Krishnakant

Suraj is a bachelor and a leading industrialist, who is still recovering from being separated from his love, Sushma. He would like to build a hotel in the same region where he met Sushma for the first time, and asks his secretary, Lalwani, to make arrangements. Lalwani meets with real estate agent, Chhaganlal Patel, and they procure a plot on a scenic lot and start the construction. They are assisted by Chhagan's gorgeous secretary, Shabho; a lawyer, Kapoor; Judas a local resident; Mahendraprasad Gupta, a government official; and Gadhucha, a labor contractor.

A young couple struggle with poverty, but a job opportunity which cancels their financial woes leads to new tests of character

After the passing away of her father, a local physician, Aarti takes it upon herself to dispense medicine, as well as sew clothes, and looks after a child named Kundan who has lost his legs to paralysis. She has a admirer in Arun, who secretly loves her, would like to marry her, but knows that he is poor and will be unable to afford a family, as he is a mere painter. Then an elderly man enters Aarti's life, he is ill, she offers to look after him until he gets better and leaves, but he does not leave, as he has nowhere to go, and she allows him to stay. Then good luck smiles on them as Arun sells one of his paintings, and he is able to get artificial legs for the child. What Arun and Aarti do not know is that the elderly male is really a very wealthy man named Ambarprasad, who had run away from his home when he was accused of having sex with his protégé, a young woman, who he had brought up. The question is what is Ambarprasad up to now?

An army captain falls for an outgoing young woman, but unknowingly weds her shy twin sister.

Navendu was a young motherless boy when his father married again. The step-mother saw the fear and doubt in the eyes of the boy and she promised him that he will be like a real son to her. Many years later his father on his death-bed took another promise from young Navendu, a promise to look after his step-brothers and sisters and step-mother, as if they were all of one blood. Navendu kept up his promise till they all grew up and he was like a father to them. Soon the day, came when the young brothers and sisters stood at the same window of life from where they have to select the Road of Sacrifice And the Road of Selfishness. The story of Do Raaste is the Drama of those brothers and sisters who take the different roads.

A man is devastated when his beloved is seemingly killed in a train crash, so his colleagues suggest he goes for a picnic to cheer himself up.

Based on Umrao Jaan Ada by Mirza Hadi Ruswa.

After an hospital accident, a wealthy male is compelled to adopt a prostitute's son. The lead protagonist is played by Raj Kapoor.

Kishore is a conman who has little respect for the rich. He learns that the person responsible for his friend's death is the same who led to his own father's death. He swears to bring him to justice.

Gauri, an orphan, is falsely accused of theft and lands up in a reformatory run by Ashok. Due to her rebelliousness, she gets into trouble. But, gradually she comes into her own with Ashok's help.

An impoverished man and his young son travel to Calcutta and look for work, in order to make money that'll save their ancestral land from being seized by a corporation.

Chanderbabu (Nazir Hussain), a retired postmaster, lives in the village with his wife and two sons, Rajan (Paul Mahendra) and Bhanu (Bharat Bhushan). He continues to live there and work for the Zamindar, while his children are getting their education. Rajan is studying for his law exam. He is married to a girl (Padma) from a wealthy family whose haughty ways alarm and frightens him. Bhanu, the younger brother is fun-loving but studious. He gets influenced by the Nationalist Movement in the campus and stops his education in the last year of college. His father is disappointed and feels that Rajan is the one they can depend upon in their old age. Bhanu meets Meena (Shyama), and the two fall in love. Meera's father, Ramnarayan, is the school Principal and is impressed by Bhanu. He decides to get Meera married to Bhanu.

Shankar and Paro love each other, but their relationship is strained by his drinking problem and Paro's sudden wealth.

A stridently nationalistic story of India’s freedom struggle, presented through the experiences of a Bengali family from 1885, when the Indian National Congress was established, to 1947. Important events incorporated into the plot were Gandhi’s satyagraha (1920), the Simon Commission (1928), Vallabhbhai Patel’s Bardoli satyagraha (1928) and the 1942 Quit India agitations. Krishan Chander’s script, Sachin Shankar’s choreography and the acting styles owed much to the IPTA theatre of the 40s. The film, made at Bombay Talkies, was produced by the distributors of the Chicago Radio PA systems label. Kishore Kumar plays the militant hero of this quasi-documentary. Motwane included old documentary footage purchased from Kohinoor and Krishna Film, as well as a shot of Rabindranath Tagore singing his Jana Gana Mana composition, one of India’s national anthems (Arunkumar Roy’s Of Tagore and Cinema, 1994, traces this footage to Ufa, shot when Tagore visited Munich)