Jean Michaud

Enrique Chacon kills Oscar Romero, a Catholic archbishop in San Salvador. The CIA calls a special agent, Malko Linge, a ruined prince who lives with an expensive woman - Countess Alexandra - to get rid of this nuisance of a man. He does, with many encounters with sweet girls, and macho villains. (Written by Artemis-9, IMDb)

A flamboyant master criminal and several specialists stage an audacious scheme to capture the Eiffel Tower and hold as hostage one of its visitors, the U.S. President's mother, while the head of a UN security force tries to stop them.

An advertising photographer, François, has agreed to sell the poetic script of one of his friends to a porn-maker without his knowledge. But Christine, François' fiance, doesn't want him to do so, especially when the naive friend has succeeded in recruiting the young daughter of his employer to play in what he thinks is a romantic love movie.

A film by Jean-Marie Périer.

フレデリック・フォーサイス原作。謎の外人スナイパー“ジャッカル”がフランスに侵入。大統領ド・ゴールの命を狙う鮮やかな魔の手が迫る。個性派俳優エドワード・フォックスの怪演が光る名作。

In 1930, Louis Martinet, a peaceful sexagenarian, no longer has a long life to live according to the words of his doctor, Leon Galipeau, who sees to take advantage of the very interesting situation of the "future deceased". This one indeed has a small house in Saint-Tropez. Galipeau sniffs the windfall. Following his advice, Martinet agrees to give it in life to the brother of the doctor, Emile, and then rushes back to a health of iron. Worse, he even survives the war. Galipeau, exhausted, decide to use the great means to get rid of the importunce who persists in thwarting their project ...

When seven archaeologists find an ancient Inca temple, they become victims of an ancient curse. Back in Europe, one by one they fall into a deep sleep and only once a day, all at the same time, they wake up for a few minutes and experience hallucinations where the sinister living mummy of Rascar Capac appears.

The psychotic son of a film producer becomes obsessed with a beautiful blonde starlet while in Cannes, lures her to his hotel room and strangles her. His mother finds out, but can she keep her mouth shut to protect her son? Meanwhile, the young killer meets another pretty blonde...

ヨーロッパ各地でスピードに命をかけるＦ１ドライバーたちを、迫力のレースシーンとともに描くジョン・フランケンハイマー監督の超大作。三船敏郎の出演も話題となった。

This one is generally looked upon as the best version of the old-fashioned melodrama by Jules Mary.Riccardo Freda,who was mainly known for his horror movies,tried also his hand at spy thrillers in the wake of James Bond ("Coplan Ouvre Le Feu à Mexico") ,and had a penchant for old French melodramas (before "Roger la Honte" ,he redid "Les Deux Orphelines " -D.W.GRiffith's "orphans of the storm-. Georges Géret replaces Lucien Coedel and Irene Pappas takes on Maria Casarès's part of his mistress.Freda 's movie is more compact ,with a running time of 105 min,whereas Cayatte's version (1945-46) spread over two episodes with a total time exceeding 3 hours.It also benefited from the use of color .But all in all,it's the same old story.

In the second episode of the trilogy Fantômas kidnaps distinguished scientist professor Marchand with the aim to develop a super weapon that will enable him to menace the world. Fantômas is also planning to abduct a second scientist, professor Lefebvre.

Middle-aged businesswoman Paula Tessier resists the advances of Philip Van der Besh, the 24-year-old son of one of her clients. But when her longtime paramour, Roger Demarest, begins yet another casual affair with a younger woman, Paula decides that two can play that game. However, it seems that society looks differently at May-December romances when the woman is the older partner.

End of WW2 : the German officers lock all the men between 18 and 65 into the "Fort National" on an islet in Saint-Malo.

End of WW2 : the German officers lock all the men between 18 and 65 into the "Fort National" on an islet in Saint-Malo.

Rich industrialist Jacques Decret learns his wife Gloria is having an affair with a young actor. For revenge, he bombards her with anonymous letters, convincing her that her lover is the culprit while Gloria desperately seeks a way out.

"Thieves We Are" - In flashback, the audience learns why 104-year-old Amedee steals the watch belonging to the town mayor. The story develops into a history of the watch-thievery business, told in anecdotal fashion.