Pedro Irusta

It's the Christmas holidays, and Andy leaves the city in order to spend some time at a luxury villa with his best friends. Days spent in male company in the timelessness of the holidays encourage rest, relaxation, and the occasional teasing. But their initial consensual horseplay reveals that they each have different personal boundaries. Ever since his debut film Plan B (2009), Marco Berger has taken a continued interest in queer narratives and in the depiction of erotic fantasies, sexuality, and gender – and Horseplay is no exception. Once again, the Argentinian filmmaker presents a subversive political tale, this time focusing on masculinity in its dangerously toxic form.

Ezequiel, a sixteen-year-old gay teenager in his sexual awakening, meets a boy of twenty-one. They quickly start a relationship and the situation unravels unexpectedly.

Gabriel rents a room in Juan’s House. They work together in a Woodwork place. Gabriel is a very quiet guy and has a little daughter. Juan is a party boy who has a lots of girls around. Inadvertently the sexual tension starts to grow between them. It opens a new hidden forbidden world they have to deal with.

A French journalist receives a message from Martin Dressler, an Argentinean man she never knew. She travels to Buenos Aires to meet him, but he never shows up. She begins to investigate and learns about The Corroborators, a secret society that, at the end of the 19th Century, intended to turn Buenos Aires into an exact replica of Paris. In the 30s, they disappeared, but she believes that they are behind the disappearance of Dressler. And that they are after her.

Fernando is on holiday with his closest male friends in a beautiful country house in a suburb of Buenos Aires. On their own without their girlfriends in a “men only” environment, the hunky young studs bask in the hot sun, play in the pool, smoke pot, and drink, most often semi-clad or naked. In this freewheeling and testosterone-infused environment, they talk of their desires and strengthen their individual bonds.

On the verge of achieving his dream career, Tomás allows his older brother Martin Farina an inside look at his life as a professional football player. Martin, never able to fulfill his own dream of playing football, steps into the world of Tomás and his teammates through the lens of his camera.

A butterfly, a creature symbolising rebirth and a new beginning, epitomises Romina’s and Germán’s world, a world that consists of two parallel realities. In one of them they grow up as siblings who desire each other and try to give shape to their love without sexual fulfilment; in the other they are a young man and woman who form an awkward friendship instead of succumbing to their feelings for each other. Germán finds himself in a discordant relationship with Mariela. Mariela’s brother is interested in Bruno. Bruno is with Romina, but wants to be with Germán. Playfully alternating between these two realities, the lovers find themselves drawn into ever new couplings in order to explore their intuitive feelings – cautiously, but at the same time prepared to lose everything.

A hot summer. A private district with an enormous park. An abandoned plot of land in the suburbs and an uncontrollable wave of smoke spark uncertainty and chaos.

Eugenio offers his childhood friend Martin a work for the summer. With a game of power and desire a relationship starts to grow that goes beyond their friendship.

What are the rules that determine how attraction and desire are set free? Glances, unexpected smiles, confiding in unknown women. Long cherished fantasies, intimate friendships and unexpected meetings. In Volume 2 of the Sexual Tension diptych, Marco Berger and Marcelo Mónaco take us on a journey through the twists and turns of female seduction: two guests of a hostel become roommates (and more); a keen shop assistant helps a woman uncertain about what dress to buy; the outset of a great passion between two girls during a picnic, even though one of them has a boyfriend. In the film we also find a conversation about Woody Allen between a waitress and a woman, which goes too far; and two high-class escorts who discover that they are attracted to each other, when they are in bed with a client. The film finally shows what could happen, but never did happen, and will probably never happen, to two thirty-year-old women. Maybe it would be better not to have sex with people we love. Sex ...

A pulsating, thrill ride that weaves six scintillating experiences of men in various forms of male bonding, Sexual Tension: Volatile will leave you wanting more! A young man feels the adrenaline rush of his sexy tattooist’s needle in ‘Ari’ while in ‘The Cousin,’ a cute boy has a taboo attraction for a family member. Two ‘straight’ buddies literally show, each other, how to make love to a woman in ‘The Other One,’ while a man with ‘Broken Arms’ receives a sensual sponge bath from a male nurse. ‘Love’ is questionable when a broken shower brings a married man and an innkeeper together and in ‘Workout’ two muscular men begin to explore each other chiseled bodies. Voyeuristic pleasures await you as the camera penetrates and caresses the men’s bodies while exploring the mysterious and electrifying nature of male intimacy.

Sebastiano teaches high school gym classes and coaches swimming. He’s got a job, a girlfriend, and a pretty normal life. But as young Martin starts to infiltrate Sebastiano’s life, his world will get turned upside down. Eerie from the first frame, this Hitchcockian thriller portrays sexual obsession with terrifying realism.

Bruno's plan to win back his ex-girlfriend hits a snag when he becomes attracted to her boyfriend.

Pablo offers Javier a taxi ride to his place and once there, invites him in. After watching television with his cousin, Pablo asks Javier to sleep over. Once in bed, almost naked, they get ready to go to sleep.