Rainer Frimmel

Vera lives in the shadow of her famous father. Tired of her superficial life and relationships, she drifts through Roman high society. When she injures a child in a traffic accident in the suburbs, she forms an intense relationship with an eight-year-old boy and his father. But soon she must realize that also in this world she is only an instrument for others.

Vera lives in the shadow of her famous father. Tired of her superficial life and relationships, she drifts through Roman high society. When she injures a child in a traffic accident in the suburbs, she forms an intense relationship with an eight-year-old boy and his father. But soon she must realize that also in this world she is only an instrument for others.

Vera lives in the shadow of her famous father. Tired of her superficial life and relationships, she drifts through Roman high society. When she injures a child in a traffic accident in the suburbs, she forms an intense relationship with an eight-year-old boy and his father. But soon she must realize that also in this world she is only an instrument for others.

A love letter to Vienna in the 1960s, and simultaneously a genre film of Austrian postwar history. Viennese folk song singers Kurt Girk and Alois Schmutzer talk about their lives in the Viennese underworld – for which they endured long jail sentences.

A love letter to Vienna in the 1960s, and simultaneously a genre film of Austrian postwar history. Viennese folk song singers Kurt Girk and Alois Schmutzer talk about their lives in the Viennese underworld – for which they endured long jail sentences.

A love letter to Vienna in the 1960s, and simultaneously a genre film of Austrian postwar history. Viennese folk song singers Kurt Girk and Alois Schmutzer talk about their lives in the Viennese underworld – for which they endured long jail sentences.

A love letter to Vienna in the 1960s, and simultaneously a genre film of Austrian postwar history. Viennese folk song singers Kurt Girk and Alois Schmutzer talk about their lives in the Viennese underworld – for which they endured long jail sentences.

A love letter to Vienna in the 1960s, and simultaneously a genre film of Austrian postwar history. Viennese folk song singers Kurt Girk and Alois Schmutzer talk about their lives in the Viennese underworld – for which they endured long jail sentences.

Alexey is shooting a movie about himself. He is in search of a boyfriend. Everything would be alright, if Alexey's mother could accept his sexuality. Alexey comes to visit her and admits that he likes boys, saying 'Don't you anticipate any grandchildren from me'. We find Alexey at Tarkovsky film festival, where he apparently came to rest. Alexey meets Grisha, and a stormy holiday romance begins.

Tairo, a young lion-tamer, is unhappy. Losing his lucky charm gives him a reason to set off for a journey across Italy in search of Arthur Robin, a former Mister Universe, who gave him the charm a long time ago.

Tairo, a young lion-tamer, is unhappy. Losing his lucky charm gives him a reason to set off for a journey across Italy in search of Arthur Robin, a former Mister Universe, who gave him the charm a long time ago.

Tairo, a young lion-tamer, is unhappy. Losing his lucky charm gives him a reason to set off for a journey across Italy in search of Arthur Robin, a former Mister Universe, who gave him the charm a long time ago.

Documentary about a photographer.

Documentary about a photographer.

Phillip Hochmair is a young, successful actor with engagements at big theatres in Vienna and Hamburg. His life is marked by learning new texts by heart, rehearsals, and performances, thus gradually losing contact with the reality of everyday life. Only when he meets his uncle Walter, whom he didn't know about before and establishes an ambiguous friendship with, and also faces his neighbour Victor’s destiny, he discovers with full force how cruel the daily battle for survival can be.

Phillip Hochmair is a young, successful actor with engagements at big theatres in Vienna and Hamburg. His life is marked by learning new texts by heart, rehearsals, and performances, thus gradually losing contact with the reality of everyday life. Only when he meets his uncle Walter, whom he didn't know about before and establishes an ambiguous friendship with, and also faces his neighbour Victor’s destiny, he discovers with full force how cruel the daily battle for survival can be.

Phillip Hochmair is a young, successful actor with engagements at big theatres in Vienna and Hamburg. His life is marked by learning new texts by heart, rehearsals, and performances, thus gradually losing contact with the reality of everyday life. Only when he meets his uncle Walter, whom he didn't know about before and establishes an ambiguous friendship with, and also faces his neighbour Victor’s destiny, he discovers with full force how cruel the daily battle for survival can be.

Phillip Hochmair is a young, successful actor with engagements at big theatres in Vienna and Hamburg. His life is marked by learning new texts by heart, rehearsals, and performances, thus gradually losing contact with the reality of everyday life. Only when he meets his uncle Walter, whom he didn't know about before and establishes an ambiguous friendship with, and also faces his neighbour Victor’s destiny, he discovers with full force how cruel the daily battle for survival can be.

Abandoned in a park, the two-year-old girl Asia is found by Patty, a circus woman living with her husband Walter in a trailer park in San Basilio on the outskirts of Rome. With the help of Tairo, a teenager who lives with his grandma in an adjacent container, Patti gives the girl a new home for an uncertain period of time. However, Walter is concerned that they may be accused of kidnapping the girl, and he plans to report Asia's presence to the police. . Patty receives a letter from the mother in which she announces that she will collect the girl two days later. They have a farewell party, but the mother does not show up.

Abandoned in a park, the two-year-old girl Asia is found by Patty, a circus woman living with her husband Walter in a trailer park in San Basilio on the outskirts of Rome. With the help of Tairo, a teenager who lives with his grandma in an adjacent container, Patti gives the girl a new home for an uncertain period of time. However, Walter is concerned that they may be accused of kidnapping the girl, and he plans to report Asia's presence to the police. . Patty receives a letter from the mother in which she announces that she will collect the girl two days later. They have a farewell party, but the mother does not show up.

Abandoned in a park, the two-year-old girl Asia is found by Patty, a circus woman living with her husband Walter in a trailer park in San Basilio on the outskirts of Rome. With the help of Tairo, a teenager who lives with his grandma in an adjacent container, Patti gives the girl a new home for an uncertain period of time. However, Walter is concerned that they may be accused of kidnapping the girl, and he plans to report Asia's presence to the police. . Patty receives a letter from the mother in which she announces that she will collect the girl two days later. They have a farewell party, but the mother does not show up.

Documentary about a small circus.

Documentary about a small circus.

Documentary about a small circus.

Documentary about a small circus.

Portrait of a Russian village near Kaliningrad and its multiethnic inhabitants.

Portrait of a Russian village near Kaliningrad and its multiethnic inhabitants.

Portrait of a Russian village near Kaliningrad and its multiethnic inhabitants.

Portrait of a Russian village near Kaliningrad and its multiethnic inhabitants.

“While striking various poses around his apartment, [Haindl] addresses an imaginary public, his speeches ranging from defiant to contrite. Each one shows a different side of his personality, from political grumbler to poet in a slouch hat. His monologues deal with the usual prejudices, such as those against women and foreigners, and none of them can be reduced to a single coherent point of view. Commonplaces are qualified with contradictions and self-irony, and his tirades occasionally swerve in the direction of serious analysis. The state of pandemonium which characterizes the Austrian soul is depicted as a labyrinth of rhetoric.” –Dominik Kamalzadeh