Yussuf Abu-Warda

Three religions. Two men. One mission. Ben has gone off into the desert. In order to escape the matchmaking attempts of his family in Jerusalem, he agrees to fly to Alexandria to save what was once the largest Jewish community in the world, which is desperately short of a tenth man to celebrate Passover. When Ben misses his flight and is subsequently thrown off a bus in the Sinai Desert, a grumpy Bedouin in search of his lost camel becomes Ben’s only hope.

A breakdown on the way to the airport provides a father and son with an opportunity to reconnect.

With their father in prison and mother dead, three children from the West Bank are smuggled into Israel and taken to the house of their distant relatives, George and Rita, in Jaffa. Rita, who longs for a child, embraces them as her own but George is wary of the grave legal implications their actions might have. Meanwhile, a British film director recreates 1947 Jaffa outside George and Rita’s house. When their present-day reality meets the historical events that led to it, tragedy ensues.

A young Palestinian schoolteacher gives birth to her son in an Israeli prison where she fights to protect him, survive and maintain hope.

It is a time when Rome rules the world with the power of life and death in their hands. The province of Roman Palestine is a bubbling cauldron of rebellion and control. And on this greater canvas Luke, narrates a story of wonder, amazement and impact... The world is anticipating this moment in history but no one can imagine God touching His creation in the form of a little baby named Jesus. Much is recorded in the Gospels about Jesus' miraculous birth, to a young virgin named Mary, in Bethlehem, but little is known about his quiet growing up in Nazareth. Joseph, his adopted father, seems to have died well before Jesus turns 30 and begins his ministry.

Filmed in one sequence-shot of 1 hour and 25 minutes, Ana Arabia is a moment in the life of a small community of outcasts, Jews and Arabs, who live together in a forgotten enclave at the “border” between Jaffa and Bat Yam, in Israel. One day, Yael, a young journalist, visits them. In these dilapidated shacks, in the orchard filled with lemon trees and surrounded by mass public houses, she discovers a range of characters far removed from the usual clichés offered by the region. Yael has the feeling of having discovered a human goldmine. She no longer thinks of her job. Faces and words of Youssef and Miriam, Sarah and Walid, of their neighbors, their friends tell her about life, its dreams and its hopes, its love affairs, desires and disillusions. Their relation to time is different than that of the city around them. In this tinkered and fragile place, there is a possibility of coexistence. A universal metaphor.

Eager to provide a better future for her son, Fadi, divorcée Muna Farah leaves her Palestinian homeland and takes up residence in rural Illinois -- just in time to encounter the domestic repercussions of America's disastrous war in Iraq. Now, the duo must reinvent their lives with some help from Muna's sister, Raghda, and brother-in-law, Nabeel.

Two outcasts, a suicide bomber and an Israeli girl, fall in love during a desperate weekend in Tel Aviv.

A political drama centered around Israel's pullout from the occupied Gaza strip, in which a French woman of Israeli origin comes to the Gaza Strip to find her long ago abandoned daughter.

Through a mosaic of stories intertwined and created a current picture of the sad social and economic situation in Israel. Mother forced into prostitution to support her son; Blind man must survive after loosing his dog; Son is looking for his rocker father's; Apartment owner complicates his life while entering the underworld...

"Promised Land" tells the story of a group of young unwitting Estonian girls smuggled through Egypt to be auctioned off as prostitutes in Israel, and of their initiation into this trade of flesh, and finally of the accidental freeing of one girl who most fight for her freedom.

In May 1948, shortly before the creation of the State of Israel, hundreds of immigrants from across Europe arrive in Palestine--only to risk arrest by British troops.

In spite of blood ties to both Haifa's Jewish and Arab populations, Moshe (Moshe Ivgy) leads a rootless existence. Grown weary of his impatient wife Didi (Keren Mor) and ambivalent about his needy young mistress Grisha (Natali Atiya), the only relationships Moshe doesn't complicate are with his devoted parents, Jewish Hanna (Meron) and Arab Yussuf, and with Jules (Juliano Mer), Moshe's ne'er-do-well childhood friend. But when Jules' real estate developer brother moves to buy a prized piece of property from the Arab side of the family, Moshe's divided ancestry is put to the test.

An Israeli soldier is taken hostage by a small PLO squad in Lebanon. The soldier planned to go on vacation and to fly to the world final soccer cup, he and his capturers share the love to soccer and toward the (not so happy) end a relationship is made.

A Palestinian seeks Israeli permission to waive curfew to give his son a fine wedding. The military governor's condition is that he and his officers attend. The groom berates his father for agreeing. Women ritually prepare the bride; men prepare the groom. Guests gather. The Arab youths plot violence. One Israeli officer swoons in the heat and Arab women take her into the cool house. A thoroughbred gets loose and runs to a mined field; soldiers and Arabs must cooperate to rescue it. As darkness falls, tensions between army and villagers rise, and the groom's wedding-night anger and impotence threaten family dignity and honor. Can cool heads prevail?

Directed by Nissim Dayan.