Tony Fuentes

With humor, prolific director Víctor Matellano tells the story of one of the most iconic and problematic cult films of Spain's "fantaterror": Los resucitados by Arturo de Bobadilla. A story of ambition, frustration and the everlasting will of the most passionate cinephiles.

A New York executive is handcuffed to a precious briefcase to which only his Spanish contact holds the key and of which many others are in hot pursuit.

One of the presidential candidates whose main campaign promise to end crime. When a day come back home with his wife, found the lifeless body of her son who had come to steal. The young man was a drug addict, just with what the candidate wants to end. So he decided hide his body until elections are for the matter not to spill his candidacy.

A new doctor arrives in a small Spanish village. As soon as he begins meeting people there, he notices the strange behaviour of the population and is surprised. Young people make fun of him, a man called Gonzalo seems to be some kind of leader, and he is invited to leave the village when he tries to ask about the situation. All his questions get no answer. His neighbour is a lovely and pretty young woman, who works as the local teacher. They develop a sincere friendship from the very first moment, which grows to become love. Unfortunately, Gonzalo feels that the young teacher is "reserved" exclusively for him and he reacts with violence. Meanwhile, the doctor finds out the key of that strange behaviour. Some years ago, during the local feast, some drug-addicts attacked the village in order to get money and goods. There was a fight and some people died, including Gonzalo's son. From then on, Gonzalo and others began their particular "crusade" against drug-addicts.

Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.

The Moorish general Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his lieutenant Michael Cassio when in reality it is all part of the scheme of a bitter ensign named Iago.

Sir Thomas Bedford orchestrates the heist of a Spanish casino, with the aid of a singer performing there. The police are aware of their activities, and a hostage situation arises.

Sequel to "The Great Family" and "Family and one more". A widower and the godfather of his 16 children, aged two, wistfully contemplate the past. The father was left alone in the family home, but loneliness overwhelms him so he decides to spend some time at home for each of their children, most of whom are married. But the experience ends up being disastrous.

Senator Alberici tries to approach the secretariat of his party with a campaign against immorality. In reality the politician is a pervert with homosexual tendencies that he expresses with men and women.

A middle-aged, closeted homosexual banker from a wealthy family, falls in love with a much younger heterosexual man.

The film depicts ten years of Catalan history, from 1899 with the defeat of the Spanish side in the Cuban War of Independence to the Tragic Week 1909.

Shows the unfailing love of two women for the same man, one as his mistress, the other as his wife. The lives of these characters intertwine and are determined by the variegated fabric of delicate tradition and established vices shaky politics and intrigue of the society they live in. Based on the major novel (1877) by Benito Perez Galdos.

A boy gets involved in a bank robbery