Hugo Pimentel

Goldface fights dr. Cobra's, aided by a bare chested African named Kotar. When Kotar's not punching folks, he's eating peanuts, bugging out his eyes, and speaking gibberish while referring to Goldy as "B'wana".

After escaping from a prison camp, an undercover Policeman infiltrates a Revolutionary Movement bent on stealing guns and ammo for their cause. He finds that he must combat the entire group single-handed. Larry Anderson

An inexperienced and naive thief, Susan, associated with two other thieves of the same character meets a skilled thief and elegant, Alberto. The rivalry between them arising initially manifested in the fact that Alberto always robs his opponents of stealing the product. But the love that seems to come between the expert professional and amateur cause an awkward turn of events. Based on the book "All right, Susan?" of Carlos Llopis.

Story of a group of settlers and how they had to take refuge in a fort when they were attacked by Indians, as told by the only survivor

A man whose wife was murdered on the wedding night returns to town to marry another and is resisted by the locals.

A girl has two suitors: a famous bullfighter who is in love and rejecting a pawn. His relationship with the bullfighter is hampered by the harassment to which he submits. After suffering a serious catch, the bullfighter lifesaving through the locket she gave him.

Also released as Valley of the Swords, this lugubrious US/Spanish co-production features the usual mid-1960s "tax shelter" international cast. Broderick Crawford plays a despotic 10th century Spanish king who, in cahoots with the invading Moors, has banished handsome Castilian nobleman Spartaco Santoni. With the surreptitious aid of Crawford's daughter Teresa Velasquez, Santoni assembles an army to march against the Moors. In keeping with the 13th century epic poem from which this film was derived ("El Poema de Fernan Gonzales") Santoni's path is smoothed by the celestial intervention of patron saints Milan and Santiago. Among the big names picking up a few tax-free dollars in The Castilian are Cesar Romero, Linda Darnell, Alida Valli and Fernando Rey.

As there are still a lot of problems in the relationships of the Spanish couples Saint Valentine returns to earth and especially to Madrid in order to fix these problems.

Cristina, a beautiful woman, lives in love with her husband Manuel, who believes the most handsome, charming and, above all, the best husband in the world. Unexpectedly, Manuel dies and, thereafter, Cristina not live but to idealize her husband, going so far as to pay a reasonable service. Until a jilted suitor puts aware of the true personality of her husband. Cristina's reaction was swift, gets a 'gale' and women becomes more attractive and desired of Sevilla.

In a sector of Madrid inhabited by families of a well-off class, a gang of boys and girls has continuous fun, sleep and drink, while their parents ignore practically everything. However, each of these young people has, to a greater or lesser degree, a problem. The parties and parties enjoyed by a group of young people from the upper class are the basis of the story that explains this film. Among them we find the famous couple, once happy, formed by Carlos Larrañaga and María Luisa Merlo. Directed by Fernando Palacios, and with a script by Rafael J. Salvia and Pedro Masó, " It's always Sunday " has no greater intention than entertainment, despite giving history a certain sociological touch, for that of valuing the behavior of the Youth of the time.

Afther their wedding ceremony, Fernanda and Cosme Martínez go to a luxury hotel to consummate. They receive there some gifts and they find one fabulous diamant bracalet with a note for Fernanda thanking her for unfforgetable nights. Cosme feel jelause and Fernanda offended and during their wedding night they go from one place to another to find out the misunderstanding.

Two friends plan a weekend of partying while their wives go to a mountain chalet. But everything gets complicated when a corpse appears in the pantry, apparently out of nowhere.

Paloma and Marcelo are in love, but only dare meet once a month- see, she doesn't know that he is only pretending to be the son of rich ranchers, and he doesn't know that she is only pretending to be the daughter of the great business tycoon B. Quintana... she is in reality just an employee! But when a desperate Marcelo must take a job at Quintana's company, both their lies begin to unravel.

Paloma and Marcelo are in love, but only dare meet once a month- see, she doesn't know that he is only pretending to be the son of rich ranchers, and he doesn't know that she is only pretending to be the daughter of the great business tycoon B. Quintana... she is in reality just an employee! But when a desperate Marcelo must take a job at Quintana's company, both their lies begin to unravel.

When the employee of a famous economist seeks a raise in complicity with a street vendor, her work learns real-life facts by trying to prove that you can live with what you pay.

After running over a young man with her car, a girl is forced to kiss him for 30 seconds, in order not to pay the expensive fine.

A man finances the invention of a friend overshadowed and dominated by the women of his family.

Raquel is let down during her pregnancy. Twenty years have passed and the man comes up claiming for his paternity.

A modest employee of exemplary behavior is mistakenly accused of committing a major fraud.

A woman must suffer humiliation, slights and slander to maintain the happiness of her paralyzed sister.

A group of young people from the Colegio Nacional Buenos Aires recount their wanderings and their days in high school at the time of the National Organization in Buenos Aires.

A meteorologist's wife hurts her sister so she won't reveal who the real mother of her child is.

The romance between an actress and a young man provokes the rejection of the class to which he belongs.

When a widower's five daughters find out that he has a fiancée, they hire an actress to seduce him in order to end the relationship.

A young man gives a hard lesson to his father, a prestigious lawyer complicated in the management of a foreign company.

Unreleased 1939 film directed by Carlos Hugo Christensen. It was the director's debut essay, filmed in 16 mm. It is currently unknown if any copies are preserved.