Don Peterson

Five models and their lovers invent exotic games to keep their sex lives fresh.

Dana Dewars (Samantha Fox) is going through a nasty divorce from her husband. Her character and past are being questioned in order to deny her the lifestyle she claims to be hers. She tells her life story to her lawyer to convince him of her social standing, while the viewer watches it as it "really" was.

An hard-core farce about a niece who inherits her dead uncle's money, but has to find it before collecting. Standing in Penny's way is her wicked, vile aunt who would inherit everything if something were to happen to Penny. The evil aunt hatches many plots to kill Penny off.

Toni is a smart drug smuggler, living in a luxuriously home by the beach. The pot (ganja) producers pack it in crates, take it from Jamaica to a precise point of New England waters, and dump it in the sea. With no apparent connection with them, a couple of scuba-divers later retrieve the crates to their own boat, then take it in an old low-flying biplane to the continent. And then a third party will distribute to the consumers. The Narcotics Bureau has its informers, of course, but it seems the monthly Ganja Express can't be stopped. Eventually it will come ashore, in a mix of sex and violence, during an orgy at Toni's place.

Two old west bank robbers take refuge on a rural farm that's been threatened with foreclosure, as they try to escape the law. Instead they find themselves caught up in a web of non-stop lust with the local girls, until a genius plan is hatched: to open a brothel!

Trucker Tom has problems. When he’s not on the road with his pal Jack, he’s at home with his perpetually horny reporter wife, Sue, who berates him for his lackluster sexual performance. What Sue doesn’t know if that Tom’s aggression is saved up for the road, where his alter ego “Big Bear” rules...

A private eye goes on the trail of the kidnappers of a rich man's daughter.

A tennis instructor leads a wealthy but neglected housewife into the world of prostitution.

When a New York lawyer realizes that he is the latest in a long line of Holly's discarded lovers he decides to get even with her. In order to blackmail her, he gets a gangster to secretly film Holly with her new lover in their hotel room.

John Holmes is dictating his memoirs on the terrace of a penthouse in New York City. He has just left sunny California and all the wild orgies. He is desperately searching for the one woman who can deep throat his massive manhood. He's looking for...The New York City Woman.

Faced with patients who die before they pay their bills, the staff at Carcinoma Hospital has hit on a novel way to keep the patients alive - dispensing hourly boffings so they'll have a reason to fend off the Grim Reaper. Naturally the nubile young nursing corps plays a big part in the plan, and the gorgeous Marlene Willoughby leads the white-clad sexual shock troops into carnal combat. And then there's the incompetent Dr. Mort, played by adult cinema legend big John Holmes. He brings his formidable uh, medical knowledge to keep a string of appreciative female patients in the land of the living.

When Nurse Blue gets a job at the Hospital for the Sexually Insane, she knows she'll have her work cut out for her - after all, a ward full of orgasm addicts is enough to keep anyone's hands full. But when she arrives at the hospital the situation is crazier than she expected. The two directors of the hospital, Dr. Hook (John Holmes) and Dr. Fraud, practice a rather unusual form of therapy wherein sex is the key for recovery. Soon, Nurse Blue discovers that the hospital is filled with hysterical patients who believe they're doctors and nurses.

The life of man is poor and nasty. A few plants give temporary relief: marijuana, alcohol, and opium. After a history of opium, including the 19th-century Opium Wars, we learn of the discovery of heroin; the rest of the film examines heroin trade and addiction in the U.S. Two tons a year enter the U.S., with only 100 pounds interdicted. Most is used in New York City. Interviews with customs officials, prosecutors, medical doctors and junkies provide points of view. The harsh 1956 law and the medically-oriented law of 1966 are contrasted, with the film on the side of treatment and rehabilitation. It ends with advocating reducing use here and finding other cash crops for farmers abroad.

Robert Mitchum narrates an anti drug propaganda film.

American troops storm ashore on a Japanese-held island and push inland while their enemies plan a counterattack in this look at warfare. Soldiers on both sides are haunted by memories of home and the horrifying, sickening images they find in combat.