Volker Sattel

参加作品

Tara
Director of Photography
The Tara is a river on the outskirts of Taranto whose waters are believed to have healing properties; bathing there is a tradition for the inhabitants of the city. Starting from this bucolic place, Volker Sattel and Francesca Bertin take us on a journey through a territory where myths clash with reality and where so-called “progress” has taken a heavy toll on nature and society.
Tara
Director
The Tara is a river on the outskirts of Taranto whose waters are believed to have healing properties; bathing there is a tradition for the inhabitants of the city. Starting from this bucolic place, Volker Sattel and Francesca Bertin take us on a journey through a territory where myths clash with reality and where so-called “progress” has taken a heavy toll on nature and society.
Marx
Camera Operator
MARX is Olaf Nicolai’s audacious 24-hour film created from a single shot of a sole statue: a vast bronze bust of Karl Marx, installed 50 years ago in Nicolai’s hometown of Chemnitz (formerly Karl-Marx-Stadt). Shot in one take on the 2020 autumnal equinox, when day and night are equal lengths, and screened on the same date, MARX transforms this iconic figure into a kind of unnatural landscape, subject to constant change beneath the evolving light of night and day. Turning notions of time upside down and inside out, this 24-hour film will be screened at 17 worldwide venues all at once – like an artificial sun rotating around the Earth.
THE ANIMALS
Director of Photography
“Kerstin” is driven by the opinions and expectations of her coaches and colleagues. Through various rehearsals, theoretical considerations and intensive coaching-practices, some more, some less successful, she springs from one island to the next, to play “Irena”, the female protagonist in the film “Cat People”.
La Cupola
Director
The portrait of a house without supporting walls. A bold dome made of concrete, an open space – right in the middle of the bizarre rock formations of a rugged coast made of reddish granite. The house belonged to actress Monica Vitti and director Michelangelo Antonioni. The emptiness of the “cupola” and the deserted quality of the site are the starting point for speculating – seemingly at random, figures wind up in the image and enter the dome, and even today, the utopia of an alternative concept of living seems to float above its form.
For Nothing
Cinematography
Unannounced, Aziza is once again standing in her room – internship, Portugal, everything canceled. But her room is occupied. Her mother, Trixi, has rented it out. Zach lives there now, a twenty-something from New Zealand, who came to Germany on a one-way ticket. Starting from this situation, the film develops an almost documentary-style portrait of a Kreuzberg ‘situation’: everything is readily available, time, people, summer, streets. And in the end a crash, the film itself: ‘for nothing’?
Under Control
Director
Within the closed world of the nuclear power industry one of humanity's most compelling struggles has taken place. Germany was at the vanguard of the nuclear power industry but now the walls are coming down. It was the country's greatest scientific endeavour but now all are due to be decommissioned, thanks to popular fear and the power of democracy.
After Effect
Cinematography
Berlin in the 3rd millenium. Rather by chance Kai Starel gets into the newly founded CC Institute "Carl Celler Culture", where hip creative minds buzz around in bleak spaces and think about company logos with animals. This brings up art, campaigns or something inbetween - and a liaison between the designer queen Rena Yazka (Sabine Timoteo) and Kai, who becomes her model.
Ich begehre
Writer
A man and a woman are robbed, several people are after the money.
Ich begehre
Director
A man and a woman are robbed, several people are after the money.
Unternehmen Paradies
Director
Documentary film.
Gigantic
Second Assistant Director
The Hamburg friends Walter, Ricco and Floyd take each day as it comes between the estates of tower blocks and fast food restaurants. All three are in their early twenties and are dreaming of another life when Floyd suddenly takes a job on a freighter going to Singapore…