Nebojša Đorđević

Bosnia & Herzegovina, 20 years after the war. Priest Mihailo and imam Hamdia meet each other during a bus drive along their deserted home region. Nobody wants to be the first to speak.

ZG80 is a prequel of Metastaze. The movie brings back its characters to prewar Yugoslavia where they, as part of Bad Blue Boys, go on a football match in Belgrade to see Dinamo play against Crvena Zvezda. They encounter guest fans, their arch rivals Delije, in a series of events that lead to football fans war on the streets of Belgrade.

First Serbian film shot in Kosovo after its separation.

When a rookie operative's mistake costs the lives of his entire team, he's forced on the run and must piece together the truth by re-creating the events of the ill-fated mission with only the audio recording to guide him.

ザ・ノヴェンバー・マンというコードネームを持ち、さまざまなミッションを遂行してきた伝説的CIAエージェントのピーター・デベロー。スイスで引退生活を送っていた彼だが、かつての仲間たちが何者かに殺害されているのを知って彼らを守ろうと動きだす。だが、元同僚で愛していた女性を殺され、その犯人が自分がかつて教育してきた現役エージェントであることを知る。彼と壮絶な戦闘を続けながら、事件の全体像をつかもうとするデベロー。やがて彼は、ロシア大統領選をめぐる陰謀の存在にたどり着く。

Three childhood friends from Belgrade, Serbia, whose destinies change as they become adults during the wartime 1990s.

A moving love story in a time of hatred: During the civil war in Kosovo, the young Serbian widow Danica falls in love with Ramiz, a Albanian soldier who, wounded in battle, seeks refuge in her home on the Serbian side of the River Ibar.

Through the intimate stories of seven young directors, October is the generational attitude towards Serbia today, shown in different perspectives and through different genres - from black comedy to melodrama, poetic portrait to the socially engaged horror. Motif that binds all of the stories together is the tenth anniversary of the democratic revolution. Each film is taking place on that day, 5th of October in 2010, and each film is differently related to the anniversary and what that event means 10 years after. The film brings fresh visions of the seven young directors who were teenagers at the time of the overthrow of president Milosevic and his regime. On a personal and emotional way they show a complex picture of modern Serbia.

A girl – while taking a walk through the centre – discovers something very strange about the people of Sarajevo. They seem like lifeless ’zombies’, they only come alive for a few seconds to perform a little scene written down for them. She takes it as a joke first and fools around until she comes across someone with a paper: „Kill her!” written on it.

Jelena and Milan are going to the mountain house for a weekend. Milan disappears. Jelena starts looking for him and gets lost in the woods.