Caroline Huppert

1934. Philippe falls in love with Odile, a beautiful stranger, and decides to marry her, against the will of his parents. They would have preferred a more bourgeois bride, ideally from their own milieu: the paper industry in Angoulême. Isabelle, for instance, whom they have known since she was a child, would have been the perfect match. But Philippe sticks to his choice and marries Odile. At first the newly-weds are passionately in love, and the whole family looks forward to the birth of an heir for the Marcenat family. But in vain. Instead, Odile neglects her marriage and devotes herself to drawing, a gift she inherited from her father. Or is her rekindled interest in art classes more the result of her encounter with the charming but mysterious artist François Crozant? Philippe sense that he's losing his wife and becomes madly jealous of François. Meanwhile Isabelle, who's secretly in love with Philippe, is just waiting for the right moment.

1934. Philippe falls in love with Odile, a beautiful stranger, and decides to marry her, against the will of his parents. They would have preferred a more bourgeois bride, ideally from their own milieu: the paper industry in Angoulême. Isabelle, for instance, whom they have known since she was a child, would have been the perfect match. But Philippe sticks to his choice and marries Odile. At first the newly-weds are passionately in love, and the whole family looks forward to the birth of an heir for the Marcenat family. But in vain. Instead, Odile neglects her marriage and devotes herself to drawing, a gift she inherited from her father. Or is her rekindled interest in art classes more the result of her encounter with the charming but mysterious artist François Crozant? Philippe sense that he's losing his wife and becomes madly jealous of François. Meanwhile Isabelle, who's secretly in love with Philippe, is just waiting for the right moment.

1934. Philippe falls in love with Odile, a beautiful stranger, and decides to marry her, against the will of his parents. They would have preferred a more bourgeois bride, ideally from their own milieu: the paper industry in Angoulême. Isabelle, for instance, whom they have known since she was a child, would have been the perfect match. But Philippe sticks to his choice and marries Odile. At first the newly-weds are passionately in love, and the whole family looks forward to the birth of an heir for the Marcenat family. But in vain. Instead, Odile neglects her marriage and devotes herself to drawing, a gift she inherited from her father. Or is her rekindled interest in art classes more the result of her encounter with the charming but mysterious artist François Crozant? Philippe sense that he's losing his wife and becomes madly jealous of François. Meanwhile Isabelle, who's secretly in love with Philippe, is just waiting for the right moment.

1934. Philippe falls in love with Odile, a beautiful stranger, and decides to marry her, against the will of his parents. They would have preferred a more bourgeois bride, ideally from their own milieu: the paper industry in Angoulême. Isabelle, for instance, whom they have known since she was a child, would have been the perfect match. But Philippe sticks to his choice and marries Odile. At first the newly-weds are passionately in love, and the whole family looks forward to the birth of an heir for the Marcenat family. But in vain. Instead, Odile neglects her marriage and devotes herself to drawing, a gift she inherited from her father. Or is her rekindled interest in art classes more the result of her encounter with the charming but mysterious artist François Crozant? Philippe sense that he's losing his wife and becomes madly jealous of François. Meanwhile Isabelle, who's secretly in love with Philippe, is just waiting for the right moment.

Paris, 1900. The 16-year-old Gigi lives in a world of mere women, inspired by Anna Karenina and Madame Bovary, she doesn't want to surrender to the "bondage of a loveless marriage".

Paris, 1900. The 16-year-old Gigi lives in a world of mere women, inspired by Anna Karenina and Madame Bovary, she doesn't want to surrender to the "bondage of a loveless marriage".

In Paris in 1935, a young Jewish woman married to an anti-fascist activist befriends her neighbor who is dating a far-right supporter.

In Paris in 1935, a young Jewish woman married to an anti-fascist activist befriends her neighbor who is dating a far-right supporter.

Victim of an unfair dismissal, a young secretary strikes back by becoming the assistant to the son of the company's CEO.

Two teenage girls are rehearsing a scene from a play by Marivaux, a love scene, and from the first seconds, we know who will be the heroine, who will be Charlotte, the one who will, to summarize brutally, discover her homosexuality.

Three runaway children end up on an island where a lonely sculptor lives.

In a most unusual, near menage a trois, Charlotte is a terrified young singer who is forced to hide out at the home of her ex-boyfriend -- her current male companion has been murdered in his apartment, and she fears the worst. The trouble is that Mathieu, her ex, is happily living with his new love Christine.

In a most unusual, near menage a trois, Charlotte is a terrified young singer who is forced to hide out at the home of her ex-boyfriend -- her current male companion has been murdered in his apartment, and she fears the worst. The trouble is that Mathieu, her ex, is happily living with his new love Christine.

The beginning of the 20th century. Charles Swann, a young and wealthy dandy, spends most of his time hanging out with the old nobility, notably the Duke and Duchess of Guermantes. He is madly in love with a pretty demi-mondaine, Odette de Crécy. Idle, Swann surrendered complacently to the torments of jealousy. After hours of suffering, he manages to spend a night with Odette. In the morning, he believes that ultimately, this one is "not his type". However, we find him, many years later, alongside Odette who, now his wife, gave him a daughter. In the company of Baron de Charlus, brother of the Duchess of Guermantes, he wonders about the failure of his sentimental life, so far removed from this absolute he dreamed of...

Biopic of French film pioneer Alice Guy-Blaché, considered the world's first female director, who directed, produced and/or supervised over 700 films between 1896 an the 1920s, in France and, for a period, in the US.

Reduced to poverty, a young man is taken in by a rich lady who asks him for some dangerous services in exchange.

Reduced to poverty, a young man is taken in by a rich lady who asks him for some dangerous services in exchange.

"Hangar" is a new agency whose purpose is to carry out missions even too sensitive for the police or intelligence services. The agency must eliminate a German female terrorist by the name of Birgitt Haas. The murder is to be disguised as a crime of passion, so an agent must lure Birgitt into falling in love.

The painful life of a mentally unstable but highly gifted woman is unveiled in this film, based on episodes from the life of an actual person. Aloise (Delphine Seyrig) creates a series of haunting drawings while she is incarcerated in an institution for the insane in turn-of-the-century Switzerland. She endures torments as a musically gifted girl and later as a young woman; her developing madness and the barbaric treatments of the time are shown.

Complications abound in this French film, which tells the story of a filmmaker who is attempting to put his real life into a movie; his interactions with the people in the movie he is filming create reverberations in his "real" life, although the past remains unchanged. Among the complications is his growing regard for the woman who plays his cinematic wife. She may wind up replacing his actual wife in real life. One of the highlights of this film is the insight it gives into the actual mechanics of filmmaking.