Selwyn Jacob

参加作品

Holy Angels
Producer
Documentary about the Holy Angels Residential School in Alberta, where hundreds of First Nations children were imprisoned.
Button Blanket
Producer
This short impressionist documentary looks at the creation of a Button Blanket by integrating the performance of a traditional dance with the art of the West Coast Heiltsuk Nation.
This Land
Producer
This short documentary recounts a 2000-km expedition undertaken by 7 rangers (both Inuit and non-Native) and a female filmmaker to raise a flag on the northernmost tip of Canadian soil, 412 km from the North Pole. With a mesmerizing soundtrack by Nunavut-born singer Tanya Tagaq and spectacular footage of the Arctic landscape, This Land captures the epic adventure with raw immediacy.
Indigenous Plant Diva
Producer
Kamala Todd's short film is a lyrical portrait of Cease Wyss, of the Squamish Nation. Wyss is a woman who understands the remarkable healing powers of the plants growing all over downtown Vancouver. Whether it's the secret curl of a fiddlehead, or the gentleness of comfrey, plants carry ageless wisdom with them, communicated through colour, texture, and form. Wyss has been listening to this unspoken language and is now passing this ancient and intimate connection down to her own daughter, Senaqwila.
Writing the Land
Producer
In this short documentary, a Musqueam elder rediscovers his Native language and traditions in the city of Vancouver, in the vicinity of which the Musqueam people have lived for thousands of years. Writing the Land captures the ever-changing nature of a modern city - the glass and steel towers cut against the sky, grass, trees and a sudden flash of birds in flight and the enduring power of language to shape perception and create memory.
Obâchan's Garden
Producer
Peeling back the layers of her grandmother's life, filmmaker Linda Ohama discovers a painful, buried past in this feature-length documentary. Asayo Murakami, 103 years old, recalls life in Japan, her arrival in Canada as a "picture bride," her determination to marry a man of her choice, the bombing of Hiroshima and the forced relocation of her family during WWII. Beautifully rendered dramatic sequences are merged with an exquisite collection of memories, feelings, images and voices. Culminating in an emotional reunion with a long-lost daughter, this film is a personal reflection of Japanese-Canadian history and a testament to one woman's endurance and spirit.
From Harling Point
Producer
This documentary tells the story of a Chinese cemetery in BC that became a National Heritage site. For Chinese pioneers who died in Canada, Victoria's Chinese Cemetery at Harling Point was a temporary resting place until their bones could be returned home. (Traditional Chinese belief says that the soul of a person who dies in a foreign place wanders lost until their bones are returned home.) This film traces the rich history of the Vancouver Island cemetery from controversy and neglect to its revival as a historic site. Told by those closest to it, the story of Harling Point is a metaphor for Canada, a country still working on making a home for all who live within its borders.
The Road Taken
Producer
This 1996 documentary takes a nostalgic ride through history to present the experiences of Black sleeping-car porters who worked on Canada's railways from the early 1900s through the 1960s. There was a strong sense of pride among these men and they were well-respected by their community. Yet, harsh working conditions prevented them from being promoted to other railway jobs until finally, in 1955, porter Lee Williams took his fight to the union.
The Road Taken
Director
This 1996 documentary takes a nostalgic ride through history to present the experiences of Black sleeping-car porters who worked on Canada's railways from the early 1900s through the 1960s. There was a strong sense of pride among these men and they were well-respected by their community. Yet, harsh working conditions prevented them from being promoted to other railway jobs until finally, in 1955, porter Lee Williams took his fight to the union.
Carol's Mirror
Director
Carol is interested in playing the lead in her school's annual play. The only problem is that the school puts on "Snow White" every year, and Carol is black. After much lively debate, Carol and her classmates find a solution.