What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)
A Mississippi district attorney and the widow of Medgar Evers struggle to bring a white supremacist to justice for the 1963 murder of the civil rights leader.
Barcelona in the seventies. Piper, comedian at the theater El Molino has specialized in effeminate roles, but in reality is a conqueror. His wife, Nita, sets a trap for him.
Julio, an only child belonging to a wealthy family, murders a prostitute who tries to seduce him. He, in childhood, suffered severe trauma and this causes serious problems with women. Because of this, runs away and stays in a boarding house in Madrid, where he meets Monica, the daughter of the owner, who maintains relationships that seek to build on for help in their desperate situation. As his obsession for killing is increasing.
Commissioner Mendoza must join forces with the honorable civil guard, to stop the activities of a network of drug traffickers with international contacts that intend to act in Spain.
An explorer, Stanley, leads a woman to meet her brother, who is in a jungle place waiting to leave in search of King Solomon's mines. Tarzan joins as a guide for the group.
Set in the future, the story follows a nurse who tries to bring her own style of relief to people condemned to die. Her identity is a mystery and she may not be quite what she seems.
