Director
Why do we travel? What do we seek? ONLOOKERS offers a visually striking, immersive meditation on travel and tourism in Laos, reflecting on how we all live as observers. Traversing the country's dusty roads and tranquil rivers, we watch as elaborate painterly tableaus unfold, revealing the whimsical and at times disruptive interweaving of locals and foreigners in rest and play.
Cinematography
Filmmaker Kimi Takesue captures the cadence of daily life for Grandpa Tom, a retired postal worker born to Japanese immigrants to Hawai’i in the 1910’s. Amidst the solitude of his home routines - coupon clipping, rigging an improvised barbecue, lighting firecrackers on the New Year - we glimpse an unexpectedly rich inner life.
Producer
Filmmaker Kimi Takesue captures the cadence of daily life for Grandpa Tom, a retired postal worker born to Japanese immigrants to Hawai’i in the 1910’s. Amidst the solitude of his home routines - coupon clipping, rigging an improvised barbecue, lighting firecrackers on the New Year - we glimpse an unexpectedly rich inner life.
Editor
Filmmaker Kimi Takesue captures the cadence of daily life for Grandpa Tom, a retired postal worker born to Japanese immigrants to Hawai’i in the 1910’s. Amidst the solitude of his home routines - coupon clipping, rigging an improvised barbecue, lighting firecrackers on the New Year - we glimpse an unexpectedly rich inner life.
Screenplay
Filmmaker Kimi Takesue captures the cadence of daily life for Grandpa Tom, a retired postal worker born to Japanese immigrants to Hawai’i in the 1910’s. Amidst the solitude of his home routines - coupon clipping, rigging an improvised barbecue, lighting firecrackers on the New Year - we glimpse an unexpectedly rich inner life.
Director
Filmmaker Kimi Takesue captures the cadence of daily life for Grandpa Tom, a retired postal worker born to Japanese immigrants to Hawai’i in the 1910’s. Amidst the solitude of his home routines - coupon clipping, rigging an improvised barbecue, lighting firecrackers on the New Year - we glimpse an unexpectedly rich inner life.
Director
A high society wedding, bustling city streets, a center for former child soldiers, a nightclub full of music and laughter: these are the many faces of today's Uganda, as wonderfully captured by filmmaker Kimi Takesue. Whether exploring the pulsating energy of the city or contemplating quiet moments in the country, her artful camera compositions and the lyrical pacing of the film allow us to truly engage and process the foreign land on our own terms. Documenting Uganda while it deals with day-to-day realities and the aftermath of its civil wars, Takesue, well aware of her perspective as an outsider, strives for simple, unadorned honesty. Employing a largely observational style, Takesue allows the sight and sounds-and the people-of Uganda to speak for themselves. Usually the people she records simply ignore the camera, but when someone does engage-whether it's a group of school children...
Director
In 2032 an eight-year old boy, displaced by global warming, fends for himself as an environmental refugee in a hostile northern metropolis. Haunted by memories of flooding that left him homeless and orphaned, the boy forms an unexpected friendship with an Inuk ice carver who helps him confront his past.
Writer
A young girl who's bored with the normal happenings at a public pool becomes fascinated with a pair of improbable patrons who arrive.
Director
A young girl who's bored with the normal happenings at a public pool becomes fascinated with a pair of improbable patrons who arrive.
Cinematography
HEAVEN'S CROSSROAD traces an impressionistic journey through Vietnam exploring the nuances and complexities of “looking” cross-culturally. Structured in a series of observational yet stylized vignettes, this visually driven experimental documentary investigates shifting relationships of voyeurism and intimacy, which link the observer with the observed.
Editor
HEAVEN'S CROSSROAD traces an impressionistic journey through Vietnam exploring the nuances and complexities of “looking” cross-culturally. Structured in a series of observational yet stylized vignettes, this visually driven experimental documentary investigates shifting relationships of voyeurism and intimacy, which link the observer with the observed.
Producer
HEAVEN'S CROSSROAD traces an impressionistic journey through Vietnam exploring the nuances and complexities of “looking” cross-culturally. Structured in a series of observational yet stylized vignettes, this visually driven experimental documentary investigates shifting relationships of voyeurism and intimacy, which link the observer with the observed.
Director
HEAVEN'S CROSSROAD traces an impressionistic journey through Vietnam exploring the nuances and complexities of “looking” cross-culturally. Structured in a series of observational yet stylized vignettes, this visually driven experimental documentary investigates shifting relationships of voyeurism and intimacy, which link the observer with the observed.
Director
A solitary man struggles to cultivate beauty in a desolate urban world. Lonely and dislocated, he drifts in and out of a dream state envisioning the promise of regeneration. ROSEWATER tells a story of hope sustained through perseverance, ritual and, ultimately, revelation.
