Lefteris Haronitis

参加作品

El Greco: Προσωπογραφίες
Writer
El Greco: Προσωπογραφίες
Director
Ένας Άνθρωπος Παντός Καιρού
Self
永遠と一日
Production Director
An ailing Greek man attempts to take a young, illegal Albanian immigrant home.
The Young Tycoon
Assistant Director
Paul Dellis, a young self-made shipowner, has no time for anything other than high class call girls in a luxurious resort. The girl suppliers are a photographer and owner of a model agency, Werner, and his girlfriend Samantha. A rich woman, Tina, who spends her time at the same resort, fascinated by Paul arranges to visit him taking the place of Samantha. When Samantha is found dead, Tina disappears and all suspicions fall on Paul.
The Travelling Players
Producer
This expansive Greek drama follows a troupe of theater actors as they perform around their country during World War II. While the production that they put on is entitled "Golfo the Shepherdess," the thespians end up echoing scenes from classic Greek tales in their own lives, as Elektra plots revenge on her mother for the death of her father, and seeks help from her brother, Orestes, a young anti-fascist rebel.
The Colors of Iris
Production Director
A mysterious disappearance takes place during the shooting of a commercial on the beach in the early morning hours. An unknown man suddenly comes into the shot, then walks into the sea holding an umbrella and seizes to exist, before the bewildered eyes of the whole crew. After the police are notified, a confusing array of red tape manoeuvers begins, revealing the close affiliations of the Authorities with the advertising company manager and the whole mechanism of Mass Media, all of which are trying not to investigate the event but to conceal or even exploit it in their own interest. Only the musician involved in that commercial is trying to figure out what really happened.
Love on a Horse
Assistant Director
A son and his stepmother, without noticing their father/husband peeping at them, make love on a horse. The father, while being a painter, gets inspired and begins a new painting that creates tension between them.
John the Violent
Set Designer
At midnight, on a deserted Athenian street, a beautiful woman named Eleni Chalkia is fatally stabbed by a stranger, who immediately disappears into the shadows. The murderer is Ioannis Zachos (Manos Logiadis), a young man lacking in both mental and sexual stability, who lives out his erotic fantasies through purifying violence. He often fantasizes about killing beautiful women, in this way compensating for his deficient manhood and satisfying his passion for power. When he is arrested, he immediately confesses his crimes, which is a relief to the police, who have been accused of gross ineptitude by the press. During the trial that follows, the relentless question, “who is ultimately guilty? Man or society?” is again raised.
John the Violent
Production Director
At midnight, on a deserted Athenian street, a beautiful woman named Eleni Chalkia is fatally stabbed by a stranger, who immediately disappears into the shadows. The murderer is Ioannis Zachos (Manos Logiadis), a young man lacking in both mental and sexual stability, who lives out his erotic fantasies through purifying violence. He often fantasizes about killing beautiful women, in this way compensating for his deficient manhood and satisfying his passion for power. When he is arrested, he immediately confesses his crimes, which is a relief to the police, who have been accused of gross ineptitude by the press. During the trial that follows, the relentless question, “who is ultimately guilty? Man or society?” is again raised.
John the Violent
At midnight, on a deserted Athenian street, a beautiful woman named Eleni Chalkia is fatally stabbed by a stranger, who immediately disappears into the shadows. The murderer is Ioannis Zachos (Manos Logiadis), a young man lacking in both mental and sexual stability, who lives out his erotic fantasies through purifying violence. He often fantasizes about killing beautiful women, in this way compensating for his deficient manhood and satisfying his passion for power. When he is arrested, he immediately confesses his crimes, which is a relief to the police, who have been accused of gross ineptitude by the press. During the trial that follows, the relentless question, “who is ultimately guilty? Man or society?” is again raised.
Anna's Engagement
Assistant Director
A lower-class maid navigates the social world of the upper-crust family she works for.