Jelena Jovanova

A romantic comedy of confusion.

Vedran thinks bringing a ton of ice cream to a mother and her daughter will relieve him of his guilt, but the treat melts along with his hope for redemption.

What is Man? “Homo” shows six faces, six phases in cleverly- connected, blackly comic episodes as desperate characters meet unwittingly in a modern metropole in the eternal search for the means to survive, and find some kind of love. The jobless graduate becomes a grave digger, the grieving widow a nun, the priests gamble and gangsters rule the courts. Only the lonely child may find some affection when hope springs eternal.

Three Macedonian women have to contend with control over their bodies, tradition, loyalty, pregnancy and adoption. They have not set out to change the world or society, but their struggle to become mothers makes them unlikely heroines. The three bittersweet stories, one medieval, two contemporary, mirror and contrast one another, exploring themes of love, trust and motherhood.

A group of friends unintentionally kidnap the Prime Minister of the country.

The sudden reappearance of the young Vera in a coastal village makes Jordi decide to undertake the search for his father, who has been presumed dead for over twenty years.

Ten-year-old Jovan was born with partial cerebral palsy. Shy, self-conscious and without many friends, he often escapes in his imagination to a place where he is a crime-fighting superhero not limited by his own body. His world shifts when a new girl arrives in his class. Milica, not intimidated by much, chooses the seat next to Jovan and immediately enlists him to help her free her father from his girlfriend, whom she is convinced is a witch who has placed her father under a spell.

A short musical about Jovana, a woman trying to please everyone, except the most important person in her life.

A young Roma girl named Fati finds out about her grandmother’s illness—anemia due to iron-deficiency. Disappointed because of her lack of money to buy the necessary medicine, she sees a notice in a discarded newspaper: ‘Ecological Action: wagons for old iron arrive in train station for recycling’. She comes up with a creative plan and goes to see Andrej, the local mafia boss who often visits Grandmother Fatima for fortunetelling. The superstitious boss orders his bodyguards to rob the train and deliver the iron to the old lady. Amazed by the ironic story, the police officers release Perhan and help to obtain the necessary medication for Fatima.

Four very different people live in the same building but avoid each other because of differences in how they live their lives, what they believe in, and where they come from. They would probably never exchange a word, but misfortune pushes them towards each other. Their lives entangle in ways that profoundly challenge deep-held beliefs and prejudices surrounding material status, sexual orientation, nationality and religion. Slowly, and even painfully, they begin to open up to each other and recognize the essential humanity each of them possesses.

Two girls wait around the town of Skopje for something neither of them know. An introspective journey peppered with invented etymology, fake philosophy, and rocks.

A harsh dose of cinematic realism about a harsh time – the Bosnian War of the 1990s – Juanita Wilson's drama is taken from true stories revealed during the International Criminal Tribunal in The Hague. Samira is a modern schoolteacher in Sarajevo who takes a job in a small country village just as the war is beginning to ramp up. When Serbian soldiers overrun the village, shoot the men and keep the women as laborers (the older ones) and sex objects (the younger ones), Samira is subjected to the basest form of treatment imaginable.