Jean-Jacques Grünenwald

Tibere (Sami Frey) is a small-time hood who tries to get one of three airline hostesses to help him in his gold-smuggling operation in this light comedy. One woman is a snob, the second is adventurous, and Melanie (Mylene Demongeot) is sentimental about love. When Melanie and Tibere fall for each other, he is inspired to give up his life of crime for the woman he loves.

A young man is a collector of feminine conquests. One morning, leaving one of his mistresses he is addressed by one of his past flirts. As revenge, she denounces him later to the police as the murderer of her fiance who was found dead the same morning. With the help of his mistresses and some new ones he makes on the road, the young man goes in search of the man he thinks is the killer, then his blond consort with whom he fell in love at the first sight the evening before.

Juliette is a young woman who just can't help lying. She lies to her sister, Sophie, to Sophie's fiancé Martin, and to all the men she attracts with her womanly charms. But when she falls for an older man, a 40-year old lawyer, her reputation as a liar precedes her and she cannot convince him that he really does love him…

Laurent is theatrical director, his girl Valerie an aspiring actress. Their relationship begins to fracture when Valerie doesn’t get the role in Laurent’s play.

1910年の春の夜、フランス上院議員の屋敷では、各界の名士を招いて夜会が開かれていた。突然、灯りが消え、再び灯りが点くと数枚の名画が姿を消していて、アルセーヌ・ルパンの名刺が残されていた…。

Pierre Fresnay plays the title character in Le Defroque (The Defrocked One). Cast out by his church, former priest Maurice (Fresnay) delights in mocking the traditions and credos of Catholicism. Even so, young Gerard (Pierre Trabaud) becomes convinced that Maurice has never truly lost his calling. Becoming a priest himself, Gerard devotes his life to bringing Maurice back into the fold. Things don't turn out quite as Gerard hopes, however; he has not reckoned with the possibility that Maurice may have been driven into insanity by his raging self-hatred.

A terminally ill Mr. Bard, a casino bus driver forced to quit his job, miraculously wins a fortune playing roulette. Instantly becoming a millionaire, he wants to fulfill his life's dream: to become a father. This plan is opposed by his greedy relatives who would go any low to take this money away from him. They are being led by a small-time crook. Mr. Bard's natural shyness and good heart lead him to the journey of self-exploration and finding his true love.

A twenty year old Anouk Aimée stars as Albertine, the daughter of a bourgeois couple who house a young officer during the Napoleonic wars. Newly promoted, the officer (Jean-Claude Pascal) is quartered by a dull bourgeois couple who treat him with a cold politeness bordering on indifference.

Toledo, 1825. To save her fiancé, an opponent of the regime, the beautiful Inès agrees to marry the chief of police.

François Donge, a rich industrialist and womaniser, meets a girl nicknamed Bébé who he marries. Ten years later, poisoned by his wife and dying in hospital, he recalls his married life and understands how his wife who adored him suffered from his many affairs and indifference.

In 1786, Jocelyn entered the Seminary. He leaves his share of the inheritance to his younger sister Julie. In 1793, on the point of being ordained a priest, the Revolution forced him to take refuge in the Alps. There he meets Laurence, first disguised as a young boy. A great friendship binds them which turns into love when Jocelyn discovers the girl's true identity. Yet faithful to the promise he made to the Superior of his Seminary, Jocelyn will not abandon his faith.

孤高の映画詩人ブレッソンの表現が精神の極みへと向って行く姿勢は、このごく初期の作品にも端的に見られる。それは悩み深き若い司祭を主人公にしているという表層からでなく、その懊悩を突き放すように客体化する、怜悧なまでの映像の力によって痛感させられるのだ。田舎司祭を取り巻く人々の聖と俗に揺れる姿が、彼の信仰にどう関わり、彼が自らどのような答えを出して行くかが、正に日記を綴る描写を挿し挟みながらスケッチされて行くが、彼は次第に懐疑的にならざるをえなくなり、健康をも害してしまう。ブレッソンのどの映画を見てもそうだが、描写の余りの潔癖さに、他のイメージに置き換えながら（詰まり自分流の翻訳をしつつ）見たくなるほど、純度の高い映画だ。 ＜allcinema＞

Breton doctor René Laennec fights tooth and nail against consumption, all the more desperately as his brother Michaud has just died of it.

She's working in a big store, he's a typographer and they lost their winning lottery ticket.

Ｒ・ブレッソンの第二作で、後の研ぎ澄まされた話法から比べれば流麗と呼んでいいスタイルながら、少ない登場人物の心理をえぐる描写力は、この頃より既に具わっていた。原作は哲学者ディドロの小説『運命論者ジャック』だが、その監督自身による脚色に、詩人コクトーが古いタイプの美しい台詞をつけ、日常性から快く乖離した、ロマンティックな彼特有の作品世界に仕立てている。観劇の帰りのタクシーの中で男友達はしきりに、エレーヌ（カザレス）の恋人ジャンの冷淡さをあげつらい、自分を売り込むが、彼女は“ジャンを愛している”と決然と言い放ち、車を降りた。しかし、屋敷で待っていた当のジャンに彼女は、一緒にいても胸がときめかない、と言う。するとジャンは、自分も同じ気持ちでいた、と予想外の返事をし、人に悟られぬようしばらく別れて暮らしてみて、なお惹かれ合う気持ちがあれば、その時こそ結婚しよう--と告げて、彼女の許を去るのだった。裏切られた心境のエレーヌは彼への復讐に燃える。かつてバレリーナ時分にパトロンをしていたアニエスを場末の小屋に見つけた彼女は、その後を追い、マネージャー役のその母親に計略に乗ってくれれば、再び経済的な面倒を見ようと言う。彼らがかつてどんな結びつきにあり、会わない間に何が起きたかは詳らかにされないが、娼婦の生活に墜ちた彼女は、次々に住み家も変えている状態だった。エレーヌはそんな彼女をジャンに引き合わせる。案の定、彼は彼女を娼婦とは気づかず夢中になる。からくりを知らないアニエスも、苦悩しながらも彼を受け入れ、遂には結婚となるのだが、果たして、エレーヌの思惑通りには運ばず、アニエスの過去も二人の愛情の妨げとはならないのだった。 ＜allcinema＞

Philippe Clarence, a famous Parisian dressmaker, seduces his friend's fiancee. But, for the first time in his life, this is for real. The film is also a sharp picture of the fashion world.

「抵抗　死刑囚の手記より」「ラルジャン」などで知られるフランスの巨匠ロベール・ブレッソンの伝説的な長編デビュー作。刑務所で服役を終えた女性たちを多く修道女として迎え入れているドミニコ会女子修道院。そこに、信仰心に篤いブルジョワの無垢な娘アンヌ＝マリーが自ら進んでやって来て修道女となる。やがてアンヌ＝マリーは、刑務所でテレーズという反抗的な若い娘と出会う。彼女を修道院に迎え入れ、魂の救済をしてあげようと決意するアンヌ＝マリーだったが…。 ＜allcinema＞