James Spooner

The story of Chernobyl told through a newly discovered hoard of dramatic footage filmed at the nuclear plant during the disaster and deeply personal interviews of those who were there, directed by Emmy Award-winner and Russian-speaker James Jones.

James Spooner travels the fiction route with White Lies, Black Sheep, but also interweaves the rudimentary elements of nonfiction (location and behavioral-fueled observation and insight) into this journey -- to such a degree that the outing might well be termed a "scripted documentary." Ayinde Howell stars as Ajamu "A.J." Talib, a young indie rock promoter at ease amid the New York club scene. Though officially Afro-American, he is neither continually conscious of his racial identity, nor -- it seems -- all that affected by it. Meanwhile, his Caucasian buddy Josh (Jeremy Bobb) appears to be grappling with his own racial identity by suppressing his "whiteness" and both acting and thinking black -- dating African-American women, aggressively and vociferously touting The Autobiography of Malcolm X, etc. Initially, though A.J. insists that his African-American heritage is neither here nor there for him, he begins to observe the myriad ways in which it impacts his social relationships.

This film, which many may assume is a historical punk documentary, actually is an honest and needed treatment of race and identity. Punk and Hardcore music is simply the microcosm in which it is told. First time Director, James Spooner, in telling this story, has opened new dialogues on these crucial subject both intra and interracially. Many times funny, sometimes sobering, a wake up call to America. An examination of the duality of racial identity that DuBois called "double consciousness." What could have been "The Bad Brains Story" is a story about kids, alienated by two cultures and two communities. Many of these punk and hardcore kids have never questioned their role in the punk scene or the black community until their interviews, and it's obvious as they struggle on camera to reconcile a fragmented self.

This film, which many may assume is a historical punk documentary, actually is an honest and needed treatment of race and identity. Punk and Hardcore music is simply the microcosm in which it is told. First time Director, James Spooner, in telling this story, has opened new dialogues on these crucial subject both intra and interracially. Many times funny, sometimes sobering, a wake up call to America. An examination of the duality of racial identity that DuBois called "double consciousness." What could have been "The Bad Brains Story" is a story about kids, alienated by two cultures and two communities. Many of these punk and hardcore kids have never questioned their role in the punk scene or the black community until their interviews, and it's obvious as they struggle on camera to reconcile a fragmented self.

This film, which many may assume is a historical punk documentary, actually is an honest and needed treatment of race and identity. Punk and Hardcore music is simply the microcosm in which it is told. First time Director, James Spooner, in telling this story, has opened new dialogues on these crucial subject both intra and interracially. Many times funny, sometimes sobering, a wake up call to America. An examination of the duality of racial identity that DuBois called "double consciousness." What could have been "The Bad Brains Story" is a story about kids, alienated by two cultures and two communities. Many of these punk and hardcore kids have never questioned their role in the punk scene or the black community until their interviews, and it's obvious as they struggle on camera to reconcile a fragmented self.

This film, which many may assume is a historical punk documentary, actually is an honest and needed treatment of race and identity. Punk and Hardcore music is simply the microcosm in which it is told. First time Director, James Spooner, in telling this story, has opened new dialogues on these crucial subject both intra and interracially. Many times funny, sometimes sobering, a wake up call to America. An examination of the duality of racial identity that DuBois called "double consciousness." What could have been "The Bad Brains Story" is a story about kids, alienated by two cultures and two communities. Many of these punk and hardcore kids have never questioned their role in the punk scene or the black community until their interviews, and it's obvious as they struggle on camera to reconcile a fragmented self.

This film, which many may assume is a historical punk documentary, actually is an honest and needed treatment of race and identity. Punk and Hardcore music is simply the microcosm in which it is told. First time Director, James Spooner, in telling this story, has opened new dialogues on these crucial subject both intra and interracially. Many times funny, sometimes sobering, a wake up call to America. An examination of the duality of racial identity that DuBois called "double consciousness." What could have been "The Bad Brains Story" is a story about kids, alienated by two cultures and two communities. Many of these punk and hardcore kids have never questioned their role in the punk scene or the black community until their interviews, and it's obvious as they struggle on camera to reconcile a fragmented self.