.

In a critique to the Berliner films that depicted labour problems always through masculine lens, Sander changes the point of view. Irene, single mother, works in a washing machine factory and has to deal with discrimination, sexual harassment and lack of solidarity.

Two former lovers start a new relationship.

West German crime film directed by Rolf Olsen and starring Curd Jürgens, Andrea Rau and Corny Collins. It is set in the red-light district of St. Pauli in Hamburg.

Summer in Germany, anno 1970. Italy is the number one destination. As every year, swarms of Teutonic tourists make their way to the Adriatic Sea. Only Willi Hirsekorn (Heinz Erhardt) from Castrop-Rauxel has so far no plans to break south. That changes, however, as the bitchy neighbor Mizzi Buntje (Kate Jaenicke) proudly tells of their upcoming holiday in Italy. Willi can not afford this boasting. Shortly determined, the bags are packed, and already rushes Willi in the car with his wife Sieglinde, daughter Lotti and son Kuno the sun.

The brother of a Spanish immigrant worker comes to Germany just to find out that his brother was the victim of a freak accident.

East Berlin, shortly after the construction of the Berlin Wall. Kurt Schröder and his family dig a tunnel to escape to West Berlin as they struggle to overcome the obstacles blocking their underground path to freedom.

A young man living in Africa is send to Hamburg by his parents to learn about business. There, he falls in love with the mistress of a friend.

Peter schießt den Vogel ab is a German film comedy first released in 1959.